Jimmy Reed – Jimmy Reed At Carnegie Hall (1961) [Audio Fidelity 2004]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 63:10 minutes | Scans included | 2,54 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,01 GB
Mastered by Stephen Hoffman | Audio Fidelity # AFZ-020
In several respects, this is a very strange album, though the music isn’t strange at all and is in fact quite typical vintage Jimmy Reed. First, despite what the title might lead you to believe, this is not a live recording; all 23 of the tracks were done in the studio. Not only that, they weren’t even performed at New York’s famed venue Carnegie Hall, although producer Calvin Carter would later claim they were; instead, everything was cut elsewhere.
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Jimmy Reed – Now Appearing (1960/2021)
FLAC (tracks) 24 bit/48 kHz | Time – 30:43 minutes | 205 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Music Manager
There’s simply no sound in the blues as easily digestible, accessible, instantly recognizable, and as easy to play and sing as the music of Jimmy Reed. His best-known songs – “Baby, What You Want Me to Do,” “Bright Lights, Big City,” “Honest I Do,” “You Don’t Have to Go,” “Going to New York,” “Ain’t That Lovin’ You Baby,” and “Big Boss Man” – have become such an integral part of the standard blues repertoire, it’s almost as if they have existed forever. Because his style was simple and easily imitated, his songs were accessible to just about everyone from high-school garage bands having a go at it, to Elvis Presley, Charlie Rich, Lou Rawls, Hank Williams, Jr., and the Rolling Stones, making him – in the long run – perhaps the most influential bluesman of all. His bottom-string boogie rhythm guitar patterns (all furnished by boyhood friend and longtime musical partner Eddie Taylor), simple two-string turnarounds, country-ish harmonica solos (all played in a neck-rack attachment hung around his neck), and mush-mouthed vocals were probably the first exposure most white folks had to the blues. And his music – lazy, loping, and insistent and constantly built and reconstructed single after single on the same sturdy frame – was a formula that proved to be enormously successful and influential, both with middle-aged blacks and young white audiences for a good dozen years. Jimmy Reed records hit the R&B charts with amazing frequency and crossed over onto the pop charts on many occasions, a rare feat for an unreconstructed bluesman. This is all the more amazing simply because Reed’s music was nothing special on the surface; he possessed absolutely no technical expertise on either of his chosen instruments and his vocals certainly lacked the fierce declamatory intensity of a Howlin’ Wolf or a Muddy Waters. But it was exactly that lack of in-your-face musical confrontation that made Jimmy Reed a welcome addition to everybody’s record collection back in the ’50s and ’60s. And for those aspiring musicians who wanted to give the blues a try, either vocally or instrumentally (no matter what skin color you were born with), perhaps Billy Vera said it best in his liner notes to a Reed greatest-hits anthology: “Yes, anybody with a range of more than six notes could sing Jimmy’s tunes and play them the first day Mom and Dad brought home that first guitar from Sears & Roebuck. I guess Jimmy could be termed the ’50s punk bluesman.”
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Jimmy Reed – Just Jimmy Reed (1962/2021)
FLAC (tracks) 24 bit/48 kHz | Time – 31:12 minutes | 264 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Music Manager
First off if you don’t know, this has to be the most underrated album of all time, by any artist. It is probably neglected since it came out two years after ‘Best of’ which has his most famous songs. Of all the classic albums ever, this has to be the most ‘adult’. I’ve often said this is a religious album, since this 36 year old man is clearly on a mission from God. From the first song where he sings “if there is something about my lovin’ that don’t please you, tell me, oh tell me and I’ll change that too”, the next where he sings “you know my baby told me,
she said better listen, you better come on home to me baby you don’t know what your missin'” to ‘Good Lover’,the single, where he sings “I ain’t got no mansion, no diamond ring, big fine car, I don’t have a thing. But I’m a natural born lover, yea, I’m a real good lover..now tell me baby, which one of us would you rather?”…I could go on…but you are better off listening yourself. There is never a doubt what is on this man’s mind…from the black and pink cover (like roast beef, black on the outside, pink on the inside:) to the non-stop suggestive lyrics…
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