Genre: Progressive Rock, Electronic
Year Of Release: 2023
Duration: 01:04:05
Label: Virgin Music Group
Quality: Blu-ray
Number of channels : 2:0; 5.1; 7.1
Video: MPEG-4 AVC Video / 4667 kbps / 1080p / 24 fps / 16:9 / High Profile 4.1
Audio #1: English / Dolby TrueHD/Atmos Audio / 7.1+15 objects / 48 kHz / 6339 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
Audio #2: English / DTS-HD Master Audio / 5.1 / 96 kHz / 6080 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 24-bit)
Audio #3: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
THE HARMONY CODEX, the illustrious seventh offering from Steven Wilson, invites listeners on a captivating journey. This diverse musical collection unfurls like an enigmatic sonorous mosaic, revealing ever-shifting, breathtaking soundscapes. Arguably the pinnacle of Wilson’s musical trajectory, spanning over thirty years in bands and as a solo performer, this album epitomizes a lifetime dedicated to the art of music.
FEATURES:
High Resolution Stereo (96/24)
5.1 Mix (96/24)
Atmos Mix (48/24)
Economies of Scale Video (Directed By Charlie Di Placido)
the Harmony Codex Video (Directed By Crystal Spotlight / Miles Skarin)
Steven Wilson – Transience (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:06 minutes | 1,20 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Kscope
From the very beginning of his musical career, Steven Wilson has worked in a variety of genres. These include the classy experimentalism of No-Man, the classic rock approach of Blackfield, the indie, progressive, and gothic-heavy metal statements of Porcupine Tree, and the electronic explorations of Bass Communion, as well as his solo recordings that rely on prog and, more recently, sophisticated pop/rock. Transience is a limited-edition three-sided vinyl-only compilation (the fourth side contains no music, but a handwritten lyric etching for the song “Happy Returns.” Wilson’s intention was to create “…a more easygoing introduction to my music. These are mostly the shorter song-based tracks (some represented by edits) recorded between 2003 and 2015.” With the exception of the seven-plus-minute final cut, “Drive Home,” from The Raven That Refused to Sing and Other Stories, the remainder rove between three to under six minutes. The set also includes a brand-new version of “Lazarus” released especially for this album. The title track is the single version from Hand. Cannot. Erase. and the edited versions of “Happy Returns” and “Deform to Form a Star” still serve the elemental flow, regardless of their original source: solo, Porcupine Tree, et al. The only complaint is format. In “trying to sequence an album that would act as a more easygoing introduction to my music” while choosing a limited-edition vinyl pressing, Wilson appears to be at cross purposes with his intention. Nonetheless, this is an excellent, if quirky, introduction to one (accessible) aspect of Wilson’s multidimensional persona; it will serve fans — and newcomers — willing to take the plunge. – Thom Jurek
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Steven Wilson – The Harmony Codex (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:05 minutes | 1,03 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Steven Wilson Productions
“It seems I’m miles above the surface of the earth/ I can see across the whole of London and beyond,” intones Rotem Wilson over the hypnotic electronic pulsing of “The Harmony Codex,” the title track of her husband Steven Wilson’s seventh solo album. It’s an evocative, widescreen scene that gives the listener a sense of the scale that Wilson is trying to achieve, along with being a moment of meditative pause in a record characterised by stylistic left-turns and surprises.
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Steven Wilson – Insurgentes (2016 Remaster) (2008/2016)
FLAC (tracks) 24 bit/96 kHz | Time – 55:22 minutes | 956 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Kscope
Steven Wilson, four-time Grammy nominee, multi-instrumentalist, producer, and founder member of Porcupine Tree, released his critically acclaimed debut album on Kscope in March 2009. Comprising 10 tracks that range from ballads and anthems to all-out industrial noise assaults, the dark, cinematic and richly textured album represents two years’ worth of creative output and numerous recording sessions worldwide in studios from Mexico City to Japan and Israel.
While Wilson is a member of several bands including Blackfield, No-Man and Bass Communion, he explained that “when I began writing these songs, I quickly realized that they would be best suited to an album under my own name. It was an intuitive, almost unconscious writing process that resulted in a kind of ‘poetry of melancholy.”
