Jacky Terrasson, Stéphane Belmondo – Mother (2016) [Official Digital Download 24bit/96kHz]

Jacky Terrasson, Stéphane Belmondo - Mother (2016) [Official Digital Download 24bit/96kHz] Download

Jacky Terrasson, Stéphane Belmondo – Mother (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 47:41 minutes | 895 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Impulse!

The genesis of the duet partnership of pianist Jacky Terrasson and trumpeter/flugelhornist Stephane Belmondo stretches back 30 years. Close friends from their days living and playing in Paris and then while band mates in vocalist Dee Dee Bridgewater’s groups in the mid-‘90s, the pair enjoyed a simpatico musical relationship. But they lost contact over the years until six years ago when they reconnected and played a duo show in the south of France. That proved to be the seed of their sublime duo album on Impulse, Mother, that was recorded last fall and in April of this year at Recall Studios in the southern France village of Pompignan.
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Jacky Terrasson – Take This (2015) [Official Digital Download 24bit/96kHz]

Jacky Terrasson - Take This (2015) [Official Digital Download 24bit/96kHz] Download

Jacky Terrasson – Take This (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 44:49 minutes | 960 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Impulse!

Take This is a sparkling new disc that captures the quintessence of his multifaceted musical makeup, which often draws upon modern post-bop, pop, hip-hop, European classical, and African and Afro-Caribbean rhythms and melodies.

Being the product of a French father and an American mother, 48-year-old Terrasson has made a distinguished, two-decade plus career at threading musical links between various cultures and nationalities. On Take This, he retains American bassist Burniss Travis (Ambrose Akinmusire, Robert Glasper, Q-Tip, Mos Def, Marc Cary), who played on the previous disc, Gouache (Universal Jazz France, 2012) while recruiting new members – Cuban-born drummer Lukmil Perez (Tito Puente, Giovanni Mirabassi), Malian percussionist Adama Diarra (Dee Dee Bridgewater, Salif Keita, Tiken Jah Fakoly, Toumani Diabaté) and vocalist and Afro-French human beatbox virtuoso Sly Johnson (ex Saian Supa Crew, Camille, Eric Truffaz) – to form a hip cosmopolitan combo that represents jazz’s expansive global mindedness while still affirming its African-American roots.

Take This boasts four magnificent originals starting off with the opening, “Kiff,” which features Terrasson pairing his jovial piano and keyboard melodies with Johnson’s lissome, wordless vocals, which recall the supple magic of Al Jarreau. Terrasson deftly infusing Afro-Cuban melodicism on the delightful “Dance,” which also provides the perfect vehicle for Diarra’s splendid percussion work alongside Johnson’s shadowy beatbox ingenuity. “November” bounces to vivacious yet sensitive Caribbean beat propelled by Perez and Travis as Terrasson unravels labyrinthine passages marked by cogent melodicism and spry rhythms. Terrasson reveals his balladry mastery on the sensual “Letting Go,” whose sparse melody and hypnotic feel recall Miles Davis’ bolero “Flamenco Sketches.”

The disc also contains nine surprising covers that range from inventive takes on a handful of jazz standards – Bud Powell’s “Un Poco Loco,” Miles Davis and Bill Evans’ “Blue In Green” and Paul Desmond’s “Take Five”— a riveting piano-vocal duo rendition of the Beatles’ “Come Together,” an ebullient reading of Henri Salvador’s 1950 French-Caribbean hit, “Maladie D’Amour” and a jazz/hip-hop makeover of Gotye’s 2011 international pop hit, “Somebody That I Used to Know.”

Throughout the disc, Terrasson enlivens the music with sleek improvisations, rhythmic fluidity and an impeccable touch – all of which have become hallmarks to his singular sound. He also ignites a rapport with his band mates that favors memorable and importantly meaningful musical dialogue over callow pyrotechnics, making Take This another welcoming musical adventure in Terrasson’s oeuvre.
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Jacky Terrasson – 53 (2019) [Official Digital Download 24bit/96kHz]

Jacky Terrasson - 53 (2019) [Official Digital Download 24bit/96kHz] Download

Jacky Terrasson – 53 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 56:23 minutes | 1,17 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

53 is an album unlike any other in pianist Jacky Terrasson’s prolific career, a magnificent collection of 16 original pieces in the form of an intimate confession, brought to life by a varied cast of trio mates, and performed at a level of mastery that places the pianist among of the greatest artists in Jazz.Terrasson takes his listeners on a tour of his musical aesthetics: varying moods, styles, rhythms and references which create a kaleidoscopic universe of sounds.
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Géraud Portal 4tet feat. Jacky Terrasson – Zinneke (2022) [Official Digital Download 24bit/88,2kHz]

Géraud Portal 4tet feat. Jacky Terrasson – Zinneke (2022)
FLAC (tracks) 24 bit/88,2 kHz | Time – 43:38 minutes | 867 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Outnote Records

My desire to create this band and this album dates back to January 2020, just before the Covid pandemic.

I wanted to write some music of my own and to look for a new sound after having made a recording of Mingus’ music.

I’d liked the positive nonchalance of the combination of Jean Paul Estiévenart on trumpet and Antoine Pierre on drums, and they’d been on my radar for a while.

The lyricism and sincerity of my long-time friend Plume on the alto saxophone reveals his first-class musicianship. The icing on the cake is that Jacky Terrasson has done me the honour of making music with us; he brings not only his unique awareness of sound and space but also his taste and immense musical culture.

I finally decided to call this album Zinneke — a reference to the Brussels culture in which I have been immersed for several months. I deeply love the vibe of Brussels, its cultural mix, and the feeling of freedom that bathes the Belgian capital.

This album, my fourth as a leader, is resolutely turned towards the future, in these times when the future is so uncertain. When we improvise, we don’t know where we’re going — but we’re going there.

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