Hypnotic Brass Ensemble – This is a Mindfulness Drill: A Reimagining of Richard Youngs’ ‘Sapphie’ (2021) [Official Digital Download 24bit/44,1kHz]

Hypnotic Brass Ensemble – This is a Mindfulness Drill: A Reimagining of Richard Youngs’ ‘Sapphie’ (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 32:47 minutes | 337 MB | Genre: Experimental, Brass, Soul
Studio Masters, Official Digital Download | Front Cover | © Jagjaguwar

A reimagining of Richard Youngs’ “Sapphie”, with instrumentals from Hypnotic Brass Ensemble and vocal contributions from Moses Sumney, Perfume Genius, and Sharon Van Etten.

Somewhere along the way, I got the idea that Richard Youngs’s ‘Sapphie’ was all about a dead dog.

I don’t know if someone insinuated this idea in front of me or if I psychologically tethered the title to the tenderly printed dog paw on its cover. Either way, I’ve gone over a decade thinking this remarkable, windswept album of torch songs was about a dearly departed pet. And yet, as we approached a reissue of this Jagjaguwar classic and a new, reimagined version by artists Hypnotic Brass Ensemble, Moses Sumney, Sharon Van Etten, and Perfume Genius, Richard Youngs was straightforward and unsentimental about its meanings. “The lyrics are not about anything in particular,” Youngs wrote.

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Hypnotic Brass Ensemble – Book of Sound (2017) [Official Digital Download 24bit/44,1kHz]

Hypnotic Brass Ensemble – Book of Sound (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 51:52 minutes | 523 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Honest Jon’s Records

With its cathedral-like, richly resonant acoustics, the new Hypnotic Brass Ensemble album Book Of Sound is a brilliant expression of this interplanetary principle. The album is by turns urgent and contemplative, funky and reflective, varied in its textures; but entirely of one piece. Underpinned by concepts of earth’s place in the cosmos, held in place by meditation, swirling with notions of history, science, theology, ancestry, there is a rich conceptual brew here. The album rings with what back in the 1950s the jazz critic Whitney Balliet called “the sound of surprise”. Book Of Sound makes you believe again in the validity of “spiritual jazz”. Talking to Cid, one of the Ensemble’s two trombonists, one phrase recurs: “back to the beginning”. “We wanted to go back to the beginning, when we were kids, real young, and our father would wake us up at 5AM to practice for two hours before breakfast.” One outcome – initially unplanned but subsequently embraced – is that unlike their two previous albums on Honest Jon’s, this is an album without a drummer. “When we started, as Wolf Pack, just brothers on the street with our horns, there wasn’t a kit in sight.” Book Of Sound retains plenty of rhythmic heft, but the absence of a drummer opens up space for a notably varied instrumental palette. Acoustic guitar, piccolo, synthesizer, alto sax – all have their place on the album. Most striking perhaps are the vocal lines that thread through the album and give it a palpable warmth. Sessions were recorded in Brooklyn and Chicago, and brilliantly mixed at Abel Garibaldi’s studio in the Loop, and it’s the Hypnotic’s hometown that permeates. For Cid this is a deeply Chicago record: “It’s got the vibe of the lake, the vibe of the prairies opening up to the west.” It also has the vibe of those Sun Ra Arkestra albums recorded in Chicago in the 1950s, and – of course – the Phil Cohran albums from the 1960s. It’s Phil Cohran (the father of all seven members of the Ensemble and their first teacher, and not just in music) who is the album’s guiding spirit. For Cid it’s a major regret that, in the months before their father’s death early in 2017, Phil was not well enough to play on the album. But Book Of Sound is a magnificent testament to their Cohran legacy.

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