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Zubin Mehta, Vienna Philharmonic Orchestra – Bruckner: Symphony No.9 (1965/2016) [Official Digital Download 24bit/192kHz]

Zubin Mehta, Vienna Philharmonic Orchestra – Bruckner: Symphony No.9 (1965/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 01:03:31 minutes | 2,47 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © HDTT

This is a fantastic performance, both orchestra and conductor have this music in their bones, the playing and recording are first class….

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Yukio Yokoyama – Debussy: Préludes, Books 1 & 2 (2019) [Official Digital Download 24bit/192kHz]

Yukio Yokoyama – Debussy: Préludes, Books 1 & 2 (2019)
FLAC (tracks) 24 bit/192 kHz | Time – 01:15:59 minutes | 2,46 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © ART_INFINI

Yukio Yokoyama was born in Tokyo in 1971. Already as a child he played pieces of his own composition and performed with orchestras both in Japan and abroad. At that time he received advice from such personalities as Karajan and Rostropovich.

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Yijie Shi – Xiaogang Ye: Twilight in Tibet, 7 Episodes for Lin’an & Tianjin Suite (2022) [Official Digital Download 24bit/96kHz]

Yijie Shi – Xiaogang Ye: Twilight in Tibet, 7 Episodes for Lin’an & Tianjin Suite (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:01 minutes | 1,30 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Naxos

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yeule – Glitch Princess (2022) [Official Digital Download 24bit/44,1kHz]

yeule – Glitch Princess (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 43:17 minutes | 874 MB | Genre: Electronic, Experimental
Studio Masters, Official Digital Download | Front Cover | © Bayonet Records

~ The pioneering second album from the avant-pop artist is a darkly nuanced look at identity and technology, where personal disasters occur at the same scale as the actual apocalypse. ~

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Yegor Dyachkov – Beethoven꞉ Sonatas and Variations for Cello and Piano (Vol. 1) (2022) [Official Digital Download 24bit/96kHz]

Yegor Dyachkov – Beethoven꞉ Sonatas and Variations for Cello and Piano (Vol. 1) (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:22:26 minutes | 1,36 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Les Disques ATMA Inc.

In the 1770s, thanks to Joseph Haydn and Wolfgang Amadeus Mozart, the cello began to play a more Flute. These works reveal not only Beethoven’s admiration for these two composers, but also his fondness important role in chamber music. Nonetheless, the sonata for cello and piano (or harpsichord) did not benefit from the changes that had transformed the violin sonata. In neither of the two forms of cello and piano sonata — for cello with simple accompaniment on the one hand, or for piano with cello obbligato — can we speak of real, organic collaboration between the two instruments.

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Wolfgang Hentrich, Deutsche Streicherphilharmonie, SoRyang – A Summer Night’s Concert (Live) (2022) [Official Digital Download 24bit/88,2kHz]

Wolfgang Hentrich, Deutsche Streicherphilharmonie, SoRyang – A Summer Night’s Concert (Live) (2022)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:30:50 minutes | 1,54 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Gramola Records

In the recording of the festive summer concert with pianist SoRyang and Deutsche Streicherphilharmonie, the string orchestra of Germany’s music schools, conducted by Wolfgang Hentrich from the Golden Hall of the Vienna Musikverein on August 1, 2021, an attractive selection of works can be heard with Edvard Grieg’s Suite “From Holberg’s Time”, the 2nd Piano Concerto in F minor by Frédéric Chopin, as well as Roland Baumgartner’s Gondellied Variation for piano, harp and string orchestra, in which the composer resorted to the Venetian Gondola Song from Felix Mendelssohn Bartholdy’s Songs without Words.

Further works presented here are Wojciech Kilars Orawa for string orchestra (1988), Samuel Barber’s famous solemn Adagio for Strings, Johann and Joseph Strauss’ Pizzicato-Polka, Astor Piazzolla’s Oblivion and Presto from Summer of Antonio Vivaldi’s Four Seasons.

