Motörhead – Live at Montreux Jazz Festival ’07 (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:27:19 minutes | 1,11 GB | Genre: Rock, Hard Rock
Studio Masters, Official Digital Download | Front Cover | © BMG Rights Management (UK) Ltd
Motörhead loved playing live and never ever judged their audiences. Everyone was encouraged, all were welcome. And that included people who like jazz! So when the Montreux Festival called requesting them, it made perfect sense in its own, unique way. ‘Tis worth noting, too, that the Festival has always been about stepping beyond the boundaries of that ‘J’ word, and embracing unique artists of all genres, styles and sensibilities, the only true consistent requirement being that they represent the best and most adventurous of their ilks. This now legendary performance from 2007 is now released to the world in all its greasy-biker glory and includes the first official release of their cover of Thin Lizzy’s, ‘Rosalie’.
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Motörhead – Motorhead (1977/2008)
FLAC (tracks) 24 bit/48 kHz | Time – 32:29 minutes | 415 MB | Genre: Hard Rock
Studio Masters, Official Digital Download | Front Cover | © Ace Records
Before forming Motörhead, Ian Kilmister (aka Lemmy) could boast of having been a member of space rock cowboys Hawkwind and a career in horsebreaking (that’s horsebreaking, not housebreaking). He was also, to top it all, the son of a vicar. Having been expelled from his former employers after a disagreement with border guards over the contents of his luggage, he took the name for his new band from the final song he’d written for Hawkwind. Together with Larry Wallis of the Pink Fairies and drummer Philthy Animal Taylor, Motörhead recorded a debut album that was rejected by United Artists (you can just imagine the face of the poor guy who got the short straw and had to tell Lemmy), though it was eventually released as On Parole in 1979. As a result, the group expanded with the addition of “Fast” Eddie Clarke on guitar. Wallis then left after just one rehearsal, leaving the classic Motörhead lineup in shape for their debut proper. Rock & roll had never heard the like. Though only a minor chart success, Motörhead patented the group’s style: Lemmy’s rasping vocal over a speeding juggernaut of guitar, bass, and drums. The lyrical theme was “Don’t mess with us” instead of “Don’t mess with our hair.” Before this, hard rock was about musicianship and exhibitionism. Motörhead, conversely, returned mainstream rock to its most brutal base elements — no wonder the punks liked them. – Alex Ogg
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Motörhead – Under Cöver (2017)
FLAC (tracks) 24 bit/48 kHz | Time – 41:58 minutes | 554 MB | Genre: Heavy Metal
Studio Masters, Official Digital Download | Front Cover | © Motorhead Music
ONE THING Lemmy Kilmister, Phil Campbell and Mikkey Dee liked to do over their years together in Motörhead, was grab a favourite song by another artist and give it a good old fashioned ‘Motörheading’. To run them through the Motörizer if you will. To rock them, roll them and even give them an extra twist and edge. In celebration of some of those finest moments, the band will release Under Cöver, a collection of some of their best covers, and a collection which will include the previously unreleased version of David Bowie’s timeless classic “Heroes”. Recorded during the Bad Magic sessions in 2015 by Cameron Webb, and was one of the last songs the band recorded together.
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Motörhead – Louder Than Noise… Live in Berlin (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 01:09:12 minutes | 865 MB | Genre: Metal
Studio Masters, Official Digital Download | Front Cover | © Motörhead Music
MOTÖRHEAD TO RELEASE “LOUDER THAN NOISE… LIVE IN BERLIN” VIA SILVER LINING MUSIC ON APRIL 23RD 2021 The Lemmy Kilmister/Phil Campbell/Mikkey Dee Motörhead line-up spent decades cracking sound barriers, bending ears and decimating lawns worldwide, consistently delivering the Motörgospel to hundreds of thousands of fans. Louder Than Noise… Live in Berlin is a thunderous performance from the band’s 2012 Kings of The Road tour, spanning fifteen classics across all four decades. This line-up was Motörhead’s longest serving by a considerable distance, and throughout Louder Than Noise… Live in Berlin their powerful synergy boots its way through the speakers with the raucous charm and dirty, dangerous, sweaty gusto that was the Kilmister/Campbell/Dee trademark. From the unapologetically furious ‘I Know How to Die’ to a deliciously rare and raucous ‘Over the Top’, Louder Than Noise… Live in Berlin is all about the thick, raw and liberating power of Motörhead live. Further highlights include a favourably feral ‘Rock It’, a rudely raunchy ‘You Better Run’ and a classic one-two haymaker of ‘Ace of Spades’ and ‘Overkill’. Whether a collector completist or newbie to Motörhead’s music, Louder Than Noise… Live in Berlin is a welcome reminder of what real rock ‘n’ roll is truly about.
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Motörhead – Aftershock (2013)
FLAC (tracks) 24 bit/44,1 kHz | Time – 46:58 minutes | 596 MB | Genre: Rock, Metal
Studio Masters, Official Digital Download | Front Cover | © UDR
Silence, silence
Silence when you speak to me!
