The Charlatans – The Charlatans (1995)
FLAC (tracks) 24 bit/96 kHz | Time – 52:00 minutes | 1,16 GB | Genre: Indie Rock
Studio Masters, Official Digital Download | Front Cover | © Beggars Banquet
The Charlatans demonstrated signs of a revival on Up to Our Hips, yet that record in no way suggested the full-fledged return to form of The Charlatans, the group’s most ambitious, focused, and successful album. The group hasn’t changed its sonic approach, yet its music has deepened, incorporating heavy dance elements without losing its core sound. Occasionally, the album relies too heavily on trippy dance instrumentals, but those are funkier and wilder than ever before, and they fit neatly next to the group’s Stonesy pop, which is consistently catchy this time around. The Charlatans illustrates how a working rock & roll band can balance traditional rock and modern post-acid house music, and the results are frequently glorious.
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The Charlatans – Some Friendly (Expanded Edition) (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 01:28:35 minutes | 1,96 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Beggars Banquet
Emerging out out of semi-nowhere well, Northwich the Charlatans were saddled with a name that lent itself to jibes about their quality, perceived bandwagon jumping and the burden of being a one-hit wonder with “The Only One I Know.” Then Some Friendly, the group’s debut, planted itself at the top of the UK charts; while the rest of the ’90s were up-and-down for the band, this album set the band on its way. Drawing on Blunt’s background in mod and psych outfits, Collins’ outrageously funky keyboards and Burgess’ unexpected star quality even if his voice wasn’t the strongest Some Friendly is just that, a friendly and fun vibe. Some of the lyrics betray Burgess’ sharp-tongued punk background “You’re Not Very Well,” the opener, expresses anything but sunny sentiments but otherwise Some Friendly delivers everything from ’60s beat groove to Madchester bagginess with verve. True, the group was still following in the Roses/Mondays slipstream “Fool’s Gold” was the blueprint for much of the album but the individual delights of the slow trance “Opportunity,” “Polar Bear”‘s upfront rhythms and “Flower”‘s slightly ominous funk all show the band’s abilities well. “The Only One I Know” remains the best-known cut, Blunt’s crisp bass and Collins’ Deep Purple-inspired keyboards providing its charge. But Some Friendly’s hidden masterpiece comes at the very end “Sproston Green,” a monster jam based on Collins’ supreme keyboard work, with Burgess’ soaring lyric matching the massive surge of the music. It remains the concluding number of the band’s sets to this day for good reason.
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