Weird Al Yankovic

Weird Al Yankovic-Straight Outta Lynwood-REPACK-24BIT-44KHZ-WEB-FLAC-2006-OBZEN
FLAC (tracks) 24 bit/44,1 kHz | Time – 00:47:49 minutes | 533 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic-UHF-OST-24BIT-192KHZ-WEB-FLAC-1989-TiMES
FLAC (tracks) 24 bit/192 kHz | Time – 00:42:32 minutes | 1,53 GB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic-Off The Deep End-24-192-WEB-FLAC-REISSUE-1999-OBZEN
FLAC (tracks) 24 bit/192 kHz | Time – 00:41:35 minutes | 1,52 GB | Genre: Comedy
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic-Alapalooza-24-192-WEB-FLAC-REISSUE-1999-OBZEN
FLAC (tracks) 24 bit/192 kHz | Time – 00:44:53 minutes | 1,63 GB | Genre: Comedy
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic-Poodle Hat-24-192-WEB-FLAC-REISSUE-2003-OBZEN
FLAC (tracks) 24 bit/192 kHz | Time – 00:54:41 minutes | 1,98 GB | Genre: Comedy
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic-Bad Hair Day-24-192-WEB-FLAC-REISSUE-1999-OBZEN
FLAC (tracks) 24 bit/192 kHz | Time – 00:42:18 minutes | 1,58 GB | Genre: Comedy
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic-The Essential Weird Al Yankovic-24-44-WEB-FLAC-2009-OBZEN
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:33:10 minutes | 1,74 GB | Genre: Comedy
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic-Running With Scissors-24-192-WEB-FLAC-1999-OBZEN
FLAC (tracks) 24 bit/192 kHz | Time – 00:49:52 minutes | 1,77 GB | Genre: Comedy
Studio Masters, Official Digital Download | Front Cover

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Weird Al Yankovic – Weird: The Al Yankovic Story (Original Soundtrack) (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:18:09 minutes | 822 MB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover | © Legacy Recordings

The foremost song parodist of the MTV era, “Weird Al” Yankovic has carried the torch of musical humor more proudly and more successfully than any performer since Allan Sherman. In the world of novelty records – a genre noted for its extensive back catalog of flashes-in-the-pan and one-hit wonders – Yankovic was king, scoring smash after smash over the course of an enduring career that has found him topically mocking everything from new wave to gangsta rap. Alfred Matthew Yankovic was born October 23, 1959, in Downey, California.

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Weird Al Yankovic – The Essential Weird Al Yankovic (2009)
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:33:10 minutes | 1,74 GB | Genre: Rock, Pop
Studio Masters, Official Digital Download | Front Cover | © Volcano – Legacy

Two disc career-spanning collection of tracks hand-picked by Weird Al himself. Yankovic is a true artistic genius in the classic sense of the word. No other artist can parody a song or a music video without being directly compared to the maestro. Throughout his career, Al has offered up an alternate reality of sorts to the history of pop music, lovingly re-casting hits of all genres into bizarre and hilarious songs and videos that themselves have become hits.

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‘Weird Al’ Yankovic – Straight Outta Lynwood (2006/2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 47:49 minutes | 582 MB | Genre: Rock, Pop
Studio Masters, Official Digital Download | Front Cover | © Volcano/Legacy

“Straight Outta Lynwood” is the twelfth studio album by “Weird Al” Yankovic, released on September 26, 2006. It was the sixth studio album self-produced by Yankovic. The musical styles on the album are built around parodies and pastiches of pop and rock music of the mid-2000s. The album’s lead single, “White & Nerdy”, is a parody of Chamillionaire’s hit single “Ridin'”. The single peaked at number nine on the Billboard Hot 100; “Canadian Idiot” also charted, peaking at number 82.

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“Weird Al” Yankovic – Mandatory Fun (2014)
FLAC (tracks) 24 bit/44,1 kHz | Time – 45:26 minutes | 525 MB | Genre: Humour
Studio Masters, Official Digital Download | Front Cover | © RCA Records Label

