Slayer – Reign In Blood (Remaster) (2024) [24Bit-192kHz] FLAC [PMEDIA] ⭐️

Slayer - Reign In Blood (Remaster) (2024) [24Bit-192kHz] FLAC [PMEDIA] ⭐️ Download

Slayer – Reign In Blood (Remaster) (2024) [24Bit-192kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/192 kHz | Time – 00:28:58 minutes | 1,17 GB | Genre: Pop, Rock, Metal
Studio Masters, Official Digital Download | Front Cover

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Slayer – Reign In Blood (2024 Reissue) (1986/2024) [Official Digital Download 24bit/192kHz]

Slayer – Reign In Blood (2024 Reissue) (1986/2024)
FLAC (tracks) 24 bit/192 kHz | Time – 28:58 minutes | 1,18 GB | Genre: Metal
Studio Masters, Official Digital Download | Front Cover | © American Recordings Catalog P&D

Slayer took the leap to the big leagues with this, in the same way Metallica, Megadeth and Anthrax all did with their second albums. The only difference was this was Slayer’s third album, the previous two, Show No Mercy and Hell Awaits both plagued by rough production which thwarted Slayer from sounding as brutal as they should have been. Reign In Blood put matters straight, as Rick Rubin’s production put them over the top, with a precise and clean sound few have ever topped. This is the way to make a thrash album. Ten tracks clocking in at twenty eight minutes, all fast, an easy way to make an impact and a point. Overnight acts like Celtic Frost, Bathory, and Destruction were made to look as crude as they were, while Exodus, Metallica and Anthrax seemed tame by comparison. Hanneman and King established themselves as thrash’s premier guitar duo, and rightfully so, the level of twisted genius running through Necrophobic, Criminally Insane and Angel of Death something they themselves had trouble topping. A glorious reaffirmation of how superior 80’s metal was.

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Slayer-Reign In Blood-REISSUE-24BIT-192KHZ-WEB-FLAC-2024-RUIDOS

Slayer-Reign In Blood-REISSUE-24BIT-192KHZ-WEB-FLAC-2024-RUIDOS Download

Slayer-Reign In Blood-REISSUE-24BIT-192KHZ-WEB-FLAC-2024-RUIDOS
FLAC (tracks) 24 bit/192 kHz | Time – 00:28:58 minutes | 1,18 GB | Genre: Thrash Metal
Studio Masters, Official Digital Download | Front Cover

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Slayer: The Repentless Killogy (2019) Blu-ray 1080p AVC LPCM 2.0 + BDRip 1080p

Title: Slayer: The Repentless Killogy
Released: 2019
Genre: Speed/Thrash Metal

Production/Label: Nuclear Blast
Duration: 02:10:44 + 00:06:59
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: PCM
Video: MPEG-4 AVC Video / 19999 kbps / 1080p / 24 fps / 16:9 / High Profile 4.1
Audio: LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit
Size: 22.35 GB

Revenge, murder, bloodshed, and retribution, the Slayer Repentless Killogy is a perfectly packaged story reflecting these values that most look down upon. This is the story of Wyatt who used to run with the wrong crowd. Wyatt is a former Neo Nazi associated with a gang known as “The Hand Brotherhood” whose signature mark is a bloody handprint left after a murder had taken place. Wyatt left his gang after he fell in love with Gina, a woman who saved his life after a brush with death from those who wanted revenge on him and his gang. Wyatt and Gina go into hiding to start a family and escape his tarnished past. The Hand Brotherhood are not going to let this happen. The Repentless Killogy Short Film is the combination of music videos from Slayer’s last full-length release “Repentless”, threaded through a film narrative that ends with Slayer performing a sold-out show at Los Angeles’ iconic Forum. The 2-cd & vinyl formats “The Repentless Killogy (Live at The Forum in Inglewood, CA)” contain the entirety of the concert, consisting of 21 tracks

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Slayer: Repentless – Live At Wacken 2014 (2015) Blu-ray 1080p AVC LPCM 2.0

Title: Slayer: Repentless – Live At Wacken 2014
Released: 2015
Genre: Rock, Speed/Thrash Metal, Heavy Metal
Artist: Tom Araya – vocals, bass guitar; Kerry King – guitar; Paul Bostaph – drums; Gary Holt – guitar

Production/Label: Nuclear Blast
Duration: 01:08:05 + 00:45:43
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: AC-3
Video: MPEG-4 AVC 23754 kbps / 1920*1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: LPCM Audio / English / 2.0 / 48 kHz / 1536 kbps / 16-bit (Wacken 2014)
Size: 22.52 GB

