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Tag: Sir Simon Rattle

London Symphony Orchestra and Sir Simon Rattle – Rachmaninoff – Symphony No. 2 (2021) [Official Digital Download 24bit/96kHz]

London Symphony Orchestra and Sir Simon Rattle – Rachmaninoff – Symphony No. 2 (2021)
FLAC (tracks) 24-bit/96 kHz | Time – 58:48 minutes | 0,98 GB | Genre: Classical
Studio Master, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

One of Rachmaninoff’s most popular pieces, the Second Symphony is an indulgently melancholic and sentimental work: a magic box of the late-Romantic orchestra. Dramatic sections played by the full orchestra contrast heart-breaking swells that only this composer could have written. The LSO has a long history with the Second Symphony, recording it many times with conductors such as André Previn, Gennady Rozhdestvensky and Valery Gergiev. For this recording, which was captured during the opening of the London Symphony Orchestra’s 2019/20 season at the Barbican Hall, Sir Simon Rattle conducted from memory, performing the uncut version of this symphonic treasure.

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Berliner Philharmoniker and Sir Simon Rattle – Mahler – Symphony No. 7 (2021) [Official Digital Download 24bit/48kHz]

Berliner Philharmoniker and Sir Simon Rattle – Mahler – Symphony No. 7 (2021)
FLAC (tracks) 24-bit/48 kHz | Time – 01:16:06 minutes | 736 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Berlin Philharmonic Orchestra

This Gustav Mahler edition brings together Berliner Philharmoniker recordings from the last ten years. It includes the nine completed symphonies and the Adagio of the Tenth, whose performance under the direction of Claudio Abbado on the 100th anniversary of Mahler’s death is one of the highlights. In addition to chief conductor Kirill Petrenko and his predecessor Sir Simon Rattle, the edition features other outstanding Mahler interpreters closely associated with the orchestra: Gustavo Dudamel, Bernard Haitink, Daniel Harding, Andris Nelsons and Yannick Nézet-Séguin.

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Sir Simon Rattle, London Symphony Orchestra – Janacek: The Cunning Little Vixen, Sinfonietta (2020) [Official Digital Download 24bit/96kHz]

Sir Simon Rattle, London Symphony Orchestra – Janáček: The Cunning Little Vixen, Sinfonietta (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:59:13 minutes | 2,04 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

Melodious and charming, The Cunning Little Vixen is a work rooted in Czech history and folk music; a sentimental journey through the cycles of life. For Sir Simon Rattle, it’s a deeply personal and emotional work. “It’s the piece that made me want to become an opera conductor… and still one of the pieces that reduces me to tears more easily than any other,” says the LSO’s Music Director. Recorded with an outstanding cast during semi-staged performances, this recording is the second in an LSO Live series showcasing acclaimed collaborations between Rattle and the celebrated stage director Peter Sellars. Towering fanfares open Janácek’s Sinfonietta, an ode to the composer’s hometown of Brno in the now Czech Republic. It’s a portrait composed for a national celebration of Slavic culture, with Janácek’s love of musical tradition evident in dancing strings and celebratory brass.

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London Symphony Orchestra & Chorus, Sir Simon Rattle – Beethoven Christ on the Mount of Olives (Christus Am Olberge) (2020) [Official Digital Download 24bit/96kHz]

London Symphony Orchestra & Chorus, Sir Simon Rattle – Beethoven Christ on the Mount of Olives (Christus Am Ölberge) (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 45:14 minutes | 802 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

Composed in 1803, while Beethoven was also writing the “Eroica” Symphony, Christ on the Mount of Olives (Christus am Ölberge) is the composer’s only oratorio, and combines the emotive force of his later Missa Solemnis with the theater of a Bach Passion. With orchestra, chorus and soloists, it tells the story of Jesus’ prayer and arrest in the Garden of Gethsemane and also reflects the emotional pressure Beethoven was under at the time. This recording by Sir Simon Rattle, with acclaimed singers Elsa Dreisig, Pavol Breslik and David Soar, was made during the London Symphony Orchestra’s celebration of Beethoven’s 250th anniversary.

