The Byrds – The Notorious Byrd Brothers (1968) [MFSL 2006] SACD ISO + Hi-Res FLAC

The Byrds – The Notorious Byrd Brothers (1968) [MFSL 2006]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 58:06 minutes | Scans included | 2,41 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 926 MB
Original Mono Mixes plus Stereo bonus tracks | Mobile Fidelity Sound Lab # UDSACD 2015

The recording sessions for the Byrds’ fifth album, The Notorious Byrd Brothers, were conducted in the midst of internal turmoil that found them reduced to a duo by the time the record was completed. That wasn’t evident from listening to the results, which showed the group continuing to expand the parameters of their eclecticism while retaining their hallmark guitar jangle and harmonies. With assistance from producer Gary Usher, they took more chances in the studio, enhancing the spacy quality of tracks like “Natural Harmony” and Goffin & King’s “Wasn’t Born to Follow” with electronic phasing. Washes of Moog synthesizer formed the eerie backdrop for “Space Odyssey,” and the songs were craftily and unobtrusively linked with segues and fades. But the Byrds did not bury the essential strengths of their tunes in effects: “Goin’ Back” (also written by Goffin & King) was a magnificent and melodic cover with the expected tasteful 12-string guitar runs that should have been a big hit. “Tribal Gathering” has some of the band’s most effervescent harmonies; “Draft Morning” is a subtle and effective reflection of the horrors of the Vietnam War; and “Old John Robertson” looks forward to the country-rock that would soon dominate their repertoire.

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The Byrds – Mr. Tambourine Man (1965) [MFSL 2005] SACD ISO + Hi-Res FLAC

The Byrds – Mr. Tambourine Man (1965) [MFSL 2005]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 44:06 minutes | Scans included | 1,81 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 695 MB
Original Mono Mixes plus Stereo bonus tracks | Mobile Fidelity Sound Lab # UDSACD 2014

One of the greatest debuts in the history of rock, Mr. Tambourine Man was nothing less than a significant step in the evolution of rock & roll itself, demonstrating that intelligent lyrical content could be wedded to compelling electric guitar riffs and a solid backbeat. It was also the album that was most responsible for establishing folk-rock as a popular phenomenon, its most alluring traits being Roger McGuinn’s immediately distinctive 12-string Rickenbacker jangle and the band’s beautiful harmonies. The material was uniformly strong, whether they were interpreting Bob Dylan (on the title cut and three other songs, including the hit single “All I Really Want to Do”), Pete Seeger (“The Bells of Rhymney”), or Jackie DeShannon (“Don’t Doubt Yourself, Babe”). The originals were lyrically less challenging, but equally powerful musically, especially Gene Clark’s “I Knew I’d Want You,” “I’ll Feel a Whole Lot Better,” and “Here Without You”; “It’s No Use” showed a tougher, harder-rocking side and a guitar solo with hints of psychedelia.

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The Byrds – The Byrds’ Greatest Hits (1967) [Reissue 1999] SACD ISO + Hi-Res FLAC

The Byrds – The Byrds’ Greatest Hits (1967) [Reissue 1999]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:03 minutes | Scans included | 1,61 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 912 MB

Without question, the Byrds were one of the great bands of the ’60s and one of the few American bands of their time to continually turn out inventive, compelling albums. As they were recording a series of fine records, they turned out a number of classic singles that unquestionably defined their era. The Byrds’ Greatest Hits does an excellent job of chronicling the peak years of their popularity before they went country-rock on 1968’s Sweetheart of the Rodeo. Apart from the minor hits “It Won’t Be Wrong,” “Set You Free This Time,” and “Have You Seen Her Face,” all of the group’s hit singles – from 1965’s “Mr. Tambourine Man” to 1967’s “My Back Pages” – are included: “All I Really Want to Do,” “Turn! Turn! Turn! (To Everything There Is a Season),” “Eight Miles High,” “5D (Fifth Dimension),” “Mr. Spaceman,” and “So You Want to Be a Rock N’ Roll Star.” Yes, some great songs were left behind on the albums, but important cuts like “I’ll Feel a Whole Lot Better,” “The Bells of Rhymney,” and “Chimes of Freedom” are added, making this pretty close to a definitive single-disc summary of the Byrds’ prime.

