Nick Cave

Nick Cave – Back to Black (Original Motion Picture Score) (2024) [24Bit-48kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/48 kHz | Time – 00:24:39 minutes | 237 MB | Genre: Film, Bandes originales de films
Studio Masters, Official Digital Download | Front Cover

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Nick Cave & The Bad Seeds – Skeleton Tree (2016)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:44 minutes | 432 MB | Genre: Alternative Rock
Studio Masters, Official Digital Download | Front Cover | © Bad Seed Ltd

The 16th studio album from alt-rock pioneers Nick Cave & the Bad Seeds. This follows the Bad Seeds’ most critically and commercially successful release of recent times, Push the Sky Away (2013). Skeleton Tree began it’s journey in late 2014 at Retreat Studios, Brighton, with further sessions at La Frette Studios, France in autumn 2015. The album was mixed at AIR Studios, London in early 2016. Nick Cave and the Bad Seeds were formed in Melbourne in 1983 by lead singer Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout it’s career. They have released 15 previous studio albums and completed numerous international tours.

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Nick Cave & The Bad Seeds – Push the Sky Away (2013)
FLAC (tracks) 24 bit/44,1 kHz | Time – 42:44 minutes | 444 MB | Genre: Alternative Rock, Blues Rock
Studio Masters, Official Digital Download | Front Cover | © Bad Seed Ltd

It’s been nearly five years since Nick Cave & the Bad Seeds issued the manic, intense rock cabaret that was Dig, Lazarus, Dig!!! Since then, the formation and breakup of Grinderman yielded two studio offerings, and Cave and Warren Ellis have composed a few film scores. Push the Sky Away, produced by Nick Launay, is painted with a deliberately limited sonic palette by Ellis. The album’s sequencing makes it feel like a long, moody suite. While most of these songs contain simple melodies and arrangements that offer the appearance of vulnerability and tenderness, it is inside this framework that they eventually reveal their sharp fangs and malcontent. Opener — and first single — “We No Who U R” is reminiscent of “Your Funeral, My Trial” in its intent, but musically Ellis’ sparse loops, flute, and a backing vocal chorus lend it an elegiac feel that belies the threat in the lyric. “Water’s Edge,” with its rumbling bassline, eerie piano, and Ellis’ droning violin loops, is more overt in its sinister menace. Its protagonist, full of rage at seeing the dance of romance among the young, warns: “It’s the will of love/It’s the thrill of love/It’s the chill of love/Comin’ on.” “We Real Cool” uses that thrumming bassline too. Instantly taut, one awaits an explosion that never arrives — musically. Here, and elsewhere on this recording, the listener is exhorted to walk an emotional tightrope between the human qualities in Cave’s characters as speaking subjects and the more distasteful, disgusting traits that make them objects of repulsion. He doesn’t judge. “Finishing Jubilee Street” features Ellis’ electric guitar in bluesy resonance as it drones atop a strummed 12-string acoustic before layered strings begin marching toward a dramatic catharsis. “Higgs Boson Blues,” the set’s longest cut, uses the drum kit and electric guitars in a similarly long, formless blues that displays Cave in near rant mode; his black humor is evident inside sociological observations with Miley Cyrus and Hannah Montana as characters. “Mermaids” employs humor too; from the start nearly obscene, it moves beyond its joke and becomes both a love song and a romantic elegy about the disappearance of the place of myth in Western spiritual life. Cave’s protagonist believes in them all and laments them like an abandoned lover. The title track rises from the ether, driven by guest (and former Bad Seed) Barry Adamson’s bassline and Ellis’ eerie organ, which takes the foreground. It’s a paean of determination in the face of grievous loss. Push the Sky Away is the first Bad Seeds record without Mick Harvey; the inherent lyricism and relative lushness in his musical arrangements are missed here. Despite excellent songs, this album feels more like an extension of Cave and Ellis’ cinematic work than a classic Bad Seeds record. The sonic sea change is deliberate; but historically, given their vastly musical nature, this more economical approach is jarring, though seductive. ~ Thom Jurek

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Nick Cave & The Bad Seeds – Idiot Prayer – Nick Cave Alone at Alexandra Palace (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:24:04 minutes | 1,59 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Bad Seed Ltd

2020 live release. Idiot Prayer: Nick Cave Alone at Alexandra Palace is a concert film and live album by musician Nick Cave. It was filmed by cinematographer Robbie Ryan and features Cave performing solo on piano at Alexandra Palace in London. Idiot Prayer serves as the final film in a trilogy-along with 20,000 Days on Earth (2014) and One More Time with Feeling (2016)-and was described by Cave as “it’s luminous and heartfelt climax.”

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Nick Cave & The Bad Seeds – Ghosteen (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:15 minutes | 1,39 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Ghosteen Ltd

Ghosteen is the new two part album from Nick Cave and The Bad Seeds. Ghosteen is the seventeenth studio album from Nick Cave and The Bad Seeds, following 2016’s Skeleton Tree. The album was recorded in 2018 and early 2019 at Woodshed in Malibu, Nightbird in Los Angeles, Retreat in Brighton and Candybomber in Berlin. It was mixed by Nick Cave, Warren Ellis, Lance Powell and Andrew Dominik at Conway in Los Angeles.’The songs on the first album are the children. The songs on the second album are their parents. Ghosteen is migrating spirit.’ Nick Cave.

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Nick Cave – La Panthère Des Neiges (Original Soundtrack) (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 44:45 minutes | 436 MB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover | © INVADA Records

Invada Records and Lakeshore Records are set to release the original score by Nick Cave and Warren Ellis to the forthcoming film La Panthère Des Neiges digitally 17 December. The soundtrack is one of Ellis and Cave’s most heartfelt and haunting film projects. Lakeshore Records will release the album digitally in the Americas and Invada Records in the rest of the world. A first single, the track “We Are Not Alone,” (an edit not found on the album), is out now. Watch the video here.

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Nick Cave – Blonde (Soundtrack From The Netflix Film) (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 59:03 minutes | 629 MB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover | © INVADA Records

Nick Cave and Warren Ellis have once again collaborated with director Andrew Dominik — this time for the score to the filmmaker’s upcoming Marilyn Monroe movie Blonde.

The Bad Seeds duo have shared their opening piece from the upcoming Netflix film, which arrives on the streaming service on Sept. 28; their Blonde score will also be released that day.

Like Cave’s recent LPs Ghosteen and Carnage, the ethereal “Pearly” is largely synthesizer-based, with the piece ebbing and swelling over the course of its nearly seven minutes. The title of many of the score’s individual pieces are also inspired by the Monroe mythos, like “Goddess of Love on a Subway Grating” and “Peroxide.”

Cave and Ellis previously provided the score for Dominik’s 2007 cult Western The Assassination of Jesse James by the Coward Robert Ford, and the filmmaker himself has twice served as a documentarian for Cave with the films One More Time With Feeling in 2016 and 2022’s This Much I Know to Be True.

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