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Sir Simon Rattle, Berliner Philharmoniker – The Asia Tour (2018) PS3 ISO + FLAC

Sir Simon Rattle, Berliner Philharmoniker – The Asia Tour (2018)
PS3 Rip | 5x SACD ISO | DST64 2.0 > 1-bit/2.8224 MHz | 216:51 minutes | Cover + PDF Book | 3,48 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Cover + PDF Book | 4,5 GB

In November 2017, the Berlin Philharmonic gave a series of concerts in Hong Kong, China, South Korea and Japan. It was the last tour of Asia that Rattle would undertake as the orchestra’s chief conductor, and their performances are thoroughly documented on these discs. Four of the discs are derived from the final pair of concerts, which were given in Tokyo’s magnificent Suntory Hall, while the other, a performance of Ravel’s G Major Piano Concerto with the winner of the 2015 Warsaw Chopin competition as soloist, was recorded in the Berlin Philharmonie before the tour began. he recordings are astonishingly vivid, and the whole set provides a very impressive showcase of the Berlin Phil’s current condition as it nears the end of Rattle’s reign.

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UNICEF concert for Japan with Simon Rattle and Daniel Barenboim 2011 1080p WEB-DL AAC2.0 H.264-CHDWEB

Both the Berliner Philharmoniker and the Staatskapelle Berlin have been regular guests in Japan for many years and have many friends among the country’s music enthusiasts. Following the devastating earthquake and the nuclear disaster at Fukushima in March 2011, the two orchestras gave a joint benefit concert for the victims a few weeks later, with Sir Simon Rattle and Daniel Barenboim conducting.

All proceeds from the concert and from the live webcast in the Digital Concert Hall went to the UNICEF emergency fund in Japan. As Ken Hayami from the Japan Committee for UNICEF said, following the earthquake, the tsunami and the nuclear power plant disaster, UNICEF’s top priority was to help traumatised children in the affected areas as quickly and effectively as possible. With this concert, the musicians wanted to help them in their efforts.

To open the concert, the Staatskapelle Berlin and Daniel Barenboim perform Tchaikovsky’s Sixth Symphony Pathétique. In addition to its concert activities, the Staatskapelle, whose history goes back to 1570, is the orchestra of the Staatsoper in Berlin. Daniel Barenboim has been general music director of the Staatskapelle since 1992. The Berliner Philharmoniker and chief conductor Sir Simon Rattle end the concert with a performance of Brahms’s Fourth Symphony. The orchestra has been an international UNICEF Goodwill Ambassador since 2007.

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The Highest Level꞉ Lang Lang with the Berliner Philharmoniker 1080p WEB-DL AAC2.0 H.264-CHDWEB

When the Berliner Philharmoniker, Sir Simon Rattle and Lang Lang came together for their first joint recording in April 2013, expectations were high. Not only because the musicians are among the best in their field, but also because they had chosen a challenging as well as exciting repertoire: Béla Bartók’s Piano Concerto No. 2 and Sergei Prokofiev’s Third Piano Concerto. In our documentary The Highest Level, you can be witness to this summit meeting and with extensive behind-the-scenes footage, follow the making of a great recording.

The film is many things at once. Firstly, it is a portrait of the artists, in which one comes close to the orchestra, conductor and soloist. We learn a lot about their fundamental view of music, and how they find their way to a joint interpretation. About Prokofiev’s concerto, Simon Rattle says, “It goes without saying that it’s extraordinarily difficult and virtuosic to play, and it’s an amazingly splashy display piece, but with many moments of delicacy and beauty.” This is precisely one of the major challenges of this recording project: how to reconcile the explosive with the lyrical in these works.

From the piano, Lang Lang readily explains how he overcomes the physical pitfalls of the works. Furthermore, the viewer can follow the many steps of a recording. We see how Simon Rattle and Lang Lang hone their interpretation, both in the recording studio and on the podium. And we learn from the sound engineer how to get the best possible, authentic sound recording. The film makes it clear that the creation of great art is based not least on a perfect balance of inspiration and hard work.

