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Angra: Angels Cry
20th Anniversary Tour
OFFSTAGE…….: feb12 (’14)
ONSTAGE……..: nov18 (’13)
GENRE……….: power-metal prog-metal heavy-metal folk-metal concert
RUNTIME……..: 01:56:33 (29.970)
VIDEO……….: 1280×720 (5202)
AUDIO……….: dts 5.1 (1509)
LANGUAGE…….: english
NAMED……….: lqd-angraangelscry720p.mkv
SIZE………..: 5595.37 (60×100)
BLURAY………: http://tinyurl.com/kjj99ze
http://www.imdb.com/title/ttxxxxxxx/
DESCR
never forget…
support the artists, go to the festivals
…and buy the stuff u love!
01 Angels cry
02 Nothing to say
03 Waiting silence
04 Lisbon
05 Time
06 Millennium sun
07 Winds of destination
08 Gentle change
09 The voice commanding you
10 Late redemption
11 Reaching horizons
12 A monster in her eyes
13 No pain for the dead
14 Stand away
15 Wuthering heights
16 Evil warning
17 Unfinished allegro / Carry on
18 Rebirth
19 In excelsis / Nova era
20 Gate XIII
Info:
Format: TS | 15.0Mbps
Length: 00:25:00 | 2.96Gb
Video: MPEG2 | 1920x1080i | 16:9 | 29.970fps
Audio: AC3 | 384kbps | 48kHz | 5.1ch
Language: English
Setlist:
01 One Step Closer (Ext. Outro)
02 Castle Of Glass (w/ Ann and Nancy Wilson)
03 What I’ve Done (w/ Mike Einziger)
04 In The End (w/ Mike Einziger)
05 Burn It Down
06 Bleed It Out (Ext. Intro; Ext.Bridge w/ Travis Barker + Rob Drum Solos; Ext. Outro) (more…)
Format : MPEG-TS at 10.2 Mbps
Length : 7.31 GiB for 1h 42mn 56s 671ms
Video #0 : AVC at 9 408 Kbps
Aspect : 1920 x 1080 (1.778) at 25.000 fps
Audio #0 : AC-3 at 256 Kbps
Infos : 2 channels, 48.0 KHz
Language : en
Credits to the original capper
Track Listing:
Arctic Monkeys – R U Mine?
Katy Perry – Dark Horse
Bruno Mars – Treasure
Beyonce – XO
Disclosure, Lorde, AlunaGeorge – Royals + White Noise
Ellie Goulding – I Need Your Love + Burn
Bastille, Rudimental, Ella Eyre – Pompeii + Waiting All Night
Pharrell Williams, Nile Rodgers – Get Lucky + Good Times + Happy (more…)
Format : MPEG-TS at 24.0 Mbps
Length : 37.8 GiB for 3h 45mn 16s 806ms
Video #0 : MPEG Video at 19.6 Mbps
Aspect : 1920 x 1080 (1.778) at 25.000 fps
Audio #0 : MPEG Audio at 192 Kbps
Infos : 2 channels, 48.0 KHz
Language : en
Audio #1 : Dolby E
Infos : 6 channels, 48.0 KHz
Language : en
Audio #2 : Dolby E
Infos : 1 channel, 48.0 KHz
Audio #3 : Dolby E
Infos : 1 channel, 48.0 KHz
Audio #4 : MPEG Audio at 384 Kbps
Infos : 2 channels, 48.0 KHz
Language : en
Audio #5 : MPEG Audio at 384 Kbps
Infos : 2 channels, 48.0 KHz
Language : en
Credits: tudou
Track Listing:
Beyoncé / Jay-Z – Drunk in Love
Lorde – Royals
Hunter Hayes – Invisible
Katy Perry / Juicy J – Dark Horse
Robin Thicke / Chicago – Saturday in the Park / Blurred Lines
Keith Urban / Gary Clark, Jr. – Cop Car
John Legend – All of Me
Taylor Swift – All Too Well
Pink / Nate Ruess – Try / Just Give Me a Reason
Ringo Starr – Photograph
Kendrick Lamar / Imagine Dragons – Radioactive / m.A.A.d city
Kacey Musgraves – Follow Your Arrow
Ringo Starr / Paul McCartney – Queenie Eye
