Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget – Messiaen: Turangalîla-Symphony (2024) [Official Digital Download 24bit/192kHz]

Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget – Messiaen: Turangalîla-Symphony (2024)
FLAC (tracks) 24 bit/192 kHz | Time – 01:13:41 minutes | 2,33 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi

In their first release on harmonia mundi, Gustavo Gimeno and the Toronto Symphony Orchestra offer us a dazzling reading of the Turangalîla- Symphonie.

Equally attentive to architecture and to detail, they glorify the rich and refined orchestration of the French composer’s vast hymn to love, always on the lookout for unprecedented sonic alchemies.

A unique musical and sensory experience.

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Toronto Symphony Orchestra, Sir Andrew Davis – Handel: Messiah, HWV 56 (1741) (2016) [Official Digital Download 24bit/192kHz]

Toronto Symphony Orchestra, Sir Andrew Davis – Handel: Messiah, HWV 56 (1741) (2016)
FLAC (tracks) 24 bit/192 kHz | Time – 01:54:19 minutes | 3,66 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos Records

Experience the transcendent glory of Messiah in Sir Andrew Davis’s new, majestic, must-hear edition of Handel’s beloved classic.

Recorded live for SACD release in surround sound, this unique version makes use of all the colours available from the modern symphony orchestra to underline the mood and meaning of the individual movements. Without detracting from the innate power of the original, the conductor’s score calls for moments of drama, pathos, and even, sometimes, whimsicality. It is supported by substantial brass and woodwind forces, and several percussion instruments (including marimba!).

As he explains in a very personal booklet note, this leading British conductor brings immense dedication to what is probably the most famous piece of British sacred music ever composed, this version being one which he has conducted live only a few times, including on this recording. He confesses: ‘Everything I have done instrumentally stems from the enormous respect, even awe, which I feel towards this supreme masterpiece’.

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