Itoken, Klimperei and Frank Pahl – IKP (2023) [Official Digital Download 24bit/44,1kHz]

Itoken, Klimperei and Frank Pahl – IKP (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 52:58 minutes | 555 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Cuneiform Records

“This beautiful new release by IKP is a wonderful triangulation of sounds, cultures and seasoned musical wizards. The production on this record is impeccable, melding into a wondrous new sound that only these three musicians could make. It’s the perfect filmscore, and who cares about the film!” –Friendly Rich, host, Industry Tactics podcast

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David Fenech & Klimperei – Rainbow de Nuit (2021) [Official Digital Download 24bit/44,1kHz]

David Fenech & Klimperei – Rainbow de Nuit (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 30:29 minutes | 310 MB | Genre: Avant-Folk, World, Electronic
Studio Masters, Official Digital Download | Front Cover | © Marionette

Maestro melodist Christophe Petchanatz (aka Klimperei) and all around music fanatic David Fenech engage remotely in a repetitive exchange of recordings and overdubs on their debut album titled ‘Rainbow de Nuit’, sporadically spanning over the last decade. Evocations of experimental and improvised jazz, chansonesque songs, bluesy folk, and outsider music undulate harmoniously across the record. From music boxes and walkie-talkies down to plastic straws, plucking various stringed instruments such as the charrango and banjo, kazoos and snake-charmer ocarina and flutes, all the way through the sweet accordion and melodica, found and traditional tuned percussion – there is far from a shortage of sound sources on this freakishly inviting record. What germinates as an imaginative and emotional chord progression played by Klimperei, evolves with Fenech layering additional recordings, which would then find their way back home to Klimperei yet again, and so on, and so forth. This recursive compositional and improvisational loop, combined with Fenech’s musique-concrete-like mixing and editing techniques, transforms the acoustic recordings by way of compression, saturation, and reverberation or simple pitch changes – resulting in the duo’s recordings seemingly sound like they may very well be an octet in real time. While the majority of the recordings have been ping-ponged remotely, David and Christophe unite under one roof to record the closing track of the album.

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