Merle Haggard / Kris Kristofferson / Willie Nelson / Blake Shelton – Okie from Muskogee
Daft Punk / Nile Rodgers / Stevie Wonder / Pharrell Williams – Get Lucky / Le Freak / Harder, Better, Faster, Stronger / Another Star / Lose Yourself to Dance / Around the World
Sara Bareilles / Carole King – Beautiful / Brave
Metallica / Lang Lang – One
Macklemore & Ryan Lewis / Mary Lambert / Madonna / Queen Latifah / Trombone Shorty & Orleans Avenue – Same Love / Open Your Heart
Billie Joe Armstrong / Miranda Lambert – When Will I Be Loved
Nine Inch Nails / Queens of the Stone Age / Dave Grohl / Lindsey Buckingham – Copy of A / My God Is the Sun (more…)
Source: HDTV 1080i
Format: TS
Video: MPEG2
Audio: AC3
video: MPEG2 Video 1920×1080 29.97fps 15.7 Mbps
audio: Dolby AC3 48000Hz 6ch 384kbp
Size: 6.41 GB
Time: ~ 00:53:00
TRACKLIST:
01 Maroon 5 – All My Loving/Ticket To Ride
02 Stevie Wonder – We Can Work It Out
03 Joe Walsh, Jeff Lynne and Dhani Harrison – Something
04 Eric Idle
05 Interview with Letterman 1
06 Ed Sheeran – In My Life
07 John Mayer and Keith Urban – Don’t Let Me Down
08 Interview with Letterman 2
09 Katy Perry – Yesterday
10 Imagine Dragons – Revolution
11 Interview with Letterman 3
12 Dave Grohl and Jeff Lynne – Hey Bulldog
13 Eurythmics – Fool On The Hill
14 Interview with Letterman 4
15 Alicia Keys and John Legend – Let It Be
16 Pharrell Williams and Brad Paisley – Here Comes The Sun
17 Interview with Letterman 5
18 Gary Clark Jr., Joe Walsh and Dave Grohl – While My Guitar Gently Weeps
19 Interview with Letterman 6
Music Director – Don Was
House Band:
Kenny Aronof – drums
Peter Frampton – guitar
Rami Jaffe – organ
Steve Lukather – guitar
Greg Phillinganes – keyboards/piano
Chris Caswell – keyboards
Lenny Castro – percussion
Don Was – bass
Larry Hall – trumpet
Nick Lane – trombone
Larry Williams – sax/woodwinds
Carmel Echols – vocals
Judith Hill – vocals
Kari Kimmel – vocals (more…)
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1. Beyoncé ft. Jay-Z - Drunk In Love 2. Lorde - Royals 3. Katy Perry ft. Juicy J - Dark Horse 4. Robin Thicke ft. Chicago - Does Anybody Really Know What Time It Is?/Saturday in the Park/Blurred Lines 5. Taylor Swift - All Too Well 6. Pink ft. Nate Ruess - Try/Just Give Me a Reason 7. Ringo Starr - Photograph 8. Kendrick Lamar and Imagine Dragons - Radioactive/M.A.A.D City 9. Paul McCartney & Ringo Starr - Queenie Eye 10. Daft Punk ft. Nile Rodgers,Stevie Wonder and Pharrell Williams - Get Lucky/Le Freak 11. Metallica & Lang Lang - One 12. Macklemore & Ryan Lewis,Mary Lambert,Queen Latifah ft. Madonna - Same Love/Open Your Heart 13. Nine Inch Nails, Queens of the Stone Age, Dave Grohl and Lindsey Buckingham - Copy of A/ My God Is the Sun Complete name : 1. Beyoncé ft. Jay-Z - Drunk In Love.ts Format : MPEG-TS File size : 966 MiB Duration : 5mn 30s Overall bit rate mode : Variable Overall bit rate : 24.5 Mbps Video ID : 308 (0x134) Menu ID : 1 (0x1) Format : MPEG Video Format version : Version 2 Format