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ACM Presents: An All-Star Salute to the Troops, that was taped in Las Vegas the night after the ACM Awards, will air tonight on CBS, featuring an all-star line-up of performers who were also joined by some of the most talented members of our military for their performances. Dierks Bentley, Lee Brice, Luke Bryan, Merle Haggard, Hunter Hayes, Toby Keith, Miranda Lambert, Tim McGraw, Kellie Pickler, Blake Shelton, George Strait, Carrie Underwood, Keith Urban, Eli Young Band, Florida Georgia Line, Lady Antebellum, Rascal Flatts and The Band Perry all pay tribute to our military members and veterans with performances.
Some of the most memorable moments of the night include Toby Keith and Scotty Emmerick singing the irreverent “Call a Marine” joined by Marine Lt. Col. Mike Corrado in his full dress uniform. The Band Perry performed a show-stopping version of “If I Die Young” with Army Spc. Kelly A. Gregg. Specialist Gregg’s performances was so incredible that during the taping the audience gave her a standing ovation and began chanting “one more!” demanding that they sing the song a second time. When producers said they were going to sing it one more time the crowd erupted in cheers, which is incredibly rare at TV tapings. Carrie Underwood will also world premiere a new song she co-wrote specifically for the special called “Keep Us Safe.” The song will be available for digital download after the broadcast tonight, with all proceeds benefitting ACM Lifting Lives.
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General:
Filename…….: Emerson Lake And Palmer 40th Anniversary Reunion Concert 2010 1080p AC3 5.1 x264
Format…….. : Matroska
Duration…….: 1h 32mn 12s 736ms
Size………..: 6.43 GiB
Video:
Codec……….: Mpeg-4 Avc [email protected]
Type………..: Progressive
Resolution…..: 1920×1080
Aspect Ratio…: 16:9
Bit rate…….: 9.8 Mbps
Frame rate…..: 23.976 Fps
Audio:
Format………: Ac3 Audio
Channels…….: 6 Channels
Bit rate…….: 384 Kbps
Language…….: English
Tracklist:
1.Karn Evil 9: 1st Impression – Part 2
2.The Barbarian
3.Bitches Crystal
4.Knife-Edge
5.From The Beginning
6.Touch and Go
7.Take a Pebble/Piano Solo/Tarkus
8.Farewell To Arms
9.Lucky Man
10.Pictures At An Exhibition
11.Fanfare for the Common Man/Drum Solo/Rondo
They have been friends for more than two decades, collaborated on numerous projects, sold more than 200 million albums combined, and now they are reuniting musically for the first time in nearly 20 years for CMT Crossroads. Along with stellar performances during the once-in-a-lifetime performance of the musical hits known around the world, this episode of CMT Crossroads includes intimate and comical moments with Lionel Richie and Kenny Rogers discussing their professional collaboration and personal stories surrounding their 25-year friendship. The personal and professional relationship between these two megastars was spawned when they collaborated on one of Rogers’ biggest career hits, “Lady,” written and produced by Richie especially for Rogers. In the years that followed their initial pairing, Richie and Rogers collaborated on numerous album projects with Richie producing such Rogers classics as “I Don’t Need You,” “Share Your Love” and “Through the Years.” In 1985, Richie and Rogers became part of history with “We Are the World” and the two last worked together nearly 20 years ago, in 1986, on “Hands Across America.” Now, on the 25th anniversary of the recording of “Lady,” Richie and Rogers reunite for CMT Crossroads.
Technical Information Runtime.................1:06:00 Bitrate.................18000 kbps Profile.................Main@High Resolution..............1920x1080 (16:9) Framerate...............29.970 frames/s Audio...................English AC-3 2.0 @ 384kbps Subtitles(inbuilt)......NoneRead more
Chart-topping artists are honored at the annual gala, held in Las Vegas at the MGM Grand Garden Arena. Scheduled performers include Luke Bryan, Miley Cyrus, Jason Derulo, 5 Seconds of Summer, Florida Georgia Line, Imagine Dragons, Lorde and John Legend. Also: Jennifer Lopez is honored with the Icon Award, and sings the 2014 FIFA World Cup anthem, “We Are One (Ole Ola),” with Pitbull.
