Nino Gvetadze – The Muse (2023) [Official Digital Download 24bit/48kHz]

Nino Gvetadze – The Muse (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:09:25 minutes | 638 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Challenge Classics

The year 1860 represented a turning-point in Brahms’s life: he issued a ‘Manifesto’ in which he distanced himself from the Romanticism of the ‘New German School’ epitomised by Liszt and their association with Wagner’s music-dramas. This aesthetic change of heart placed an emphasis on hard work and craftsmanship rather than the more Romantic conception of inspiration, with Brahms taking a particular pride in being both German and a self-made man. This ethos is reflected in the Variations and Fugue on a Theme by Handel, Op. 24. Brahms’s two Rhapsodies, Op. 79 were composed in 1879 and were dedicated to his friend Elisabet von Herzogenberg. The title may lull the listener into a false sense of whimsy, when in reality these pieces are founded on clear structural designs. Three Intermezzos Op. 117: Brahms wrote of these three Intermezzos to his friend Rudolf von der Leyen, describing them as ‘Wiegenlieder meiner Schmerzen’: ‘lullabies of my sorrow’. Each has the character of a soliloquy or introspective personal reflection

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Nino Gvetadze – The Muse (2023) [24Bit-48kHz] FLAC [PMEDIA] ⭐️

Nino Gvetadze - The Muse (2023) [24Bit-48kHz] FLAC [PMEDIA] ⭐️ Download

Nino Gvetadze – The Muse (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:09:25 minutes | 635 MB | Genre: Classique
Studio Masters, Official Digital Download | Digital Booklet, Front Cover

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Nino Gvetadze – Einsam (2020) [Official Digital Download 24bit/96kHz]

Nino Gvetadze – Einsam (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:53 minutes | 1,12 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Challenge Classics

Robert Schumann’s piano music is invariably bound up with the dramatic events of his life. Schumann channelled both his love for Clara and his pianistic frustrations into his music, which was often composed with Clara in mind, both romantically and musically; she was an outstanding pianist and composer in her own right.

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Nino Gvetadze – Cyril Scott: Visions (2019) [Official Digital Download 24bit/96kHz]

Nino Gvetadze – Cyril Scott: Visions (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:36 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Challenge Classics

Nino Gvetadze: “Many years ago, when I studied at the Tbilisi Conservatory in Georgia, I had the privilege to be a student of a prominent Georgian composer, pianist and pedagogue, Nodar Gabunia. He was a very special, I would say exceptionally gifted person in many different ways. Every year he would present his students in a special concert that always had a very interesting and intriguing theme. On one of these evenings, this time under the name “Debussy and his contemporaries”, he entrusted me to play Lotus Land by Cyril Scott, the piece that took me under its spell from the very first bars.

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Nino Gvetadze – Aufgelebt (2022) [Official Digital Download 24bit/44,1kHz]

Nino Gvetadze - Aufgelebt (2022) [Official Digital Download 24bit/44,1kHz] Download

Nino Gvetadze – Aufgelebt (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:13:02 minutes | 629 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Challenge Classics

The album “Aufgelebt” is all about revival, rebirth and recreation, the promise of new beginnings. Beethoven worked on his Piano Concerto No. 4 and the Op. 61a (piano version of a violin concerto) in the same period of his life. Both concertos were neglected and would have been forgotten had it not been for the attention of Felix Mendelssohn, who revived the Fourth Piano Concerto in 1836 and conducted the violin concerto, in 1844. Since then, these two concertos have been considered to be masterpieces of classical music literature. The Violin Concerto had yet another chance of rebirth long before young Joachim’s success. After attending the premier of the piece, Muzio Clementi asked Beethoven to transcribe the work for piano and orchestra. His wish was promptly fulfilled by the composer, who at the same time enriched the Concerto with authentic cadenzas, of which the first – in the First Movement – is very special as the piano is accompanied by timpani!
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