profile : Main@High Format settings, BVOP : Yes Format settings, Matrix : Custom Format settings, GOP : M=3, N=12 Codec ID : 2 Duration : 5mn 30s Bit rate mode : Variable Bit rate : 22.7 Mbps Maximum bit rate : 24.7 Mbps Width : 1 920 pixels Height : 1 080 pixels Display aspect ratio : 16:9 Frame rate : 25.000 fps Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 8 bits Scan type : Interlaced Scan order : Top Field First Compression mode : Lossy Bits/(Pixel*Frame) : 0.438 Time code of first frame : 04:39:25:19 Time code source : Group of pictures header Stream size : 895 MiB (93%) Color primaries : BT.709 Transfer characteristics : BT.709 Matrix coefficients : BT.709 Audio #1 ID : 256 (0x100) Menu ID : 1 (0x1) Format : MPEG Audio Format version : Version 1 Format profile : Layer 2 Mode extension : Intensity Stereo + MS Stereo Codec ID : 3 Duration : 5mn 30s Bit rate mode : Constant Bit rate : 192 Kbps Channel(s) : 2 channels Sampling rate : 48.0 KHz Compression mode : Lossy Delay relative to video : 151ms Stream size : 7.56 MiB (1%) Language : English Audio #2 ID : 258 (0x102) Menu ID : 1 (0x1) Format : MPEG Audio Format version : Version 1 Format profile : Layer 2 Mode extension : Intensity Stereo + MS Stereo Codec ID : 3 Duration : 5mn 30s Bit rate mode : Constant Bit rate : 384 Kbps Channel(s) : 2 channels Sampling rate : 48.0 KHz Compression mode : Lossy Delay relative to video : 80ms Stream size : 15.1 MiB (2%) Language : English
Knabenchor Hannover: Christmas with Johann Sebastian Bach movie was released Oct 29, 2013 by the Rondeau studio. This musical release from Knabenchor Hannover captures a live Christmas performance by the ensemble, recorded live at the Marktirche Hannover, performing Bach’s “Cantatas BWV 61, 63, and 248 I” (more…)
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R.E.M. – New Adventures in Hi-Fi
Artist: R.E.M. | Album: New Adventures in Hi-Fi | Style: Alternative Rock | Year: 2005 [1996 original] | Quality: DVD-Audio (MLP 5.1 48kHz/24Bit, MLP 2.0 48kHz/24Bit, Dolby AC3 5.1, Dolby AC3 2.0) | Bitrate: lossless | Tracks: 14 | Size: ~5.46 Gb | Recovery: 3% | Covers: in archive | Release: Warner | Athens. LCC (8122-73950-2), 2002 | Note: Watermarked
Tracklist:
01. How the West Was Won and Where It Got Us (04:31)
02. The Wake-Up Bomb (05:08)
03. New Test Leper (05:26)
04. Undertow (05:09)
05. E-Bow the Letter (05:24)
06. Leave (07:17)
07. Departure (03:29)
08. Bittersweet Me (04:05)
09. Be Mine (05:33)
10. Binky the Doormat (05:01)
11. Zither (02:34)
12. So Fast, So Numb (04:12)
13. Low Desert (03:31)
14. Electrolite (04:05)
The Blu-ray includes renditions of 13 REO tunes, including hits like ‘Keep On Loving You,’ ‘Take It On The Run,’ and ‘Time For Me To Fly’ along with the classic gem ‘157 Riverside Avenue’ plus first ever live versions of ‘In Your Letter,’ ‘Golden Country,’ and ‘Like You Do.’ Live At Moondance Jam also contains an interview with lead vocalist/guitarist, Kevin Cronin.
