Miles Davis – Miles in the Sky (1968/2019)
FLAC (tracks) 24 bit/96 kHz | Time – 51:04 minutes | 1,33 GB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Columbia – Legacy
An electrifying experience as Davis moves away from his traditional quintet sound toward a more jazz/rock feel later to be known as fusion. Illuminated by Herbie Hancock’s Fender Rhodes, along with a guest appearance by George Benson on Paraphernalia.
Clive Davis, the new head of Columbia, understood the implications of the rise of pop, rock, and folk music. He strongly urged the jazzmen in his catalogue to evolve or to leave. Both intrigued and scornful of the white man’s music, Miles was inspired to take up the challenge and leave the ghetto of popular black music—soul and funk—to which he felt rock music was indebted. Beginning in December 1967, he experimented in the studio, much like the Beatles, letting the tapes turn continuously and leaving the editing to his producer Teo Macero. He imposed an electrical keyboard on Herbie Hancock and frequently called in a guitarist. Taking the initiative again, he wrote two titles: “Country Son,” with its contrasting moods, and “Stuff,” unabashedly funk, with Ron Carter on the electric bass guitar. On “Paraphernalia,” Wayne Shorter continued to explore his imaginary constructions which George Benson’s guitar (à la Wes Montgomery) coarsened, while Tony Williams invented paranormal computations in “Black Comedy.” The album was entitled Miles In The Sky, with a nod to the Beatles’ song “Lucy In The Sky With Diamonds.”