Already accepted as a bona fide talent in the world of parody – his musicianship, comedic timing, his pop-culture reference awareness, and his great wordplay are all well-documented – the only thing that matters when it comes to “Weird Al” Yankovic albums is how inspired the king of novelty songs sounds on any given LP. On his 14th studio album, Mandatory Fun, the inspiration meter goes well into the red, something heard instantly as Iggy Azalea’s electro-rap “Fancy” does a complete 180 thematically on the opening “Handy,” the song now heading toward the local home improvement store where the craftsmen vogue in their orange vests and blow sweet come-ons like “I’ll bring you up to code” and “My socket wrenches are second to none.” Pharrell’s “Happy” becomes “Tacky” and Al’s amazing ability to follow an everyday poke (“Wear my Ed Hardy shirt with fluorescent orange pants”) with something brainy and reserved (“Got my new résumé, it’s printed in Comic Sans”) surprises once more, but for end-to-end “wows,” it’s his brilliant redo of Robin Thicke’s “Blurred Lines,” now the smug and twerking “Word Crimes,” which gives copy editors, English professors, and grammar nerds a reason to hit the dancefloor (“And listen up when I tell you this/I hope you never use quotation marks for emphasis!”). Hardcore and hilarious musical moments start to happen when Imagine Dragons’ “Radioactive” becomes “Inactive,” a singalong anthem for the sluggish and the slovenly (“Near comatose, no exercise/Don’t tag my toe, I’m still alive”) with a dubstep-rock bassline that sounds like Galactus burping. Better still is the every-Al-album pop-polka medley, this time called “Now That’s What I Call Polka!” which polkas-up Daft Punk (“Get Lucky”), PSY (“Gangnam Style”), and Miley Cyrus (“Wrecking Ball”), and with more Spike Jones-styled sound effects than usual. As for the originals this time out, the “you suck!”-minded “Sports Song” will be unavoidable under Friday night lights once a teen gets hold of it, while the ranting and wonderfully weird “First World Problems” sounds more like the Pixies than anything the Pixies did in 2014. Wonders never cease on Mandatory Fun, and neither do the laughs.

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“Weird Al” Yankovic – Alpocalypse (2011/2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 46:00 minutes | 571 MB | Genre: Humour
Studio Masters, Official Digital Download | Front Cover | © Volcano

From its smattering of cute original songs to its wealth of brilliant parodies, Weird Al’s Alpocalypse fits the Yankovic album template splendidly, offering a great gut busters-to-groaners ratio, and featuring one of the best pop-in-a-polka-style medleys in the man’s catalog, “Polka Face.” The inspired medley covers everyone from Kesha (“Tik Tok”) to Owl City (“Fireflies”) at breakneck speed, but the highlight has to be Al’s take on Kid Cudi (“Day ‘N’ Nite”) where backpacker lyrics (“The lonely stoner seems to free himself at night”) meets babushka music. “Party in the C.I.A.” takes a Miley Cyrus cut and turns it into a glittery covert operations party (“Payin’ the bribes like yeah/Pluggin’ the leaks like yeah”) while “Whatever You Like” is the T.I. track of the same name but on food stamps, promising the ladies any flavor of Top Ramen they crave. The creative high point is “CNR,” which has to be the only White Stripes-influenced, Charles Nelson Reilly S&M song in the known universe, and if you’ve ever sold any unwanted crap online, “Craigslist” will be a close second. Only bummer for loyal fans is that five of these tracks are repeated from the Internet Leaks EP, but ignore that redundancy, and Al remains the undisputed king of the parody song.

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“Weird Al” Yankovic – Straight Outta Lynwood (2006/2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 47:49 minutes | 582 MB | Genre: Rock, Pop
Studio Masters, Official Digital Download | Front Cover | © Volcano

Three years between Weird Al Yankovic albums has been the norm since the ’90s, but a lot happened to the parody king between 2003’s Poodle Hat and his 2006 release, Straight Outta Lynwood. First off, Poodle Hat stalled after one single. Then while on tour promoting the album, Yankovic’s parents were both killed in their home from carbon monoxide poisoning. Al handled the issue quickly and honestly with his fans, promising to carry on before disappearing for a couple years to cope. Then he came back with the pretty good “You’re Pitiful” – a riff on James Blunt’s “You’re Beautiful” – and as the track wormed its way around the Internet, Blunt’s label, Atlantic, recanted their permission for the parody after they had already granted it. The latter event is something Al’s been through before and it always drums up some hype, but his quick and snide reference to Atlantic Records in the “White & Nerdy” video seemed genuinely ticked and wiped away some suspicion the whole thing was staged. “White & Nerdy” – a suburban take on Chamillionaire’s big hit “Ridin'” – is the hilarious reason to celebrate his return, and the album it lands on is inspired. The original, non-parody material is usually where the man stumbles, but here the ridiculous “Weasel Stomping Day” and clever “Don’t Download This Song” offer something that isn’t filler. “White & Nerdy” – where the terminally uncool singer boasts he’s a “whiz at Minesweeper” and “fluent in JavaScript as well as Klingon” – is up there with his best, and “Canadian Idiot” – a hockey-loving, toque-wearing rip on Green Day’s “American Idiot” – is great, making this effort already one highlight better than Poodle Hat. The latest installment in his series of polka parody melodies – this time it’s “Polkarama!” – is a brilliant roll through the recent hits of Modest Mouse, 50 Cent, Rihanna, and many more with a short tribute to the legendary Spike Jones stuck at the end, a thrilling moment for novelty fanatics. Topping it off is the 11-minute “Trapped in the Drive-Thru,” which turns R. Kelly’s epic “Trapped in the Closet” into an excruciating – but funny – wait for that greasy bag that will most likely contain the wrong order. This handful of prime Yankovic overshadows the only mildly humorous Usher and Taylor Hicks parodies and the couple original tunes that really drag, but Yankovic’s fans don’t expect perfection until the next “best-of” rolls around. Lynwood’s highs are higher than usual, with Yankovic trying harder and landing more shots. Turns out novelty music’s silliest hitmaker is a survivor.

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