Viktoria Mullova

Viktoria Mullova – ARVO PÄRT (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 59:00 minutes | 586 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Onyx Classics

Nearly all the pieces on this album were first performed and widely promoted by the Latvian violinist Gidon Kremer, one of them – Tabula rasa (1977) – being specifically written with his artistry in mind. They are also all products of what Arvo Pärt himself describes as a ‘tintinnabuli’ style, developed by the composer in the 1970s through studying medieval church music. As Pärt has explained: “I have discovered that it is enough when a single note is beautifully played. This one note, or a silent beat, or a moment of silence, comforts me. I work with very few elements – with one voice, two voices. I build with primitive materials – with the triad, with one specific tonality. The three notes of a triad are like bells and that is why I call it tintinnabulation.” Tabula rasa and Fratres, both composed in 1977, effectively established Pärt’s international reputation. Tabula rasa is effectively a concerto for two violins with string orchestra and a prepared piano, the latter instrument creating explicitly bell-like sonorities in the work’s slow second movement. Fratres, since its first performance by the Estonian ensemble of early music, Hortus Musicus, has been arranged for various instrumental combinations. The version heard here is the composer’s own, written in 1991 for solo violin, strings and percussion (involving claves and bass drum or tom-tom). Bach has long been an important influence in Pärt’s music, as is evident in his Passacaglia, composed in 2003, and in Darf ich… (May I…) originally composed in 1995 and dedicated to Yehudi Menuhin; Pärt subsequently revised the work in 1999, Kremer giving the premiere of this revised version with his ensemble, Kremerata Baltica. Spiegel im Spiegel, composed in 1978, is one of Pärt’s simplest compositions, a violin unhurriedly playing a mostly stepwise melody over a steadily arpeggiating piano part.

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Viktoria Mullova – Schubert: Violin Sonata in A Major, Fantasie in C Major and Rondo in B Minor (2022)
FLAC (tracks) 24 bit/192 kHz | Time – 01:02:45 minutes | 1,58 GBGenre: Classical
Studio Masters, Official Digital Download | Front Cover | © Signum Records

Viktoria Mullova and Alasdair Beatson present their first release with Signum Classics. Performed on a period-style fortepiano and gut strings, the works presented on this recording span the final decade of Schubert’s life. Beginning with the Sonata in A of 1817, its lyrical, wistful opening giving way to a Viennese joy and exuberance. Closing with the Rondo in B minor of 1826, thrilling in its heroic journey through an abundance of themes, with twists and turns almost competitively athletic between the two instruments. At the heart of the recording, the Fantasie in C of 1827 – a music unutterably inspired, ravishingly beautiful, a tour de force of color and texture, an unpredictable and unparalleled dreamlike vision of another world. Viktoria Mullova is known internationally as a violinist of exceptional versatility and musical integrity. Her curiosity spans the breadth of musical development from baroque and classical right up to the most contemporary influences from the world of fusion and experimental music. Scottish pianist Alasdair Beatson works prolifically as a soloist and chamber musician. Renowned as a sincere musician and intrepid programmer, he champions wider repertoire with particular interest in Beethoven, Schumann and Schubert among others.
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