Michael Kiwanuka – Love & Hate (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 54:55 minutes | 1,31 GB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Polydor Records
Michael Kiwanuka’s second album Love & Hate was recorded in LA and London produced by Grammy Award winner Dangermouse and young up-and-coming producer Inflo. Love & Hate is a fascinatingly assured and resonant body of work following Kiwanuka’s acclaimed 2012 debut LP, Home Again. Honest, unabashed, and ambitious, this new record is Kiwanuka emerging from the emotional cocoon of his first album, ready to secure his position as one of the most exciting and renowned talents or our time.
Read moreMichael Kiwanuka – KIWANUKA (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 51:17 minutes | 1,06 GB | Genre: R&B
Studio Masters, Official Digital Download | Front Cover | © Polydor Records
London native Michael Kiwanuka has won over the hearts of many with his soulful voice & trademark “modern vintage” sound. Drawing inspiration from Curtis Mayfield, Jimi Hendrix, Ron Isley & more, his 2016 album Love & Hate was received to mass critical acclaim with rave reviews from The New York Times, Pitchfork, NPR, Rolling Stone & more, debuted at #1 on the UK chart, and earned him a Mercury Prize nomination. Standout track “Cold Little Heart” – theme to A-list HBO drama “Big Little Lies”.
Read moreMichael Kiwanuka – Home Again (2012)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:31 minutes | 592 MB | Genre: R&B, Soul
Studio Masters, Official Digital Download | Front Cover | © Polydor Records
An age ago, major labels signed artists knowing it would take three, four, or even five records before she or he matured sufficiently to build a a dedicated audience. Some labels even signed “prestige artists,” those who wouldn’t necessarily make boatloads of cash, but their presence on one’s roster would attract those who would. These days, the expectations for someone to deliver out of the gate are ridiculous. Michael Kiwanuka is the promising British singer/songwriter who won the BBC Sound of 2012 poll. Home Again is his full-length debut. From the front cover you can see — then hear — how everything about this album and Kiwanuka’s image is laser-focused on the retro pop and soul vibe that saturates his country’s music scene. The Bees’ Paul Butler produced all but one track here. A throwback approach is his signature and, considering what Polydor wanted, may actually seem warranted given Kiwanuka’s wise-beyond-his-years singing voice and songwriting style. There are very bright moments in this mesh of organic sounds (that are occasionally embellished — very slightly — by Moogs). Kiwanuka and Butler play an astonishing array of instruments here, and are ably assisted by select session players elsewhere. Standouts include the opening “Tell Me a Tale,” the set’s strongest cut. Kiwanuka’s voice resembles Terry Callier’s closely enough to warrant Butler virtually aping Charles Stepney’s production style. “Bones,” with its combination of doo wop backing chorus, brushed hi-hats, and jazzy guitar vamp, finds Kiwanuka in fine yet contrasting world-weary voice. The blues in “Worry Walks Beside Me” are underscored by a shimmering B-3 just behind a hazy electric guitar and stacked backing vocals. The title track commences with a fingerpicked acoustic guitar, but a Rhodes piano, multi-tracked cellos, and even a doubling of Kiwanuka’s vocal brings us into contemporary indie terrain. But there are problems. Butler’s attempt at making a record sound vintage paints by the numbers so carefully that he never gets below a song’s surface — despite the emotional intensity in Kiwanuka’s voice. Also, while Kiwanuka is extremely talented, his songwriting needs work; some tunes are weighed down by clunky melodic or clumsy lyric turns. Despite difficulties, Home Again is a promising debut by an artist who will no doubt deliver big if developed properly.
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