Mariss Jansons

Symphonieorchester Des Bayerischen Rundfunks, Mariss Jansons – Rachmaninoff: Symphonic Dances, Op. 45 (Rehearsal Excerpts) (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 53:58 minutes | 555 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © BR-Klassik

What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions – and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor’s interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. “Conductors in Rehearsal” is a BR-KLASSIK series that takes a closer look at the “orchestral workshop”. One can experience first-hand how the conductor’s wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series – which also now being released on album – the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The first set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie im Gasteig, taken from different phases of the collaboration between Mariss Jansons’ work with the BRSO.
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Symphonieorchester des Bayerischen Rundfunks & Mariss Jansons – Rodion Shchedrin: Carmen Suite – Respighi: Pini di Roma (Live) (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 01:06:07 minutes | 664 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik

This new CD from BR-KLASSIK features the ballet music ‘Carmen Suite’, based on the famous melodies from George Bizet’s eponymous opera and masterfully arranged and adapted by the composer Rodion Shchedrin in 1968, and Ottorino Respighi’s well-known symphonic poem ‘Pini di Roma’ (The Pines of Rome), written in 1924. The name of the Russian composer Rodion Shchedrin is primarily associated in the West with his ‘Carmen Suite’, which has been highly popular ever since its first performance. The thirteen movements of this ballet music are based on Bizet’s opera Carmen, and carefully adapted to the musical language of the present day. After Shchedrin’s wife Maya Plisetskaya, long-time prima ballerina of the Bolshoi Theatre, had vainly asked both Shostakovich and Khachaturian to compose a Carmen ballet especially for her, her husband decided to do so instead – a decision that was rewarded with international success. The rousing music in Shchedrin’s interpretation sounds very familiar, yet in many ways, entirely new! The Italian composer Ottorino Respighi is especially admired for his masterly instrumentation. The symphonic poems in his ‘Roman Trilogy’, which deal with the fountains, pine trees and festivals of his adopted home city of Rome, made his name immortal. In his ‘Pines of Rome’ he describes four locations in the Eternal City, each with a different historical background.

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Symphonieorchester Des Bayerischen Rundfunks, Mariss Jansons – R. Schumann: Symphony No. 1, Op. 38 “Spring” – Schubert: Symphony No. 3, D. 200 (Live) (2019)
FLAC (tracks) 24 bit/48 kHz | Time – 58:09 minutes | 575 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik

The two orchestral works on this new CD from BR-KLASSIK reflect early experiments with the symphonic genre by Franz Schubert and Robert Schumann, who would both later become such important Romantic composers. In his Third Symphony in D major, D. 200, written in the early summer of 1815 and probably first performed at a private concert, the eighteen-year-old Schubert emancipated himself from the style copies of his First and Second Symphonies and finally found his own musical expression. None of his symphonies would be heard in public during his lifetime, however; the Third was first performed as late as 1881 in London, where it was immediately received with great enthusiasm. Schumann’s First Symphony in B flat major, op 38 (after an unfinished symphony he wrote in his youth) was an impressive success for the 31-year-old composer. Two months after its completion, in January 1841, the work was premiered by Felix Mendelssohn at the Leipzig Gewandhaus to great public acclaim.

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Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Mahler: Symphony No. 2 in C Minor “Resurrection” (Live) (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 01:20:54 minutes | 744 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik

Gustav Mahler’s Second Symphony, also referred to as the “Resurrection Symphony”, is a complete expression of Mahler’s existential struggle; both its form and its overpowering sound make this utterly clear. This live recording from 20011 is performed by the Chor and Symphonieorchester des Bayerischen Rundfunks under its chief conductor Mariss Jansons with the two singers Anja Harteros and Bernarda Fink.

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Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Bruckner: Symphony No. 9 (2019)
FLAC (tracks) 24 bit/48 kHz | Time – 57:07 minutes | 568 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik

“It seems that the Ninth is a limit. He who wants to go beyond it must pass away. […] Those who have written a Ninth stood too close to the hereafter.” Arnold Schoenberg wrote those words in reference to Gustav Mahler, who had just died without ever having heard his own Ninth Symphony performed. Bruckner was apparently afraid of the fatal number as well: “I don’t want to start on my Ninth at all, I don’t dare”. However, very soon after the completion of his Eighth Symphony in September 1887, Bruckner started on his first drafts. Overall, work on the Ninth then dragged on over the long period from 1887 to 1896, having to be constantly interrupted because of the composer’s deteriorating health. Bruckner finally died while working on the fourth movement – and his masterpiece dedicated to “the beloved God” remained unfinished. Even without a finale, the three-movement torso that survives is, of course, extremely impressive. The completed movements were first performed in Vienna on February 11, 1903, in an unusual personal version by the conductor Ferdinand Löwe. The actual first performance of the original score with its three movements only took place on April 2, 1932 in Munich. Ever since, Bruckner’s Ninth has been an essential part of the Late Romantic symphonic repertoire – above all in its original version. In January 2014, Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks presented the original version of the three completed movements to the public in Munich at the Philharmonie in Gasteig. In its current position, the slow movement cuts a fine figure and helps the symphony reach a dignified conclusion. What could be more appealing than this swan song, swaying as it does between suffering and promise before fading away into a vision of peace and serenity?

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Symphonieorchester des Bayerischen Rundfunks & Mariss Jansons – Bruckner: Symphony No. 8 in C Minor, WAB 108 (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 01:20:04 minutes | 759 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik

For this recording of Anton Bruckner’s Eighth Symphony, Mariss Jansons has chosen the second version of 1890, which gives more compelling expression to Bruckner’s forward-looking conception than the first version of 1887. Its extended length, its vast intellectual dimensions, its formal innovations and its harmonic tensions all may have left his contemporaries overwhelmed. And to the present day, its overpowering blend of sonic architecture and expressive force, of spiritual depth and poetry, have remained unfathomable, even transcendent.

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Symphonieorchester des Bayerischen Rundfunks & Mariss Jansons – Bruckner: Symphony No. 3 in D Minor, WAB 103 “Wagner” (Live) (2019)
FLAC (tracks) 24 bit/48 kHz | Time – 56:19 minutes | 554 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik

Bruckner’s Symphony No. 3 with the BRSO under the conduction of Mariss Jansons. This is a live recording of a concert at Munich Philharmonie im Gasteig from 20./21.01.2005.

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