Quartetto Bazzini, Daniela Sangalli, Lino Megni, Marta Pizio, Fausto Solci – Bazzini: String Quartets n. 2, 4, 5 (2022) [Official Digital Download 24bit/96kHz]

Quartetto Bazzini, Daniela Sangalli, Lino Megni, Marta Pizio, Fausto Solci - Bazzini: String Quartets n. 2, 4, 5 (2022) [Official Digital Download 24bit/96kHz] Download

Quartetto Bazzini, Daniela Sangalli, Lino Megni, Marta Pizio, Fausto Solci – Bazzini: String Quartets n. 2, 4, 5 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:52 minutes | 1,38 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Tactus

Antonio Bazzini, violinist and composer, was born in Brescia on March 11, 1818. At the age of eight, he began to study the violin under the guidance of Fausto Camesani (or Camisani); at thirteen, he published his first composition; and at seventeen, he had six symphonies for great orchestra performed at the theatre of Brescia. In 1836, when he was eighteen, he was auditioned by Paganini, who encouraged him to embark on a career as a concert performer. From that time onwards, he was constantly successful. He held concerts in Germany, Italy, France, Spain, Denmark, England and Belgium. He met many contemporary composers, one of whom was Robert Schumann, who praised him saying: “Since many years no virtuoso has given me such an intimate joy and such pleasant, happy moments as Antonio Bazzini has done. It seems to me that he is too little known, and that, even here, he has not been appreciated as much as he deserves.” With this album the Quartetto Bazzini completes the recording of Bazzini’s string quartets (originally printed in the nineteenth century) started in 2018 with the previous album (TC810202). The new album is including quartets n. 2, no. 4 and n. 5, shorter than the monumental n. 1 and n. 3 of the previous release, testify – as the composer Arrigo Boito reminds us – a great intelligence by years of performances and studying of the great German quartets, an experience that allowed him to remain, unlike many contemporaries, independent of the dominant melodramatic context.
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Luca Natali Stradivari, Luca Fanfoni, Quartetto Bazzini – Luca Natali Stradivari: Chamber Works (2021) [Official Digital Download 24bit/44,1kHz]

Luca Natali Stradivari, Luca Fanfoni, Quartetto Bazzini – Luca Natali Stradivari: Chamber Works (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:03:42 minutes | 606 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Stradivarius

Luca N. Stradivari (1993) is a composer and pianist of his own music. After he graduated at the University of Nottingham, he started to hold composition seminars and concerts in China since 2018. He writes: “The first part of this release is marked by the performance of The King is Dead – shipwreck for violin and piano. A reworking case for duet – Luca N. Stradivari on the piano and Luca Fanfoni on the violin – of the concert for wind orchestra and violin solo based on the First World War, performed in 2012 in Salò on lake Garda for its annual music festival. Seven years later, maestro Fanfoni and I began a long process of studying my work in order to understand its complex rhythms and sonorities, as well as its symbols and deep historical meaning. The movement’s titles (Mad Earth’s screams, Lazy Hell, Stars shot into memories) were taken from some poems of mine in order to better emphasize what the music is describing within a particular section…Paciugo84 is a stream of consciousness running through different frames: absurd imagines, erotic fantasies, impossible loves, all orbiting around the initial thematic idea, those four melancholic notes opening and closing the score turning it into a true madhouse of butter-files.* To elevate the power of this piece I inserted in the recording a soundscape of city noises and turn them into active part of the composition since when I was creating this piece I was reading Sartre’s writings, whose diaries were inspired by what he could see from his window. The music changes and reacts depending also on external noises such as the departing car at the end of the composition becoming a whole with the melancholic ending.”

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