Wilson recruited a stellar cast of guests to work on the album including bassist Tony Levin, drummer Gavin Harrison, and keyboardist Jordan Rudess, alongside Japanese Koto player Michiyo Yagi, British guitarist Sand Snowman, and jazz flautist and saxophonist Theo Travis.
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Title: Steven Wilson – Home Invasion: In Concert at the Royal Albert Hall
Release Date: 2018
Genre: Progressive Rock
Production/Label: Eagle Vision
Duration: 02:33:15
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: LPCM, DTS
Video : MPEG-4 AVC Video / 18994 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1
Audio#1: LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio#2: DTS-HD Master Audio / 5.1 / 96 kHz / 6062 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Size: 39,76 GB
Home Invasion captures the final night of my three night March 2018 residency at what is probably my favourite venue in the world, the Royal Albert Hall in London. The full performance is included, and it looks and sounds absolutely fantastic, everyone involved working incredibly hard to make this a really high quality release in all departments, and to capture the visual elements of the show (plus as you would expect with a show presented in quadraphonic sound audio options also include a surround sound mix). Bonus material consists of 3 additional songs not part of the main show (Routine, Hand Cannot Erase, and Heartattack in a Layby) filmed in the empty venue during the afternoon soundcheck, as well as interview / backstage footage.
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Title: Steven Wilson – Drive Home
Release Date: 2013
Genre: Progressive Rock
Production/Label: Kscope
Duration: 01:02:22
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: PCM, DTS
Video: MPEG-4 AVC Video / 21305 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio#1: LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio#2: DTS-HD Master Audio / 5.1 / 96 kHz / 6628 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Size: 15.93 GB
Available in both Blu-Ray/CD and DVD/CD combinations the ‘Drive Home’ video EP is essentially a single from The Raven that Refused to Sing, but so much more! The video disc consists of the two Jess Cope directed videos for ‘Drive Home’ and ‘The Raven That Refused To Sing’, and 4 songs filmed live in Frankfurt on The Raven That Refused To Sing tour, approximately 35 minutes of high definition live footage. Also included as audio only content is ‘The Birthday Party’, a previously unreleased track taken from the recording sessions for The Raven That Refused To Sing (and other stories), and an orchestral version of the album title track. All content on the video disc is mixed in both stereo and 5.1 surround sound.
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Title: Steven Wilson – Grace for Drowning
Release Date: 2011
Genre: Progressive Rock, Psychedelic Rock, Art Rock
Production/Label: Kaleidoscope Entertainment
Duration: 01:23:03
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC 24500 kbps kbps 1920*1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio#1: English DTS-HD Master Audio 5.1 / 96 kHz / 6188 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: English LPCM Audio 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 30.31 GB
This is the high resolution Blu-Ray format version of the Steven Wilson Grace For Drowning Release. It features the Album in hi resolution 5.1 stereo audio plus 2 bonus tracks, six work in progress demo versions and 5 promo videos.
Steven Wilson is a twice Grammy-nominated producer, writer and performer, best known as founder and front man of British rock band Porcupine Tree, He has also produced and /or mixed albums for artists as diverse as Swedish metal band Opeth, Norwegian chanteuse Anja Garbarek, and progressive rock institution King Crimson, Last year, he also co-wrote and sang a track from Pendulum’s number one album ‘Immersion’, Porcupine Tree’s last album was a top 30 album in both the UK and USA, and the tour climaxed with sold out shows in October last year at Royal Albert Hall in London and Radio City Music Hall in New York. ‘Grace For Drowning’ is the second album released under Wilson’s own name, and builds on the artistic inroads he forged with 2009’s exceptionally well-received ‘Insurgentes.’ A double album (two 40-45 minute albums in the same package), Wilson has described it as
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Title: Steven Wilson – Get All You Deserve
Release Date: 2012
Genre: Rock, Progressive Rock, Experimental Rock
Production/Label: Kaleidoscope Entertainment
Duration: 02:11:23
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC 24955 kbps 1920*1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio#1: English DTS-HD MA 5.1 / 96 kHz / 7280 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 38.67 GB
Get All You Deserve, is a new high definition audio-visual set from Steven Wilson. Directed by long-time visual collaborator Lasse Hoile, Get All You Deserve was filmed in Mexico City during the recent Grace For Drowning Tour. The set captures the spectacular live experience that Wilson and Hoile created for the tour on Blu-ray.
