Oscar Peterson Trio – We Get Requests (1965) [Japanese Limited SHM-SACD 2010] SACD ISO + Hi-Res FLAC

Oscar Peterson Trio – We Get Requests (1965) [Japanese Limited SHM-SACD 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:40 minutes | Scans included | 1,67 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 856 MB

Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-’60s would get requested (such as “People,” “The Girl from Ipanema,” and “The Days of Wine and Roses”), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with “People”) and adds a few songs (such as his own “Goodbye, J.D.” and John Lewis’ “D & E”). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

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Oscar Peterson Trio – West Side Story (1962) [APO Remaster 2011] SACD ISO + Hi-Res FLAC

Oscar Peterson Trio – West Side Story (1962) [APO Remaster 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:24 minutes | Scans included | 1,53 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 735 MB

West Side Story was a bit of an unusual session for several reasons. First, the popularity of both the Broadway musical and the film version that followed meant that there were many records being made of its music. Second, rather than woodshed on the selections prior to entering the studio, the Oscar Peterson Trio spontaneously created impressions of the musical’s themes on the spot. “Something’s Coming” seems like a series of vignettes, constantly shifting its mood, as if moving from one scene to the next. Ray Brown plays arco bass behind Peterson in the lovely “Somewhere,” while the feeling to “Jet Song” is very hip in the trio’s hands. The snappy interplay between the musicians in the brisk setting of “Tonight” turns it into a swinger. “Maria” initially has a light, dreamy quality, though it evolves into a solid groove. The romp through “I Feel Pretty” is full of humor, while the album closes with a brief reprise of several themes from the musical to wrap the session with a flourish.

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Oscar Peterson Trio – We Get Requests (1964) [Analogue Productions 2011] MCH SACD ISO + Hi-Res FLAC

Oscar Peterson Trio – We Get Requests (1964) [Analogue Productions 2011]
PS3 Rip | SACD ISO | DSD/DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 39:55 minutes | Scans included | 2,26 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 40:00 mins | Scans included | 839 MB

Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-’60s would get requested (such as “People,” “The Girl from Ipanema,” and “The Days of Wine and Roses”), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with “People”) and adds a few songs (such as his own “Goodbye, J.D.” and John Lewis’ “D & E”). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

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The Oscar Peterson Trio – Night Train (1962/2013) [High Fidelity Pure Audio Blu-Ray Disc]

Artist: The Oscar Peterson Trio
Title: Night Train
Genre: Jazz, Mainstream, Bop, Piano Jazz
Label: © Verve Music Group
Release Date: 1962/2013
Recorded: Radio Recorders, Hollywood, Los Angeles, California, on December 15th and 16th, 1962
Quality: Blu-ray Audio
Length: 00:44:54
Video: MPEG-4 AVC 1153 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: DTS-HD MA 2.0 / 96 kHz / 3682 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Audio: Dolby TrueHD 2.0 / 96 kHz / 3059 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

Night Train is a jazz album by the Oscar Peterson Trio, released in 1962 by Verve Records. It was one of Peterson’s most commercially successful recordings. The Penguin Guide to Jazz included it in its core collection, stating that “it’s one of the best long-players of the period” and that Peterson’s playing is “tight and uncharacteristically emotional”.
Album producer Norman Granz had sold Verve, but remained Peterson’s manager, so supervised the Night Train recording session. The brief duration of many of the tracks has been attributed to a desire to have them played on commercial radio, which tended to be reluctant to play anything that was longer than a few minutes. Thigpen’s rivet cymbal, recorded at very close range, is prominent on all issues of the album.

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