Quarteto Lopes-Graca – Joly Braga Santos: Complete Chamber Music, Vol. 1 (2020) [Official Digital Download 24bit/96kHz]

Quarteto Lopes-Graca - Joly Braga Santos: Complete Chamber Music, Vol. 1 (2020) [Official Digital Download 24bit/96kHz] Download

Quarteto Lopes-Graca – Joly Braga Santos: Complete Chamber Music, Vol. 1 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:46 minutes | 1,47 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Toccata Classics

Joly Braga Santos (1924–88) was one of the most important composers in twentieth-century Portugal. In his early works his fondness for modal harmony, absorbed from the Portuguese masters of the Renaissance, and his busy counterpoint combine to make him sound surprisingly close to such particularly English composers as Vaughan Williams and Moeran. Although his harmonic language became more astringent with time, it retained a burly sense of humor and a powerful charge of energy. In these recordings Portugal’s premier string quartet is joined in the Braga Santos Sextet by the composer’s daughter on viola. This is the first release in a series of three which will present – for the first time ever – Braga Santos’ complete chamber music.
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Taíssa Poliakova Cunha & Quarteto Lopes-Graça – Portuguese Tributes to Beethoven (2022) [Official Digital Download 24bit/44,1kHz]

Taíssa Poliakova Cunha & Quarteto Lopes-Graça – Portuguese Tributes to Beethoven (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:08:50 minutes | 641 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Toccata Next

These three compositions by three Portuguese composers pay direct and indirect tribute to the music of Beethoven. The Piano Quintet by João Domingos Bomtempo was written in the style of the Viennese Classical mainstream even as Beethoven was changing its direction. The two works by César Viana and Jaime Reis both have distant roots in Beethoven but pay their homage in very different styles, one using relatively traditional language and the other more radical – as was Beethoven himself, of course.

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