• Two-time Grammy winning Slayer have been described as “one of the great American rock bands of the last 30 years”. Their membership of “The Big Four” – Metallica, Slayer, Megadeth and Anthrax – the four bands that defined the thrash metal genre – secures their place in music history. Indeed, few bands come close to matching the intensity that Slayer brings to it’s live shows. With songs that mirror the turmoil and aberrations of our society – God’s terrifying global genocide, the chaos of our broken political system, the hideous minds of serial killers, Slayer remain crushing and brutal, steadfastly refusing to cater to the mainstream. Slayer’s founding member Jeff Hanneman passed in 2013 and Exodus guitarist Gary Holt has been filling in since. Paul Bostaph , who was Slayer’s drummer from 1994 – 2001, has rejoined bassist/vocalist Tom Araya and guitarist Kerry King, and is back behind the kit.
• ‘When The Stillness Comes’ is the first new track from Slayer in nearly a year and it’s backed with a live version of ‘Black Magic’ recorded at 2014 Wacken Open Air Festival . Currently the band is in the final stages of recording, with producer Terry Date, what will be the first new studio album since 2009’s Grammy-nominated ‘World Painted Blood’, expected later this year.
• Repentless is SLAYER’s first new studio album since 2009’s critically-acclaimed, Grammy-nominated World Painted Blood. The twelve songs were produced by Terry Date and recorded between August 2014 and mid-January 2015 at Henson Studios in Los Angeles. The band‘s rabid fans have already had a taste of what‘s to come via the frenetic ‚Implode‘ (offered in it‘s demo form as a free download) and the limited Record Store Day release of the haunting ‚When The Stillness Comes‘, which sold-out in a matter of hours. However, the album‘s centrepiece is the title track. “’Repentless’ is my Jeff tribute,“ says Kerry King. “I call it the ‘HannemAnthem.’ It’s my perspective of Jeff’s perspective, it’s what I think…if Jeff wrote a song for himself “Repentless“ would be it.“

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Slayer – South Of Heaven (1988/2015) [Official Digital Download 24bit/192kHz]

Slayer – South Of Heaven (1988/2015)
FLAC (tracks) 24 bit/192 kHz | Time – 36:55 minutes | 1,49 GB | Genre: Rock, Metal
Studio Masters, Official Digital Download | Front Cover | © American Recordings Catalog P&D

When it comes to death metal, no band is more convincing than Slayer. For other bands, focusing on death, Satanism, the supernatural, and the occult became a cliché; but Slayer’s controversial reflections on evil always came across as honest and heartfelt. The group’s sincerity is the thing that makes South of Heaven so disturbing and powerful — when the influential thrashers rip into such morbid fare as “Spill the Blood,” “Mandatory Suicide,” and “Ghosts of War,” they are frighteningly convincing. With their fourth album, Slayer began to slow their tempos without sacrificing an iota of heaviness or incorporating any pop elements. South of Heaven would be Slayer’s last album for Def Jam. When Rick Rubin and Russell Simmons (brother of Joseph “Run” Simmons of Run-D.M.C.) parted company, Slayer went to Rubin’s new company Def American, while LL Cool J, Slick Rick, and other rappers recorded for Simmons at Def Jam. –AllMusic Review by Alex Henderson

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Slayer – Seasons In The Abyss (1990/2015) [Official Digital Download 24bit/192kHz]

Slayer – Seasons In The Abyss (1990/2015)
FLAC (tracks) 24 bit/192 kHz | Time – 42:27 minutes | 1,73 GB | Genre: Metal
Studio Masters, Official Digital Download | Front Cover | © Def Jam Recordings

Slayer built a rabid following with faster-than-light thrash metal, eerie, disturbing lyrics, and bassist/singer Tom Araya’s screamed vocals. 1986’s „Reign In Blood“, a blinding metal classic that clocked in at below a half hour in length and was produced by Rick Rubin, put the band on the metal map. Although Slayer was a bunch of longhairs, it wasn’t uncommon to see hardcore skinheads slamming away at the band’s shows. But 1988’s „South Of Heaven“ alienated many of Slayer’s punk fans, as the group slowed their speed metal to a Black Sabbath-like crawl.

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Slayer – Repentless (2015) [Official Digital Download 24bit/96kHz]

Slayer – Repentless (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 41:56 minutes | 953 MB | Genre: Metal
Studio Masters, Official Digital Download | Front Cover | © Nuclear Blast

Eleventh studio album from the pioneering thrash band that has scanned 5+ million albums in the US. Produced by Terry Date [Pantera, Deftones, Slipknot]. Previous album World Painted Blood reached #12 on “The Billboard 200.” They’re headlining the 2015 Rockstar Mayhem Festival US summer tour.

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Slayer – Reign In Blood (1986/2015) [Official Digital Download 24bit/192kHz]

Slayer – Reign In Blood (1986/2015)
FLAC (tracks) 24 bit/192 kHz | Time – 28:26 minutes | 1,16 GB | Genre: Thrash Metal
Studio Masters, Official Digital Download | Front Cover | © American Recordings Catalog P&D

Slayer’s 1986 album Reign In Blood marks the band’s first in a long series of records produced by Rick Rubin, who took the group to a new level of success and brought them international critical acclaim. Now considered one of the most influential thrash metal albums ever released, Kerrang! magazine included Reign In Blood at number 27 on its list of the 100 greatest heavy metal albums of all time and Rolling Stone’s readers named it the sixth best metal album in history.

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Slayer – Diabolus In Musica (1998/2015) [Official Digital Download 24bit/96kHz]

Slayer – Diabolus In Musica (1998/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 40:50 minutes | 1008 MB | Genre: Thrash Metal
Studio Masters, Official Digital Download | Front Cover | © American Recordings Catalog P&D

Slayer’s 1998 release, produced as always by Rick Rubin, has been called the band’s most experimental album, embracing elements of the nu metal scene that was emerging and gaining in popularity at the time. Among the standout tracks is the song Stain of Mind, which became a staple of the group’s live shows.

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