McCoy Tyner, Stanley Clarke, Al Foster – McCoy Tyner with Stanley Clarke and Al Foster (2000) SACD ISO + Hi-Res FLAC

McCoy Tyner, Stanley Clarke, Al Foster – McCoy Tyner with Stanley Clarke and Al Foster (2000)
PS3 Rip | SACD ISO | DSD64 Stereo > 1-bit/2.8224 MHz | 65:14 minutes | Scans included | 2,65 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,13 GB

No longer trying to push the envelope of innovation, Tyner settles down with a pair of experts and carves out a very nice, fairly orthodox piano trio album. This is Tyner reaffirming most of his strengths: the massive tone quality, the two-handed control over the entire keyboard, and the generally uplifting attitude conveyed through the shape of his melodic invention. He does so in a program of six originals, three standards, and one tune by Stanley Clarke, mixing modal tunes, blues, funk, ballads, and a mildly Caribbean ringer. Only once does he evoke memories of the classic John Coltrane Quartet – not in “Trane-Like” but in “The Night Has a Thousand Eyes.” Clarke takes a break from the film studios and turns in one of his rare sessions on acoustic double bass, producing solid, faultless, relatively conventional support. He doesn’t leave the electric bass entirely at home, however; his funky side bumps through one of the two versions of “I Want to Tell You ‘Bout That,” and he exercises low-key, electric subtleties on his “In the Tradition Of” and “Caribe.” Foster throws himself skillfully into every situation; he is at ease in all idioms. The sound is excellent, with each instrument, even Tyner’s formidable piano, in perfect balance.

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Corea, Clarke & White – Forever (Deluxe Expanded Edition) (2011) [Official Digital Download 24bit/96kHz]

Corea, Clarke & White – Forever (Deluxe Expanded Edition) (2011)
FLAC (tracks) 24 bit/96 kHz | Time – 05:13:10 minutes | 5,79 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Concord Records

Winner of two Grammy awards – Best improvised Jazz solo & Best Jazz instrumental album.

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Chaka Khan, Freddie Hubbard, Joe Henderson, Chick Corea, Stanley Clarke, Lenny White – Echoes Of An Era (1982) [Official Digital Download 24bit/192kHz]

Chaka Khan, Freddie Hubbard, Joe Henderson, Chick Corea, Stanley Clarke, Lenny White – Echoes Of An Era (1982)
FLAC (tracks) 24 bit/192 kHz | Time – 48:47 minutes | 1,74 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | ©

Echoes of an Era is an album by American R&B/jazz singer Chaka Khan, Joe Henderson, Freddie Hubbard, Chick Corea, Stanley Clarke and Lenny White, released in 1982 on Elektra Records.

Echoes of an Era sees Khan interpreting jazz standards like Thelonious Monk’s “I Mean You” and Duke Ellington’s “Take the ‘A’ Train”, as well as “Spring Can Really Hang You Up the Most”, “All of Me”, and “I Loves You Porgy”. The album was originally not released as a Chaka Khan studio album (who was signed to Warner Bros. Records at the time) but as a band collaboration under the moniker Echoes of an Era and with all six performers credited on the album cover.

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Al Di Meola, Jean-Luc Ponty, Stanley Clarke – Live At Montreux 1994 (2005/2022) [Official Digital Download 24bit/48kHz]

Al Di Meola, Jean-Luc Ponty, Stanley Clarke - Live At Montreux 1994 (2005/2022) [Official Digital Download 24bit/48kHz] Download

Al Di Meola, Jean-Luc Ponty, Stanley Clarke – Live At Montreux 1994 (2005/2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:34:31 minutes | 1,04 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Montreux Sounds, S.A.

The Montreux Jazz Festival is notorious for bringing out the best performances from even the most seasoned pros, but the 1994 performance of Al DiMeola (guitars), Jean-Luc Ponty (violin), and Stanley Clarke (bass), is by far one for the ages.

An impressive performance is made even more so upon the confession of DiMeola, who states these 3 virtuosos have not performed the material together yet. The trio performs 7 songs together and each has their own solo in the middle, making this performance a must-have for any jazz aficionado.
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