The.2014.Billboard.Music.Awards.720p.HDTV.x264-2HD
MKV | AC3 CBR | 3.68GB (more…)
Sonny Rollins 24 Bit Vinyl Pack
Genre: Jazz
Styles: Bop, Hard-Bop, Post-Bop, Jazz Instrument, Saxophone Jazz
Source: vinyl
Codec: FLAC
Bitrate: ~ 2,900 kbps
Bit Depth: 24
Sample Rate: 96 kHz
1956 Tenor Madness – Prestige PRLP 7047 (US) (Reissue 2013)
1957 Way Out West – Contemporary Records Fantasy S7530, 1988 (US)
1959 Sonny Rollins and the Contemporary Leaders – RTB 2221136
1962 What’s New? – Pure Pleasure N2PY-2267 180g (US)
1962 The Bridge – RCA Living Stereo LSP 2727-45 180g (US)
1963 Sonny Meets Hawk – RCA Living Stereo LSP 2712 200g (US)
1966 East Broadway Run Down – Impulse AS9121 180g (US)
1973 Horn Culture – Milestone M-9051 (US)
1978 Pure Gold Jazz – RCA ANL1-2809 (US)
Sonny Rollins will go down in history as not only the single most enduring tenor saxophonist of the bebop and hard bop era, but also as one of the greatest contemporary jazz saxophonists of them all. His fluid and harmonically innovative ideas, effortless manner, and easily identifiable and accessible sound have influenced generations of performers, but have also fueled the notion that mainstream jazz music can be widely enjoyed, recognized, and proliferated. Born Theodore Walter Rollins in New York City on September 7, 1930, he had an older brother who played violin. At age nine he took up piano lessons but discontinued them, took up the alto saxophone in high school, and switched to tenor after high school, doing local engagements. In 1948 he recorded with vocalist Babs Gonzales, then Bud Powell and Fats Navarro, and his first composition, “Audubon,” was recorded by J.J. Johnson. Soon thereafter, Rollins made the rounds quickly with groups led by Tadd Dameron, Chicago drummer Ike Day, and Miles Davis in 1951, followed by his own recordings with Kenny Drew, Kenny Dorham, and Thelonious Monk.
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Lee Morgan 24 Bit Vinyl Pack
Genre: Jazz
Styles: Hard Bop, Modal Music, Jazz Instrument, Trumpet Jazz
Source: vinyl
Codec: FLAC
Bitrate: ~ 2,800 kbps
Bit Depth: 24
Sample Rate: 96 kHz
Albums:
1964 Search for the New Land – Blue Note King Records BST-84169
(Reissue 1983) (Japan) (Ripped by Kel bazar)
1964 The Sidewinder – Analogue Productions AP-84157
(Reissue 2009) (US)
1978 The Procrastinator – Music Matters Blue Note MMBST-83023
BST 93023 45rpm 180g Limited (2012 Reissue) (US)
1980 Tom Cat – Music Matters Blue Note MMLT-1058 LT-1058
45rpm 180g (Reissue 2008) (US)
A cornerstone of the Blue Note label roster prior to his tragic demise, Lee Morgan was one of hard bop’s greatest trumpeters, and indeed one of the finest of the ’60s. An all-around master of his instrument modeled after Clifford Brown, Morgan boasted an effortless, virtuosic technique and a full, supple, muscular tone that was just as powerful in the high register. His playing was always emotionally charged, regardless of the specific mood: cocky and exuberant on up-tempo groovers, blistering on bop-oriented technical showcases, sweet and sensitive on ballads. In his early days as a teen prodigy, Morgan was a busy soloist with a taste for long, graceful lines, and honed his personal style while serving an apprenticeship in Art Blakey’s Jazz Messengers. As his original compositions began to take in elements of blues and R&B, he made greater use of space and developed an infectiously funky rhythmic sense. He also found ways to mimic human vocal inflections by stuttering, slurring his articulations, and employing half-valved sound effects. Toward the end of his career, Morgan was increasingly moving into modal music and free bop, hinting at the avant-garde but remaining grounded in tradition. He had already overcome a severe drug addiction, but sadly, he would not live to continue his musical growth; he was shot to death by his common-law wife in 1972.
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Dizzy Gillespie 24 Bit Vinyl Pack
Genre: Jazz
Styles: Bop, Big Band, Jazz Instrument, Trumpet Jazz
Source: vinyl
Codec: FLAC
Bitrate: ~ 1,500 – 5,000 kbps
Bit Depth: 24
Sample Rate: 48 khz, 96 kHz, 192 kHz
*Note* Some of the tags are in Russian.