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Orchestra Academy of the Berliner Philharmoniker – Schubert’s “Winterreise” with Christian Elsner and Simon Rattle 2014 1080p WEB-DL AAC2.0 H.264-CHDWEB

Many composers, such as Berlioz, Liszt, Brahms and Britten, have composed orchestral versions of individual Schubert Lieder. The first to dare to arrange the entire cycle of Schubert’s crowning work Winterreise for chamber ensemble, however, was Hans Zender in the last years of the 20th century: “My ‘reading’ of the Winterreise,” the German composer and conductor wrote, “does not look for a new expressive interpretation, but rather systematically makes use of freedoms that all interpreters normally allow themselves intuitively: stretching or compressing the tempo, transposition to other keys, bringing out characteristic nuances of colour.”

In this arrangement, which delights even purists, the original vocal part remains to a large extent untouched, while the approach to the piano voice hovers between “orchestration” and “revised version” and turns out differently from one song to the next: while in “Lindenbaum”, for instance, Zender restricted himself to distributing the existing notes across the instruments he selected, other lieder are more beholden to Gustav Mahler’s fin-de-siècle inflection or Alban Berg’s Expressionism. By highlighting these and other lines of tradition, Zender’s Winterreise sets free moments that are inherent in Schubert’s music but remain hidden below the classical surface. In this extremely successful Late Night performance of the Winterreise under the direction of Sir Simon Rattle, students of the Berliner Philharmoniker’s Orchestra Academy accompany the tenor soloist, Christian Elsner.

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Orchestra Academy of the Berliner Philharmoniker – “Late Night” concert with Simon Rattle and Magdalena Kozena 2017 1080p WEB-DL AAC2.0 H.264-CHDWEB

“I wished to transcribe Mallarmé’s poetry into music,” Maurice Ravel professed in his Autobiographical Sketch, “especially that preciosity so full of meaning and so characteristic of him. ‘Surgi de la croupe et du bond’ is the strangest, if not the most hermetic of his sonnets.” And in fact in 1913 the composer did set Trois Poèmes de Stéphane Mallarmé to music; “Surgi de la croupe et du bond” is the third in the series, and the musical rendering proves utterly on a par with the poem’s word magic. Together with members of the Orchestra Academy of the Berliner Philharmoniker conducted by Sir Simon Rattle, Magdalena Kožená present Ravel’s rarely heard song cycle, in which tonality sometimes ceases to apply.

The evening concludes with two compositions by Luciano Berio: the no less virtuoso Sequenza III for female voice, and Laborintus II for voices, instruments and tape, a work that can be presented as a theatrical event, tale, allegory, documentation, dance play, etc.

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Orchestra Academy of the Berliner Philharmoniker – “Late Night” concert with Simon Rattle and a new masterpiece 2013 1080p WEB-DL AAC2.0 H.264-CHDWEB

Georg Friedrich Haas set out early on to follow in the footsteps of Ivan Wyschnegradsky and Alois Hábas by grappling with microtonal music. “I became aware early,” says the composer, who was born in Graz in 1953, “that every pitch that the piano offers me, to put it in bold terms, does not constitute the totality of musically reasonable, usable pitches.”

The sensual allure of the varied sound, experimentation with overtone harmonies, and layering of acoustic beats are central moments with which Haas creates his magical worlds of sound – a kind of music about which one can hardly believe it is not produced with electronic instruments. Even the “normally” tempered beginning of his ensemble piece in vain from 2000 is almost imperceptibly overlaid by partial tones, giving rise very gradually to a fascinating counter-world to the uniform semi-tones of the usual tempered tuning system.

For the students of the Berliner Philharmoniker’s Orchestra Academy who are being led to unfamiliar territory, performing the work amounts to a special challenge. But the audience too can no longer refer to familiar listening coordinates – particularly because Haas repeatedly creates fluctuating sound spirals which mislead you tonally. The result is music from many perspectives that in some sense resembles the images of M. C. Escher – one has only to think of those staircases where the upper and the lower ends are connected to each other.

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