Steven Wilson is a twice Grammy-nominated producer, writer and performer, best known as founder and front man of British rock band Porcupine Tree. He has also produced and /or mixed albums for artists as diverse as Swedish metal band Opeth, Norwegian chanteuse Anja Garbarek, and progressive rock institutions King Crimson and Jethro Tull. He also co-wrote and sang a track from Pendulum’s number one album Immersion. Porcupine Tree’s last album was a top 30 album in both the UK and USA, and the tour climaxed with sold out shows at Royal Albert Hall in London and Radio City Music Hall in New York.
Grace For Drowning was the second album released under Wilson’s own name, following 2009’s exceptionally well-received Insurgentes. The album, released in September 2011, entered the UK top 40 album chart at #34, both the Dutch and German national charts at #22, the US Billboard Rock album chart at #19 (#13 in independent chart) and debuted at #7 in the Polish national charts.
Following the release of Grace For Drowning, Steven embarked on his first ever solo tour, assembling a virtuoso band, featuring Marco Minnemann (drums), Nick Beggs (bass), Theo Travis (flute and sax), Adam Holzman (keys) and Niko Tsonev (guitars), to accompany him. For the shows he worked extensively with Lasse to create a show unlike nothing else that he had ever done with his other bands, Porcupine Tree, Blackfield, No-Man or Bass Communion.
The shows submerged fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse’s films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song.
Get All You Deserve captures one of the highlight shows from the tour. Recorded at a sold-out Teatro Metropólitan in Mexico City, the gig features tracks from both Wilson’s solo albums along with the new, as yet unreleased, track Luminol.
Artist: Steven Wilson
Title: The Raven That Refused to Sing
Genre: Progressive Rock
Label: Kscope
Release Date: 2013
Quality: Blu-ray Audio
Duration: 54:43
Video: MPEG-4 AVC 7997 kbps / 1080p / 24 fps / 16:9 / High Profile 4.1
Audio#1: English DTS-HD MA 5.1 / 96 kHz / 6934 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: English LPCM 5.1 / 96 kHz / 13824 kbps / 24-bit
Audio#2: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 26,68 GB
The new studio album from Steven Wilson – Blu-ray edition with 5.1 mixes (96/24 5.1 LPCM & DTS-HD Master Audio 5.1) and bonus track. Highly respected British artist Steven Wilson has revealed that his third solo album will be titled ‘The Raven That Refused To Sing (And Other Stories)’. Set for release by Kscope on February 25, 2013, the much anticipated new album was written between January and July and recorded in Los Angeles in September. Steven’s current band is a collection of stellar musicians: lead guitarist Guthrie Govan, bassist Nick Beggs, Marco Minnemann on the drums, Theo Travis playing saxophone/flute, and Adam Holzman on keyboards. The record has been engineered by legendary producer/engineer Alan Parsons and consists of 6 songs, 3 of which are 10 minute plus epics and are based on stories of the supernatural. The Blu-ray edition offers audiophiles the chance to experience the album in its full glory with 96/24 Stereo LPCM of the album, plus 2 x 5.1 mixes of album (96/24 5.1 LPCM & DTS-HD Master Audio 5.1). The Blu-ray also features instrumental versions of the album tracks (96/24 Stereo LPCM), plus bonus track (‘Drive Home’ – lounge version, also 96/24 Stereo LPCM), an art gallery Art Gallery (images by Hajo Mueller), Photo Gallery (photographs by Lass Hoile) and a studio Documentary (filmed and edited by Lasse Hoile). For those who do not know Steven Wilson he is 4-times Grammy-nominated artist and the founder and frontman of Porcupine Tree. Porcupine Tree have sold in excess of 1 million records worldwide and the band’s last tour concluded in sold out shows at Radio City Music Hall in New York and the Royal Albert Hall in London. Wilson’s Previous solo album, “Grace For Drowning”, charted around the world (UK No. 34, Germany No. 22, Netherlands No. 22 Dutch, US Billboard Rock album chart No. 19, Poland No. 7). In recent years Steven has emerged as a highly sought after re-mixer, working on 5.1 / surround mixes of classic albums by King Crimson, Jethro Tull, ELP and more. His production credits include work with Opeth, Anathema, Marillion, Anja Garbarek, Fish and Yoko Ono and he sang and co-wrote track on Pendulum’s #1 album, Immersion. He was also the winner of the ‘Guiding Light’ award at the 2012 Prog Magazine awards.