Tracklisting:
1. Don’t Let Him Go
2. Keep On Loving You
3. In Your Letter
4. Take It On The Run
5. Keep Pushin’
6. Golden Country
7. Can’t Fight This Feeling
8. Like You Do
9. Time For Me To Fly
10. Back On The Road Again
11. Roll With The Changes
12. Ridin’ The Storm Out
13. 157 Riverside Avenue
14. Bonus: Interview with Kevin Cronin (more…)
Artist: Various
Title: DTS Music Demo Disc 10
Genre: Rock, Pop
Release Date: 2014
Quality: Blu-ray
Video: MPEG-4 AVC ~20000 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio Codecs : DTS-HD Master Audio 7.1 & 5.1 & DTS 5.1 & 4.1, DTS 96/24
Reference quality DTS demonstration Blu-ray disc. For testing and demonstrating your surround system.
Includes more than 2 hours of great sounding pop, rock, hard rock & indie music
Tony McPhee & Friends – I Asked For Water, She Gave Me…Gasoline (1969)
Vinyl rip @ 24/96 | FLAC | Artwork | 1248Mb inc. 3% recovery
FilePost, FileFactory | British Blues | 1969 UK LP | Liberty LBS 83252
I Asked for Water, She Gave Me…Gasoline is the second album of (mostly) acoustic blues stylings from Tony McPhee and some talented friends — including Jo-Ann Kelly, Andy Fernbach, Graham Hines and Brett Marvin –, but it’s not quite a repeat of the prior album (Me and The Devil). The playing is more incisive and the boldness is ratcheted up at least half a notch, vocally as well as instrumentally. The overall effect, at times, is one of the “blackest”-sounding blues albums ever generated by white Englishmen (and Englishwomen), even if the presence of drums does present a slightly modernistic intrusion. This is distinctly a more late-’60s record at times, in sound and intent, than its predecessor, but that’s not a problem when you’re dealing with talent this prodigious, because it’s all honest and unaffected. Bruce Eder, Allmusic.
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Tomita – The Planets
Label: RCA Red Seal/ARL1-1919 | Release: 1976 | Genre: Electronic-Classical
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz
This was the most controversial Tomita album, where he uses Holst’s spectacular, mystical suite The Planets as a launching pad for what amounts to a simulated spaceship trip through the solar system. Hence the title The Tomita Planets, which did not deter the Holst estate from trying (unsuccessfully) to pull this recording off the market at the time. When Tomita sticks to what Holst wrote, he follows every turn and bend of the score, save for a big cut in the last part of Jupiter and an eviscerated Uranus that nearly disappears altogether. Moreover, the music — especially Venus — often does lend itself to an electronic space flight fantasy, with Tomita’s arsenal of phase-shifting, flanging, pitch-bending, envelope following and reversing choral effects and more on full display. It’s the stuff between movements that provoked the purists — the campy simulated mission control communications and electronic blastoff prior to Mars and the “noises” of space flight scattered throughout (including a nasty asteroid belt between Jupiter and Saturn). The most questionable idea was that of playing Jupiter’s grand central theme on a tinkly electronic music box as a way to open and close the record — which some will find satirical, others touching, still others tasteless. Indeed, Tomita seems to have it in for British pomp; when this theme is played within the context of Jupiter, he interrupts it with electronic chatter between mission control and the spaceship. Ultimately, The Tomita Planets is still good electronic fun, and it launched a series of space-themed concept albums by this electronic astronaut.