24.192
1988 Dizzy Gillespie – Melody (RU)
24.96
1957 Dizzy Gillespie and Stuff Smith –
Verve 2332 081 (Reissue 1970s) (Germany)
1978 Oscar Peterson & Dizzy Gillespie – Melody Polydor GMBH (RU)
1978 Oscar Peterson & Dizzy Gillespie – Melody C60-10287-88 (RU)
24.48
1988 Arnett Cobb, Dizzy Gillespie, Jewel Brown – Show Time
Fantasy F-9659 (US)
Dizzy Gillespie’s contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis’ emergence in the 1970s that Dizzy’s style was successfully recreated. Somehow, Gillespie could make any “wrong” note fit, and harmonically he was ahead of everyone in the 1940s, including Charlie Parker. Unlike Bird, Dizzy was an enthusiastic teacher who wrote down his musical innovations and was eager to explain them to the next generation, thereby insuring that bebop would eventually become the foundation of jazz.
Scorpions 24 Bit Vinyl Pack
Genre: Pop/Rock
Styles: Hard Rock, Album Rock, Arena Rock
Source: vinyl
Codec: FLAC
Bitrate: ~ 2,900 – 5,400 kbps
Bit Depth: 24
Sample Rates: 96 kHz, 192 kHz
24.96
1972 Lonesome Crow – Brain (Germany) (PBTHAL)
1972 Lonesome Crow – Metronome Music GmbH 0040.023 1976 (2nd Germany)
1972 Lonesome Crow – Picture Vinyl 1982 (Germany)
1976 Virgin Killer – RCA (1st UK) (PBTHAL)
1979 Lovedrive – Harvest 1 C 064-45 275 – (1st Germany) (PBTHAL)
1984 Love at First Sting – RCA RPL-8223 (Japan)
1984 Love at First Sting – Harvest SHSP 200071 (1st UK)
1985 Gold Ballads – CBS Records (Israel)
24.192
1978 Tokyo Tapes – RCA NL 28331 – 2LP (UK)
1982 Blackout – EMI Harvest SHVL 823 (UK)
1982 Early Hits – RCA RPL-3533 (Japan)
1984 Love at First Sting – EMI Harvest SHSP 2400071 (UK)
1988 Savage Amusement – Harvest SHSP 4125 (UK)
2010 Sting in the Tail – Sony Music (Germany)
Known best for their 1984 anthem “Rock You Like a Hurricane” and the 1990 ballad “Wind of Change,” German rockers the Scorpions have sold over 22 million records, making them one of the most successful rock bands to ever come out of Continental Europe. Formed in 1969 by Rudolf Schenker, the original lineup consisted of rhythm guitarist/vocalist Schenker, lead guitarist Karl-Heinz Follmer, bassist Lothar Heimberg, and drummer Wolfgang Dziony. In 1971, Schenker’s younger brother Michael joined the band to play lead guitar and good friend Klaus Meine became the new vocalist. The group recorded Lonesome Crow in 1972, which was used as the soundtrack to the German movie Das Kalte Paradies. Although they failed to get into the public’s eye, the early incarnation of ’70s rock band UFO noticed Michael Schenker’s guitar playing and hired him as their lead guitarist; Michael, therefore, would leave the band in 1973. Guitarist Uli Jon Roth replaced him, and under his guidance the group released four consecutive albums under the RCA record label: Fly to the Rainbow (1974), In Trance (1975), Virgin Killer (1976), and Taken by Force (1977).
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Felix Mendelssohn: Violin Concertos – Violin Sonata in F minor (2010-2011/2013) [High Fidelity Pure Audio Blu-Ray Disc] | 8.43 GB
Genre: Classical
Year of publication: 2013
Duration: 1:06:37
Quality: Blu-ray Disc
Container: BDMV
Video codec: MPEG-2
Audio Codec: DTS-HD Master Audio | LPCM
Tracklist:
Violin Concerto in E minor, Op. 64, MWV O 14
[01] Allegro molto appassionato –
[02] Andante –
[03] Allegro molto vivace
Violin Concerto in D minor, MWV O 3
[04] Allegro
[05] Andante
[06] Allegro
Violin Sonata in F minor, Op. 4, MWV Q 12
[07] Adagio – Allegro moderato
[08] Poco adagio
[09] Allegro agitato
Muse 24 Bit Vinyl Pack
Genre: Pop/Rock
Styles: Alternative, Progressive Rock, Experimental
Source: vinyl
Codec: FLAC
Bitrate: ~ 2,900 – 5,400 kbps
Bit Depth: 24
Sample Rate: 96 kHz, 192 kHz
24.96
2001 Origin of Symmetry – Warner 47984-1 Reissue 2009 (US)
2003 Absolution – Warner 48733-1 Reissue 2009 (US)
2006 Black Holes and Revelations – Warner 44284-1 Reissued 2009 (US)
2009 The Resistance – Warner 2LP Helium3 Limited Boxset (UK)
2012 The 2nd Law – Warner Helium3 825646568772 (UK)
24.192
1999 Showbiz – Warner (Czech Republic) (sides + cue)
2009 The Resistance – Warner 2LP Helium3 Limited Boxset (UK)
Muse’s fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. Bored by the sleepy life provided by their hometown of Teignmouth, Devon, the three British friends began playing music together. They started the first incarnation of their band while only 13 years old, changing the name of the group from Gothic Plague to Fixed Penalty to Rocket Baby Dolls as time passed. By 1997, the bandmates settled on the name Muse and released their self-titled debut EP on Dangerous Records, followed by the Muscle Museum EP in 1998. The group’s emotive, passionate sound and live presence drew critical acclaim and industry buzz, and Muse signed a deal with Maverick Records after a trip to New York’s CMJ festival. The singles “Cave” and “Uno” preceded their debut full-length album, Showbiz, which was released toward the end of 1999. Two years later, Muse issued The Origin of Symmetry and had a major hit with “Hyper Music,” which helped propel the album to platinum status in the U.K.
