Leonor de Lera – Arcadia (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️

Leonor de Lera - Arcadia (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️ Download

Leonor de Lera – Arcadia (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:16 minutes | 1,12 GB | Genre: Classique, Musique de chambre
Studio Masters, Official Digital Download | Front Cover

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Leonor de Lera – Arcadia (2024) [Official Digital Download 24bit/96kHz]

Leonor de Lera – Arcadia (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:16 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Pan Classics

Leonor de Lera has chosen the “Arcadia” described in Greek mythology as a transfigured place in idyllic nature as the title for her new CD. The genre of the pastorale, the Arcadian pastoral idyll, enjoyed incredible popularity during the Renaissance and all the great poets of the time wrote poems that were in turn set to madrigals by the great composers. Leonor de Lera plays a selection of such pastorals on her violin – accompanied by lute and guitar. She does this, as was customary for Renaissance and early Baroque instrumentalists, by not playing the melodies true to the notes, but by embellishing them with so-called “diminutions”. There were many schools and styles for these, which are described in treatises of the time, and the virtuoso also demonstrated his skills with his art of diminution. The violinist now applies the different styles to the various pieces she has chosen for this programme, which are by Monteverdi, Caccini, Falconieri, Trombocino, Willaert and many others. The result is a stylistically diverse, highly virtuosic CD that is also a comprehensive compendium of the art of diminution in Italy around 1600.

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L’Estro d’Orfeo & Leonor de Lera – L’arte Di Diminuire (2020) [Official Digital Download 24bit/176,4kHz]

L’Estro d’Orfeo & Leonor de Lera – L’arte Di Diminuire (2020)
FLAC (tracks) 24 bit/176,4 kHz | Time – 01:09:11 minutes | 2,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Challenge Classics

Diminutions, the art of extemporary embellishment or melodic variation, were an essential part of performance practice of the Renaissance and early Baroque periods. The basis of diminutions is the fragmentation of a long note or series of long notes into many shorter and faster ones that move around the original melody. In the 16th and early 17th centuries, a composition as written by the composer was often regarded as raw material and it was normal and even required of musicians to embellish the works performed. The number of treatises that were devoted to the teaching of this subject is a clear indication of the importance of diminutions at that time.

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