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Wilhelm Klepper – Concerto In D Major, Opus 61 For Violin And Orchesta (1970/2022) [Official Digital Download 24bit/96kHz]

Wilhelm Klepper – Concerto In D Major, Opus 61 For Violin And Orchesta (1970/2022)
FLAC (tracks) 24 bit/96 kHz | Time – 45:12 minutes | 835 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Audio Fidelity

Joachim Georg Wilhelm Klepper (born March 22, 1903 in Beuthen an der Oder, Freystadt district, Silesia Province; † December 11, 1942 in Berlin) was a German theologian who worked as a journalist and writer. He is one of the most important poets of spiritual songs of the 20th century. Klepper was ostracized and harassed during the time of National Socialism because of his “non-aryan” wife and finally took his own life.

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Wilhelm Furtwängler – Wagner: Siegfried by Wilhelm Furtwängler (2022) [Official Digital Download 24bit/44,1kHz]

Wilhelm Furtwängler – Wagner: Siegfried by Wilhelm Furtwängler (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 04:08:18 minutes | 2,39 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alexandre Bak – Classical Music Reference Recording

Although Furtwängler’s recorded legacy is extensive, recordings of concertos are relatively few. This 1949 recording of Brahms’ Violin Concerto is notable for the legendary conductor’s highly expressive accompaniment. In the Hungarian Dances Furtwängler’s innate understanding of their idiom brings a variety of subtleties and inflexions that make this recording particularly memorable. In Mendelssohn’s Hebrides Overture his structural strength of line, together with a natural fluidity of tempo underpinning the thematic imagery, strikes a perfect balance. Last but not least, the heart-warming performance of Wagner’s Siegfried Idyll demonstrates once again that even when Furtwängler conducted the lighter works of those composers whose output could be considered predominantly serious, he always brought the same questing spirit to search out the soul of the music

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Whatever The Weather – Whatever The Weather (2022) [Official Digital Download 24bit/44,1kHz]

Whatever The Weather – Whatever The Weather (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 45:53 minutes | 433 MB | Genre: Electronic, Ambient
Studio Masters, Official Digital Download | Front Cover | © Ghostly International

Loraine James has processed the last two years of turbulence through her art. The North London producer started a monthly show on NTS radio, shared several projects on Bandcamp, and recorded two Hyperdub releases, the Nothing EP and Reflection, the proper LP follow-up to her 2019 breakthrough, For You and I (which landed James, then a teaching assistant by day, the top spot on year-end lists by Quietus and DJ Mag). She also returned to a distinct creative terrain uncharted since her teenage years. In contrast to her club music sensibilities, this mode embraces keyboard improvisations and vocal experimentation, foregoing percussive structure in favor of shaping atmosphere and tone. From this divergent headspace emerged new coordinates and climates, a new outlet: Whatever The Weather. A longtime fan of ambient-adjacent Ghostly International artists such as Telefon Tel Aviv (who she’d ask to master the album), HTRK (whose singer Jonnine Standish features on Nothing), and Lusine (whom she remixed at the start of 2021), James saw the label as the ideal home for this eponymous album of airy, transportive tracks as they began to formulate.

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Wet Leg – Wet Leg (2022) [Official Digital Download 24bit/44,1kHz]

Wet Leg – Wet Leg (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 36:49 minutes | 436 MB | Genre: Indie Rock
Studio Masters, Official Digital Download | Front Cover | © Domino Recording Co

Right from the start of Wet Leg, Rhian Teasdale and Hester Chambers focus was fun, and a dry sense of humour ripples through the album. ‘I wanted to write fun songs, I didn’t want to indulge sad feelings too much, I wanted to write stuff that’s fun to listen to and fun to play’, reveals Rhian. ‘But then, the sad seeps through, as well’. ‘Wet Leg’ is sad music for party people, and party music for sad people. It is cathartic and joyful and punk and scuzzy and above all, it’s fun. ‘Wet Leg was originally just supposed to be funny’, says Rhian. ‘As a woman, there’s so much put on you, in that your only value is how pretty or cool you look. But we want to be goofy and a little bit rude. We want to write songs that people can dance to. And we want people to have a good time, even if that might not possible all of the time’.

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