In 2002, fans were treated to Hullabaloo Soundtrack, a combination rarities/live set that peaked at number ten in Europe. Muse then returned with a proper studio effort, Absolution, which became the band’s first album to chart in America. A short North American tour in the spring of 2004 coincided with Muse’s spot on the fifth annual Coachella Music and Arts Festival, and Absolution eventually went gold in the U.S. Back at home, the album earned Muse their second platinum certification. Released two years later, Black Holes and Revelations marked the band’s brightest, most dynamic set of material to date, topping the U.K. album chart within its first week and earning Muse their second consecutive number one album at home. In America, Black Holes and Revelations broke into the Top Ten.
Muse toured Europe, America, Australia, and Southeast Asia in support of the album, and their dynamic stage performance (which won the band multiple awards for Best Live Act, including accolades from the NME Awards, the Q Awards, and the Vodafone Live Music Awards) was captured on 2008’s H.A.A.R.P. Live from Wembley. The trio spent the remainder of that year — as well as the early part of 2009 — in the recording studio, eventually emerging with the release of The Resistance in September. The band kicked off a world tour, headlining shows as well as supporting U2. In 2011 Bellamy and company were asked to write the official theme for the 2012 Summer Olympics, which were being held in London, and the band returned with the triumphant rock anthem “Survival,” which would also become the lead single of their next album, 2012’s The 2nd Law. The road-hungry band undertook another large-scale tour to promote the album, and their spectacular show at Rome’s Olympic Stadium — complete with pyrotechnics, video walls, and acrobats — was filmed in ultra-high definition for the concert movie Live at Rome Olympic Stadium, which was slated for release theatrically and on DVD in December 2013.
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Sex Pistols – Never Mind The Bollocks (1977/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 110:11 minutes | 2,44 GB
Blu-Ray Audio Rip | Sourced Track – LPCM 2.0 Stereo
High Fidelity Pure Audio edition of the classic Sex Pistols album Never Mind The Bollocks…. Here’s The Sex Pistols. Expanded with four B-Sides & two live show from 1977. 30 tracks total.
While mostly accurate, dismissing Never Mind the Bollocks as merely a series of loud, ragged midtempo rockers with a harsh, grating vocalist and not much melody would be a terrible error. Already anthemic songs are rendered positively transcendent by Johnny Rotten’s rabid, foaming delivery. His bitterly sarcastic attacks on pretentious affectation and the very foundations of British society were all carried out in the most confrontational, impolite manner possible. Most imitators of the Pistols’ angry nihilism missed the point: underneath the shock tactics and theatrical negativity were social critiques carefully designed for maximum impact. Never Mind the Bollocks perfectly articulated the frustration, rage, and dissatisfaction of the British working class with the establishment, a spirit quick to translate itself to strictly rock & roll terms. the Pistols paved the way for countless other bands to make similarly rebellious statements, but arguably none were as daring or effective. It’s easy to see how the band’s roaring energy, overwhelmingly snotty attitude, and Rotten’s furious ranting sparked a musical revolution, and those qualities haven’t diminished one bit over time. Never Mind the Bollocks is simply one of the greatest, most inspiring rock records of all time. (more…)
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The Beatles – A Hard Day’s Night (1964)
BLU-RAY -> 20.5 Gb | 1080i HD WS 16:9 | English (DTS-HD Master Audio 5.1 / 5.1 DD) / French 5.1 DD | ~ 88 m | ISO ImageFull Artwork @ 600 dpi (png) -> 109 Mb | 3% repair rar
© 2009 Miramax / Alliance | 110423
Rock / Classic Rock
A Hard Day’s Night is a 1964 British black-and-white comedy film directed by Richard Lester and starring the Beatles—John Lennon, Paul McCartney, George Harrison and Ringo Starr—during the height of Beatlemania. It was written by Alun Owen and originally released by United Artists. The film portrays a couple of days in the lives of the group. The film is considered to be one of the best and most influential musical films of all time.