-Lemmy Kilmister
Like the juggernaut you prayed would keep on crushing you, like the friend that still royally pisses off your parents and like a loyal standard of crunchy, greasy, punky, bluesy, gutsy screw-you rock’n’roll, Motorhead stride out through their 38th year brandishing more swagger and attitude then your ears could begin to comprehend.
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Motörhead – Ace of Spades (40th Anniversary Edition) (Deluxe) (1980/2020)
FLAC (tracks) 24 bit/44,1 kHz | Time – 04:11:11 minutes | 1,83 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Sanctuary Records
“Ace Of Spades” – the title track of MOTÖRHEAD’s 1980 iconic, game changing album isn’t just one of the greatest hard rock songs ever written – it has truly become a lifestyle anthem for several generations of rockers, metalheads, punks, bikers, athletes, rebels, outcasts, and freethinkers all around the world. Few songs in modern history can instantly ignite the adrenaline of music fans the way the song’s opening dirty bass riff, and drum roll can. From zero to 100 mph in a matter of seconds. That speaker-destroying opening riff is unstoppable. And the song altered the course of hard rock… forever.
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Motörhead – Bad Magic: SERIOUSLY BAD MAGIC (Deluxe) (2015/2023)
FLAC (tracks) 24 bit/48 kHz | Time – 02:02:44 minutes | 1,54 GB | Genre: Metal
Studio Masters, Official Digital Download | Front Cover | © Motörhead Music
A lot happened to Motörhead — or more accurately to Motörhead’s once and future leader, Lemmy Kilmister — after the release of 2013’s Aftershock, and most of it wasn’t good. Lemmy, who along with Keith Richards seemed to be the rocker most likely to survive Armageddon (and why hasn’t someone written a comedy where those two chat while foraging for liquor and cigarettes in the wake of World War III?), was abruptly revealed as all too mortal as he found himself struggling with heart trouble, diabetes, and other maladies, and more than a few fans blanched when they saw the widely circulated online video of a weakened Lemmy pacing off stage at the 2013 Wacken Open Air Festival, too frail to complete Motörhead’s set. 2015’s Bad Magic was the first Motörhead album after Lemmy cut back on liquor and tobacco (and had a defibrillator implanted), and returned to the road, and the truth is the mighty frontman sounds older and weaker for the ordeal. That said, it doesn’t hurt as much as you might imagine; on Bad Magic, Lemmy sounds bloodied but unbowed, an ancient soldier who doesn’t know the meaning of surrender and will happily run you through with a sword as he draws his last breath. If Lemmy croaks or wheezes more often on Bad Magic than he has before, it suits his tales of foul-minded bastards and their despicable deeds, and it’s a fine fit with the bloody-minded attitude that has always been Motörhead’s stock in trade. Just as importantly, Lemmy’s bass work remains thunderous, as thick and dirty as it was in his salad days, and guitarist Phil Campbell and drummer Mikkey Dee continue to bring the noise in inspired fashion. Musically, this album brings very little that’s new to the group’s playbook, but they still sound like Motörhead, something thousands of younger and more agile bands simply cannot do, and if you’re wondering if Motörhead can still kick your butt and blow out your speakers in 2015, the answers are “Hell yeah” and “You know it.” And if the cover of “Sympathy for the Devil” seems an odd way to end this album, if anyone in metal can sound truly convincing as Old Scratch and oddly charming in his pursuit of evil, Lemmy’s in the running, and Bad Magic suggests the man and his band might just be indestructible after all. – Mark Deming
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Motorhead – Ace Of Spades
Artist: Motorhead | Album: Ace Of Spades | Style: Metal | Year: 2003 | Quality: DVD-Audio (MLP 5.1 96kHz/24Bit, Dolby AC3 5.1) | Bitrate: lossless | Tracks: 12 | Size: ~2.26 Gb | Recovery: 3% | Covers: in archive | Release: Silverline Records (288133-9), 2003 | Note: Not Watermarked
With the 1980 release of Ace of Spades, Motörhead had their anthem of anthems — that is, the title track — the one trademark song that would summarize everything that made this early incarnation of the band so legendary, a song that would be blasted by legions of metalheads for generations on end. It’s a legendary song, for sure, all two minutes and 49 bracing seconds of it. And the album of the same name is legendary as well, among Motörhead’s all-time best, often considered their single best, in fact, along with Overkill. Ace of Spades was Motörhead’s third great album in a row, following the 1979 releases of Overkill and Bomber, respectively. Those two albums have a lot in common with Ace of Spaces. The classic lineup — Lemmy (bass and vocals), “Fast” Eddie Clarke (guitar), and “Philthy Animal” Taylor (drums) — is still in place and sounding as alive and crazed as ever. The album is still rock-solid, boasting several superlative standouts. Actually, besides the especially high number of standouts on Ace of Spades — at