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Artist: Steven Wilson
Title: 4 ½
Released: 2016
Genre: Rock, Neo-Prog, Alternative / Indie Rock, Singer / Songwriter
Artist: Steven Wilson – guitars, lead vocals, autoharp, mellotron, piano, percussion, virtual instruments (tracks 1-6), Adam Holzman – Wurlitzer, hammond organ, minimoog, rhodes, piano (tracks 1-6), Dave Kilminster – guitar (tracks 1 and 6), Guthrie Govan – guitar (track 3), Nick Beggs – bass, Chapman Stick, backing vocals (tracks 1-6), Craig Blundell – drums (tracks 1, 5, and 6), Marco Minnemann – drums (track 3), Chad Wackerman – drums (track 4), Theo Travis – reeds (tracks 4 and 6), Ninet Tayeb – vocals (track 6)
Label: © Kscope
Recorded: October 2012 – October 2015
Quality: Blu-ray Audio
Duration: 00:36:46 + 00:36:54 + 00:03:58
Video: MPEG-4 AVC 5003 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: English DTS-HD MA 5.1 / 96 kHz / 7333 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio: English LPCM 5.1 / 96 kHz / 13824 kbps / 24-bit
Audio: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
An interim release between Hand. Cannot. Erase. and his next album, Steven Wilson’s 4 ½ comprises 6 tracks with a total running time of 37 minutes.
Four of the songs originated during the sessions for Hand. Cannot. Erase. and one from the recording sessions for The Raven That Refused To Sing. The final track is a new version of Don’t Hate Me – a song recorded by Porcupine Tree in 1998 – based on a live recording made on the recent tour of Europe, with additional recording in the studio. The vocals on this new version are sung as a duet between Steven and Ninet Tayeb.
Adam Holzman, Nick Beggs, Guthrie Govan, Dave Kilminster, Craig Blundell, Marco Minnemann, Chad Wackerman and Theo Travis also contribute to 4 ½.
Blu-Ray version in an amray case with die cut slipcase and 8 page booklet photographed by Lasse Hoile and designed by Carl Glover. The blu-ray edition includes high res stereo, a 5.1 mix of the album, plus 6 bonus instrumentals and alternative mixes including a 5.1 mix of the 2015 version of Lazarus.
Name: Steven Wilson: Hand. Can not. Erase.
