Rebecca Rust, Friedrich Edelmann & Scott Faigen – The Great Conversation (2018) [Official Digital Download 24bit/88,2kHz]

Rebecca Rust, Friedrich Edelmann & Scott Faigen – The Great Conversation (2018)
FLAC (tracks) 24 bit/88,2 kHz | Time – 58:21 minutes | 888 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Centaur Records, Inc.

Rebecca Rust, cello, and Friedrich Edelmann, bassoon, have played together in duos, trios and larger chamber music groups for over 30 years. From their home base in Germany, this huband-and-wife team performs in America, Europe and Japan including radio and TV productions. Praised by Carlo Maria Giulini for her exceptional musicality, the American cellist Rebecca Rust, a native of California, received her first piano lessons with her mother at the age of five and began cello lessons with Margaret Rowell. Rowell said: Rebecca Rust is one of the most talented cellists that I have had the pleasure of teaching. Blessed with a beautiful ear and facility, she has used these gifts as tools to dig deep into the music itself, thereby giving her listeners a profound musical experience. Rebecca Rust is a brilliant cellist. Friedrich Edelmann grew up in Kaiserslautern, Germany. He studied with Alfred Rinderspacher, Klaus Thunemann, and Milan Turkovic. In 1977 he became the Principal Bassoonist of the Munich Philharmonic Orchestra. They are joined on this recording by pianist Scott Faigen.

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Ulrike-Anima Mathé, Scott Faigen – Stöhr: Chamber Music, Vol. 3 (2018) [Official Digital Download 24bit/96kHz]

Ulrike-Anima Mathé, Scott Faigen – Stöhr: Chamber Music, Vol. 3 (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 56:31 minutes | 965 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Toccata Classics

The piano music of the Czech-born composer Antoine Reicha (1770–1836) – friend of Haydn and Beethoven, teacher of Berlioz, Liszt, Franck and many others – is one of the best-kept secrets in music. Reicha was an important influence on composers of the next generation but, apart from an innovative set of fugues, his piano works have remained almost unknown since his own day. Encompassing Baroque practices as well as looking forward to the twentieth century, they are full of harmonic and other surprises that show this liveliest of musical minds at work. Reicha’s twenty Études ou Exercices, recorded here for the first time, manage to combine his maverick inventiveness with a considerable degree of charm.

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