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The Byrds – The Preflyte Sessions (1969/2019) [Official Digital Download 24bit/44,1kHz]

The Byrds – The Preflyte Sessions (1969/2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:31:33 minutes | 1,06 GB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Sierra Records

Bringing together the tracks from the ‘In the beginning’ and ‘Preflyte’ releases, as well as a number of other unreleased cuts, it is more basic than Mr. Tambourine man, and is definitely pretty standard 60’s pop. Nevertheless, the Mr. Tambourine man versions and the twee David Crosby vocal songs are a nice listen. Some quite different arrangements from the ‘Album’ versions and some great songs that were never recorded officially. This is not the album to discover The Byrds but perfect for those who just can’t get enough of this classic band.

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The Byrds – Preflyte (1969/2019) [Official Digital Download 24bit/44,1kHz]

The Byrds – Preflyte (1969/2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 25:03 minutes | 295 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Sierra Records

On November 10, 1964, The Byrds inked a deal with Columbia Records. Or more accurately, Jim (later Roger) McGuinn, Gene Clark and David Crosby signed to Columbia Records, with Michael Clarke and Chris Hillman officially joining the roster later. But before that auspicious major label signing, The Byrds’ bags were packed, pre-flyte, it was zero hour…and after that day, they were destined to be high as a kite…eight miles high. (Pardon the mixing of musical metaphors.) The band’s pre-Columbia days have been anthologized over the years almost as extensively as their “official” catalogue, with the earliest release coming in 1969 on Together Records, simply titled Preflyte.

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The Byrds ‎- Greatest Hits, Volume II (1972) [Columbia/31795 – US Pressing] (24-Bit/96Khz + 16-Bit/44.1Khz) (Vinyl Rip)

The Byrds ‎- The Best Of The Byrds / Greatest Hits, Volume II
Label: Columbia/31795 | Release: 1972 | Genre: Country-Rock
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz

It goes without saying that The Best of the Byrds: Greatest Hits, Vol. 2 doesn’t have as many classic singles as the group’s first hits collection, since the Byrds stopped being a singles band shortly after the release of Greatest Hits. They never had another Top 40 hit after 1967’s “My Back Pages,” and between 1968 and 1970, they only had three charting singles. Instead of turning out hits, the band concentrated on albums, almost all of them (with the notable exception of The Notorious Byrd Brothers) explorations of country-rock, and that’s what dominates Greatest Hits, Vol. 2. Two of their three charting singles, “You Ain’t Going Nowhere” and “Ballad of Easy Rider,” are present, as are staples like “He Was a Friend of Mine,” “Wasn’t Born to Follow,” “Chestnut Mare,” and “Drug Store Truck Drivin’ Man.” It’s not a bad sampling of the Byrds’ final years, but Sweetheart of the Rodeo itself offers a better summation of the musical direction the Byrds took after 1967.

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The Byrds ‎- Dr. Byrds & Mr.Hyde (1969) (24-Bit/96Khz + 16-Bit/44.1Khz) (Vinyl Rip)

The Byrds ‎– Dr. Byrds & Mr.Hyde (Featuring: “Drug Store Truck Drivin Man”)
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 756mb – 16bit/44kHz: 224mb
Genre: Country-Rock | Label: Columbia / CS 9755 | First US Pressing | Release: 1969

Long, long time ago, I wanted to publish this excellent album from The Byrds. One of his work most rock-oriented, and as always with excellent covers of Dylan.
For me, it is a great work from this group, missing the presence of David Crosby.

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