Released: 2015
Genre: Progressive Rock, Electronic Rock
Artist: Steven Wilson – lead vocals, mellotron (tracks 1-10), keyboards (tracks 1, 2, 4, 6, 7, and 8), guitars (tracks 2-10), bass (tracks 1, 2, and 5 -7), banjo (track 7), hammered dulcimer (track 9), programming (tracks 1-5, 9, and 10), shaker (tracks 3, 5, and 6), effects (tracks 1, 2, 4, 5, 9, 10, and 11), Guthrie Govan – guitar (tracks 1, 2, 6, 7, 9, and 10), lead guitar (track 5), Nick Beggs – bass (tracks 3 and 10), Chapman Stick (tracks 4, 6, and 10), backing vocals (tracks 2, 4, 5, 6, 9, and 10), Adam Holzman – piano (tracks 1-3, 5-7, and 9-11), Hammond organ (tracks 1-3, 5-7, 9, and 10), celesta (tracks 3, 5, and 9), Fender Rhodes (tracks 3, 4, 6, and 9), Wurlitzer (track 7), Moog synthesizer ( track 7), Marco Minnemann – drums (tracks 2, 3, 4, 5, 6, 7, and 9), Additional: Dave Gregory – guitars (tracks 2, 3, and 10), Chad Wackerman – drums (track 10) , Ninet Tayeb – vocals (tracks 5 and 9), Theo Travis – flute and baritone saxophone (track 9), Katherine Jenkins – spoken word (track 4), Leo Blair – solo vocal (track 5), Schola Cantorum Of The Cardinal Vaughan Memorial School – choir (tracks 5, 10, and 11), London Session Orchestra – strings (tracks 9 and 10)
Issued: United States | Kscope
Duration: 01:06:03 + 00:29:31 (documentary)
Size: 34.58 GB
Hand. Cannot. Erase. is the fourth solo studio album by British musician Steven Wilson. The album was released on February 27, 2015 through Kscope.
The album was recorded in September 2014 at AIR Studios, London, UK.All band members of the previous album are also featured on the new recording. When discussing the lack of Theo Travis’ input on the record, Steven Wilson described the album to be less “jazzy” compared to the previous album, featuring only a few parts written for flute and saxophones. Wilson also described the album to be more reflective to all of the different material in his back catalogue, featuring electronic music elements and straightforward pop songs alongside long progressive-oriented tracks. Alongside Wilson, the album features Ninet Tayeb on vocals, and the music is heavily inspired by The Dreaming, an album by Kate Bush.
Steven Wilson – To The Bone (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 59:53 minutes | 1,13 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © SW Records
Fusing futurist rock and spectral electronics with elegant atmospheres and wild guitars, To The Bone references the hugely ambitious Progressive Pop records that inspired Wilson in his teens (Peter Gabriel’s So, Talk Talk’s Colour of Spring, Tears for Fears Seeds of Love etc). Lyrically, the album’s eleven tracks encompass the paranoid chaos of the post-truth era and the creeping self-loathing of the technology age, as well as steely fly-on-the-wall observations of the everyday lives of religious fundamentalists and a welcome shot or two of wide-eyed escapism. A gloriously dynamic Modernist Pop record, To The Bone is Steven Wilson’s fifth offical solo album and it’s a high definition snapshot of the disconcerting times we live in.
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Steven Wilson – THE FUTURE BITES (With Instrumental) (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:23:52 minutes | 1,60 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Caroline International
The Future Bites (stylised as THE FUTURE BITES™) is the sixth studio album by British musician Steven Wilson. The album was initially set for release on 12 June 2020 through Caroline International, but later was pushed back to 29 January 2021 due to the COVID-19 pandemic, which affected the marketing and production related to the album. It was co-produced by Wilson and David Kosten and recorded in London.
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Steven Wilson – The Future Bites (4CD) (Deluxe) (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 02:50:38 minutes | 3,15 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © SW Records
Steven Wilson’s new album The Future Bites is an exploration of how the human brain has evolved in the Internet era. As well as being Wilson’s phenomenal sixth album, The Future Bites is also an online portal to a world of high concept design custom built for the ultra-modern consumer. Where 2017’s To The Bone confronted the emerging global issues of post truth and fake news, The Future Bites places the listener in a world of 21st century addictions. It’s a place where on-going, very public experiments constantly take place into the affects of nascent technology on our lives. From out of control retail therapy, manipulative social media and the loss of individuality, The Future Bites is less a bleak vision of an approaching dystopia, more a curious reading of the here and now.
Musically, The Future Bites gleams. Featuring gorgeous electronic sounds warped by human intervention (King Ghost), soaring acoustics that head straight upwards into the stratosphere (12 Things I Forgot), relentless bass-driven Motorik grooves (Follower) and swampish, murky funk (Eminent Sleaze), it is Steven’s most consistently brilliant work to date. The album was recorded in London and co-produced by David Kosten (Bat For Lashes, Everything Everything) and Steven Wilson.
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