allmusic.com (more…)
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Titus Groan – Titus Groan
Label: Get Back/Get 564 | Released: 1970/2000 | Genre: Progressive-Rock
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz
Not quite a “masterpiece,” but almost. Titus Groan were an early (they formed sometime in 1969 and released their only album and single in 1970) art rock/ progressive band who sounded uncannilly like a cross between Czar without the mellotron and The Move circa Message From The Country with a bit of Jethro Tull thrown in for good measure. This means high energy melodic songs with lots of guitars. sax, vocal harmonies, and great percussion work/drumming. There’s occaisonal organ and electric piano, but mainly a much earlier guitar battling with flute, sax, and oboe sound. The first song “It Wasn’t For You” is very bluesy and grooves along with a restrained hard edge. The vocal sounds eerily like Ian Anderson and this is true for the lead vocals for the whole album. I have no idea which of the four band members took care of lead voice, but he has a great one and if you love Tull (I do) you’ll love this. The guitar, which is strong and confident, also brings to mind that group, while the bass and percussion have a jazzier approach like Cream or King Crimson. The hard hitting attack balanced with good melodies always reminded me of Czar on this album, and that can only be good. Every song is excellent, and there is no problem with any of the words or music here. The only problem is a “rushed” quality that leaves me salivating for more. It sounds like Titus Groan were a confident band who hurried into a studio and gave it their very best and suceeded in making a fantastic album, why wasn’t there a second one? My favourite tracks here are on Side Two, the dark and ominous turning into light and playful at the end epic “I Can’t Change” and Czar soundalike “Fuschia.” Play the two albums together and you’ll see what I’m talking about. Hey, I prefer Titus Groan to Blodwyn Pig- this is prime period Jethro Tull and NOT the much inferior first album with Mick Abrahams. There’s strong melodies here, and even at their most daringly progressive on “Hall Of Bright Carvings” these guys cook and are impressive singers and musicians. If you like early prog with lots of energy this album will knock you out. I don’t know why Titus G. have always been slammed by critics and dealers, I think this is a great album, in fact I know it is. The single wasn’t too good, though, so skip over that if you get the reissue with the 7 inch tracks. Same scenario as another band wonder who that is… Czar. Surprised? Well I’m not, like I said take out the mellotron and put in saxes and flutes, it’s the same great solid sound.
progarchives.com (more…)
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The Johnstons – The Johnstons
Label: Mercury/SRM 1 640 | Release: 1972 | Genre: Folk-Rock
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz
The Johnstons were a family folk group who were immensely popular in Ireland in the late 1960s. They recorded both traditional and contemporary folk material, some of the latter straying into folk-rock and pop-folk areas on occasion.
The original lineup consisted of sisters Adrienne and Lucy Johnston singing close-harmony, backed by their brother Michael on acoustic 12-string guitar. This trio signed to Pye Records in 1965 and scored their only Irish #1 hit with their first single, a cover of Ewan MacColl’s “The Travelling People”. Several more successful singles followed over 1966-67 which are collected on the “Travelling People” album released on Marble Arch in 1968.
The Johnstons began to spend more time in the USA, spending three months touring there in 1971, including an apparance at the Philadelphia Folk Festival in August. This tour coincided with the release of “Colours Of The Dawn” on Vanguard Records in September 1971. The contemporary material began to dominate and for this reason Mick chose to leave towards the end of the year. He favoured the traditional material but his bandmates preferred the contempary. Mick later emigrated to the USA to study and released solo albums.
By 1972 the band was duo of Adrienne Johnston and Paul Brady, who signed to Mercury Records in the USA in May that year. The Johnstons released one final LP, “If I Sang My Song” (1972, The Johnstons in US), the majority of the songs coming from the pen of Brady and his co-writer Chris McLoud. The album boasted backing musicians such as Tim Hart, Royston Wood, and Rick Kemp but would prove to be the band’s last.
irishrock.org
The Chieftains - The Chieftains 7
Label: Columbia/PC 35612 | Release: 1978 | Genre: Irish-Folk
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz
7 was the first Chieftains album released in the States by Columbia, though the group had been playing together and recording in some form since the early ’60s. (Actually, 7 was first released in Ireland on the Claddagh label, and issued in America the subsequent year.) Truth be told, Chieftains albums don’t vary enormously from one to the other. But this is one is, as expected, Irish traditional music of a high standard, and more varied within its LP-length program than many other such albums of the genre are. What makes the group stand out from many other Irish folk ensembles is the insistent percussive beats of their more up-tempo numbers, the rhythms held by bodhran and bones. More subtly, there’s a gentleness and pastoral sensitivity to their treatments that eludes the brusquer, more in-your-face Irish combos. All those qualities are in force on this set, the percussive thrust coming to the fore on the opening “Away We Go Again,” Derek Bell’s beautiful harp highlighting the wistful “Dochas (Hope)” and the Carolan tunes “John Connor and the Ode to Whiskey.” Elsewhere, the pace varies between jigs, reels, and slower selections, everyone in the band getting a chance to both take the spotlight and play as part of a team effort.
allmusic.com (more…)
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