Lou Reed – Ecstasy (2000/2015)
FLAC (tracks) 24 bit/192 kHz | Time – 01:17:34 minutes | 2,89 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Records
Ecstasy was released in 2000 and is Lou Reed’s of eighteenth studio album. It was produced by Lou Reed and Hal Willner, and is a concept album about Reed’s personal experiences with marriage and relationships.
Read more
Lou Reed – Ecstasy (2000/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:17:34 minutes | 1,57 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Records
Ecstasy was released in 2000 and is Lou Reed’s of eighteenth studio album. It was produced by Lou Reed and Hal Willner, and is a concept album about Reed’s personal experiences with marriage and relationships.
Read more
Lou Reed – Coney Island Baby (1975/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 35:28 minutes | 810 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © RCA Records Label
Coney Island Baby is the sixth solo album by Lou Reed, released in January 1976. It is also the title of a song on that album. The name presumably refers to the Excellents’ 1962 doo wop song of the same name, and/or a 1924 Les Appleton barbershop music song of the same name. The album features the song “She’s My Best Friend”, which was originally recorded by Reed’s band The Velvet Underground in 1969. The Velvet Underground version of the song was included on the 1985 compilation album VU. The 30th anniversary re-issue of Coney Island Baby includes bonus tracks featuring Reed’s Velvet Underground bandmate Doug Yule.
Read more
Lou Reed – Berlin (1973/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 49:31 minutes | 1019 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © RCA Records Label
Berlin was released in 1973 and is Lou Reed’s third solo album. It was ranked #344 on Rolling Stone‘s list of the 500 greatest albums of all time in 2003. The album is formatted as a tragic rock opera and features heavy orchestral arrangements. The Rolling Stone Record Guide described the album as “grandiose, decadent”, and finally “one of the most depressing records ever made, and oddly beautiful in its own awful way.”
Read more