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Tag: Herbie Hancock

Herbie Hancock – Speak Like A Child (1968/2013) [Official Digital Download 24bit/192kHz]

Herbie Hancock – Speak Like A Child (1968/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 37:01 minutes | 1,3 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | Digital booklet | © Blue Note Records

Recorded March 6 (tracks 1-3) and March 9 (tracks 4-6), 1968 in Rudy Van Gelder Studio, Englewood Cliffs, NJ

Produced by Alfred Lion

Originally released as Blue Note BLP 4279 (mono) and BST 84279 (stereo)

“In preparing these hi def remasters, we were very conscientious about maintaining the feel of the original releases while adding a previously unattainable transparency and depth. It now sounds like you’ve set up your chaise lounge right in the middle of Rudy Van Gelder’s studio!” – Blue Note President, Don Was.

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Herbie Hancock – River: The Joni Letters (2007) [Official Digital Download 24bit/96kHz]

Herbie Hancock – River: The Joni Letters (2007)
FLAC (tracks) 24 bit/96 kHz | Time – 67:53 minutes | 1,38 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | Digital Booklet | © Verve Records

2007 Album of the Year
The legendary pianist and innovator explores the words and music of another musical pioneer Joni Mitchell on his first new studio recording for Verve since 1998’s GRAMMY® Award winner Gershwin’s World.

Inspired in equal parts by Mitchell’s poetic lyrics and unique melodies/harmonies, the musicians play with a restraint and elegance (on both the instrumental and vocal tracks) that achieves a perfect balance between the adventurous aesthetics of jazz improvisation and the emotional directness of the finest Adult Pop music.

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Herbie Hancock – Head Hunters (1973/2012) [Official Digital Download 24bit/96kHz]

Herbie Hancock – Head Hunters (1973/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 41:46 minutes | 889 MB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Columbia/Legacy

Headhunters is a monumental release in Herbie Hancock’s career and a defining moment in jazz-funk. It reached #1 on Billboard’s Top Jazz Albums and #2 on Billboard’s Top R&B Albums. This is one of the most endearing works in the jazz/funk legacy. In 2007, Headhunters was inducted into the National Recording Registry and is included on Rolling Stone’s “500 Greatest Albums of All Time”.

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Herbie Hancock – The Prisoner (1969/2014) [Official Digital Download 24bit/192kHz]

Herbie Hancock – The Prisoner (1969/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 41:16 minutes | 1,52 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Blue Note Records

Originally released as Blue Note BST 84321

“In preparing these hi def remasters, we were very conscientious about maintaining the feel of the original releases while adding a previously unattainable transparency and depth. It now sounds like you’ve set up your chaise lounge right in the middle of Rudy Van Gelder’s studio!” – Blue Note President, Don Was.

Herbie Hancock’s The Prisoner was one of his first records after leaving the Miles Davis quintet in 1968. The album was done in honor of Dr. Martin Luther King, a musical social statement focused around civil rights while exploring the vastness of the new jazz form known as post-bop. The recording features Garnett Brown on trombone, Joe Henderson on tenor saxophone and alto flute, Johnny Coles on flugelhorn, Buster Williams on bass, and Albert Heath on drums. Although post-bop wasn’t as conventional as jazz or bop, Hancock’s challenging compositions invite listeners into his world of simple melodies and emotionally austere music.

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Herbie Hancock – My Point Of View (1963/2014) [Official Digital Download 24bit/192kHz]

Herbie Hancock – My Point Of View (1963/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 34:30 minutes | 1,31 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Blue Note Records

My Point of View is Herbie Hancock’s sophomore album, originally released in 1963 on Blue Note Records. The album followed his successful debut album Takin’ Off and helped solidify his position in the jazz world. Hancock wrote the piece “Blind Man, Blind Man” after an experience where he encountered a blind man playing his guitar on the corner of his Chicago neighborhood.

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Herbie Hancock – Mr. Hands (1980/2008/2014) [Official Digital Download 24bit/96kHz]

Herbie Hancock – Mr. Hands (1980/2008/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 39:58 minutes | 887 MB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | © Contemporary Jazz Masters

Recorded in 1980 at The Automatt (#1-2, 4, 6), (San Francisco); Filmways/Heider Recording (#5), (San Francisco); The Village Recorder (#3), (Los Angeles).

Mr. Hands was originally released in 1980 and is Herbie Hancock’s thirtieth album. It was one of the last albums on which Hancock played more “straight” electric jazz before moving on to focus more on R&B influences. The track “4 A.M.” features the late great bassist Jaco Pastorius.

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Herbie Hancock – Flood (1975/2013) [Official Digital Download 24bit/96kHz]

Herbie Hancock – Flood (1975/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 74:10 minutes | 1,59 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Columbia/Legacy

Originally released only in Japan, Flood is a classic jazz/funk album. Herbie Hancock’s eighteenth album features songs from previous albums Thrust, Head Hunters, and Man-Child.

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Herbie Hancock – Empyrean Isles (1964/2013) [Official Digital Download 24bit/192kHz]

Herbie Hancock – Empyrean Isles (1964/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 35:17 minutes | 1,43 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Blue Note Records

Recorded June 17, 1964 in Rudy Van Gelder Studio, Englewood Cliffs, NJ

Produced by Alfred Lion

Originally released as Blue Note BLP 4175 (mono) and BST 84175 (stereo)

“In preparing these hi def remasters, we were very conscientious about maintaining the feel of the original releases while adding a previously unattainable transparency and depth. It now sounds like you’ve set up your chaise lounge right in the middle of Rudy Van Gelder’s studio!” – Blue Note President, Don Was.

Comments closed

Herbie Hancock – Head Hunters (1973) [Japanese SACD Reissue 1999 #SRGS 4510] {PS3 ISO + FLAC}

Herbie Hancock – Head Hunters (1973) [Japanese SACD Reissue 1999 #SRGS 4510]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 41:32 minutes | Scans included | 1,3 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 861 MB

Head Hunters is the twelfth studio album by American jazz musician Herbie Hancock, released October 13, 1973, on Columbia Records in the United States. Recording sessions for the album took place during September 1973 at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. Head Hunters is a key release in Hancock’s career and a defining moment in the genre of jazz funk. In 2003, the album was ranked number 498 in the book version of Rolling Stone magazine’s list of the 500 greatest albums of all time. In 2007, the Library of Congress added it to the National Recording Registry, which collects “culturally, historically or aesthetically important” sound recordings from the 20th century.

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Herbie Hancock – Future Shock (1983) [Japanese SACD Reissue 2000 #SRGS 4536] {PS3 ISO + FLAC}

Herbie Hancock – Future Shock (1983) [Japanese SACD Reissue 2000 #SRGS 4536]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 37:42 minutes | Scans included | 1,17 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 812 MB

Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables — and the immediate result was “Rockit,” which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can’t help but inject a subversive funk element when he comps along to the techno beat — and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of “Auto Drive”.

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