It was successful both financially and critically; it was rated by Time magazine as one of the all-time great 100 films. British critic Leslie Halliwell described it as a “comic fantasia with music; an enormous commercial success with the director trying every cinematic gag in the book” and awarded it a full four stars. The film is credited as being one of the most influential musical films of all time, inspiring numerous spy films, the Monkees’ television show and pop music videos.
A rock and roll adventure that follows “a day in the life” of those four lads from Liverpool who made music history as The Beatles. This musical “mockumentary” leads us into the madness of the fab four’s everyday lives where the simple act of traveling from Liverpool to London for a television performance involves escaping from the invasion of a mob of fainting teenagers, outwitting a hungry pack of newspaper reporters, and stopping Paul’s meddlesome grandfather from breaking the band apart. Cus’ you know, you can’t do that.
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Lenny Kravitz – Are You Gonna Go My Way (1993/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 46:35 minutes | 1,95 GB
Blu-Ray Audio Rip | Sourced Track – LPCM 2.0 Stereo
The cover indicates that Are You Gonna Go My Way is Lenny Kravitz’s bid for rock stardom. Designed in the style of an early-’70s record, it features Kravitz in hippie clothing, apparently exposing himself to a photographer — in other words, he’s a dangerously sexy counterculture rebel. That may have been true in 1970, but in 1993, he simply sounds like a weird sideshow exhibit, the man who never lived past 1973. Of course, it’s easy to make such potshots, but Kravitz opens himself up to such attacks. No other artist, especially a successful one, has been quite so devoted to the past and ignorant of the present. Since he has considerable talent for songcraft and production, Kravitz isn’t nearly as bad as he could be, and Are You Gonna Go My Way is just as enjoyable and more accomplished than its predecessors. This time around, Hendrix is his chief influence, as evidenced by the roaring title track, and he does expand that with his traditional Lennon, Curtis Mayfield, and Prince obsessions. Song for song, it’s his most consistent album, although by the end of the record, his painstaking reproduction of classic rock sounds begins to appear a bit too studied, suggesting that Kravitz may have hit a creative wall. Nevertheless, that does nothing to diminish the enjoyment of this record. (more…)
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Reference quality 5.1/7.1 Dolby TrueHD Music Demo Disc (compatible with normal Dolby Digital, too)
Great for testing your surround system, with this demo you really see how good your system can be! Even low budget systems sounds good with these tracks!
BDMV and Certificate folders for burning on BD-25,or for playing with for example Arcsoft Total Media Theatre or other BD PC players. VLC Player also plays individual tracks in BDMV/STREAM folder.
Without any copy or regional protection. With Title Menu and Auto-Loop function for In-store demo. Cover and Disc Label for printing included.
Oh, and the video is of course in Full HD 1080 uncompressed quality!
Includes some of the greatest 5.1 sounding live performances and 7.1 video clips:
Celine Dion – ALL COMING BACK TO ME NOW – 5.1
B.o.B. – AIRPLANES FEATURING HAYLEY WILLIAMS – 7.1
Owl City – FIREFLIES – 7.1
Lady Gaga – YOU AND I – 5.1
Linkin Park – IRIDESCENT – 7.1
One Republic – APOLOGIZE – 5.1
Benny Rietveld – 100 SQ. FT. – 5.1
Dave Matthews & Tim Reynolds – CRASH INTO ME – 5.1
The Police – MESSAGE IN A BOTTLE – 5.1
Nine Inch Nails – THE HAND THAT FEEDS – 5.1
Joe Satriani – ICE 9" – 7.1
Pat Metheny – STRANGER IN TOWN – 7.1
Benny Rietveld – THE VISION – 5.1
The Killers – HUMAN – 5.1
Wilco – IMPOSSIBLE GERMANY – 5.1
Chris Botti – I’VE GOT YOU UNDER MY SKIN FEAT. KATHARINE MCPHEE – 7.1
Leonard Cohen – HALLELUJAH – 5.1
John Gorka – MERCY OF THE WHEELS – 7.1
Dave Valentin – OBSESSION – 5.1
Aix All Star Band – GOLDBERG VARIATIONS ACOUSTICA – 5.1
San Francisco Symphony – KEEPING SCORE : MAHLER – 7.1