least relative to Bomber, which wasn’t quite as strong overall as Overkill had been — the only key difference between this 1980 album and its two 1979 predecessors is the producer, in this case Vic Maile. The result of his work isn’t all that different from that of Jimmy Miller, the longtime Rolling Stones producer who had worked on Overkill and Bomber, but it’s enough to give Ace of Spades a feeling distinct from its two very similar-sounding predecessors. This singular sound (still loud and in your face, rest assured), along with the exceptionally strong songwriting and the legendary stature of the title track, makes Ace of Spades the ideal Motörhead album if one were to choose one and only one studio album. It’s highly debatable whether Ace of Spades is tops over the breakthrough Overkill, as the latter is more landmark because of its earlier release, and is somewhat rougher around the edges, too. Either way, Ace of Spades rightly deserves its legacy as a classic. There’s no debating that. (more…)
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Motörhead – Overkill
Artist: Motörhead | Album: Overkill | Style: Heavy Metal, Speed Metal | Year: 2003 [1979 original] | Quality: DVD-Audio (MLP 5.1 96kHz/24Bit, MLP 2.0 96kHz/24Bit) | Tracks: 10 + 5 bonus | Size: 3.4 Gb | Recovery: 5% | Covers: in archive | Release: Silverline Records (288189-9), 2003 | Note: Not Watermarked
Motörhead’s landmark second album, Overkill, marked a major leap forward for the band, and it remains one of their all-time best, without question. In fact, some fans consider it their single best, topping even Ace of Spaces. It’s a ferocious album, for sure, perfectly showcasing Motörhead’s trademark style of no holds barred proto-thrash — a kind of punk-inflected heavy metal style that is sloppy and raw yet forceful and in your face. Motörhead, the band’s self-titled debut from 1977, had been rush-recorded, and its stripped-down, super-raw sound wasn’t all that impressive, at least not relative to what would follow. Overkill is what followed, recorded in December 1978 and January 1979, and released not long thereafter. The band’s sound is fully formed here, and it totally explodes right off the bat on the five-minute title track. A number of Motörhead standards follow, among them “Stay Clean” and “No Class.” Produced by Jimmy Miller, who had helmed a number of classic Rolling Stones albums (Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St., Goats Head Soup), Overkill sounds wonderful, especially on the numerous remastered editions of this album. The band’s classic lineup — Lemmy (bass and vocals), “Fast” Eddie Clarke (guitar), and “Philthy Animal” Taylor (drums) — is well in place here, and they seem eager to rip loose wildly on every single song. This, in addition to the solid track listing and Miller’s production, makes Overkill a perfect Motörhead album. Several great ones would follow, of course, but Overkill was the first of the great ones, and quite possibly the greatest of all. (more…)
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Motorhead – Bad Magic (2015)
FLAC (tracks) 24 bit/48 kHz | Time –42:48 minutes | 558 MB | Genre: Metal
Studio Masters, Official Digital Download – Source: HDTracks.com | © UDR
The immortal Motörhead (Lemmy, Phil Campbell and Mickey Dee) are still going strong with their 2015 release, Bad Magic. This is their 22nd studio album! (more…)
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Title: Motörhead – Clean Your Clock
Release Date: 2016
Genre: Rock, Hard Rock, Heavy Metal
Film Director: Herwig Von Mayszner, Sven Offen
Artist: Lemmy – vocals, bass; Phil Campbell – guitars; Mikkey Dee – drums
Production/Label: UDR GmbH/Motörhead Music
Duration: 01:21:59
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, AC-3, PCM
Video: MPEG-4 AVC 19003 kbps / 1920*1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 5.1 / 48 kHz / 5283 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: DTS-HD MA 2.0 / 48 kHz / 2397 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Audio#3: Dolby Digital 5.1 / 48 kHz / 448 kbps
Audio#4: Dolby Digital 2.0 / 48 kHz / 384 kbps
Audio#5: LPCM 2.0 / 48 kHz / 1536 kbps / 16-bit
Size: 22.61 GB
They were the Kings of the Road. They lived on it. They loved it and the fans loved them!
Never was the spirit of Motörhead more alive than when they were on tour, shake, rattle and rolling audiences to within an inch of their lives thanks to that indomitable cocktail of power, purpose and head-crunching volume. In fact, after four decades of bone-pulverizing duty, Motörhead were still enjoying sold-out gigs worldwide.
On November 20th and 21st 2015, at the Zenith in Munich, Germany, UDR Records made the decision to record – what happened to be the very last live shows ever recorded – and Motörhead proceeded to deliver two storming sold out shows. Where there had once been almost too-fast breakneck pace, there was measured yet still thunderous rock’n’roll served up only as they could, Phil Campbell playing better and better, and Mikkey Dee elevating the art of drumming to the superlative heights which made him one of metal’s most coveted skinsmen.