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Tag: Herbie Hancock

Herbie Hancock – Future Shock (1983) [Japanese SACD Reissue 2000 #SRGS 4536] {PS3 ISO + FLAC}

Herbie Hancock – Future Shock (1983) [Japanese SACD Reissue 2000 #SRGS 4536]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 37:42 minutes | Scans included | 1,17 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 812 MB

Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables — and the immediate result was “Rockit,” which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can’t help but inject a subversive funk element when he comps along to the techno beat — and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of “Auto Drive”.

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Herbie Hancock – Dedication (1974/2015) [Official Digital Download 24bit/96kHz]

Herbie Hancock – Dedication (1974/2015)
FLAC (tracks) 24-bit/96 kHz | Time – 40:26 minutes | 783 MGB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia

This is a unique experiment in the Hancock discography, recorded in Tokyo in just one day during a tour of Japan. The first side contains two introspective, complex solo acoustic piano tracks, “Maiden Voyage” and “Dolphin Dance,” which are notable since they date from a period when Hancock was supposedly totally immersed in electronics. Side two has two even more unusual pieces — “Nobu,” a one-man show recorded in real time with the sample-and-hold feature of an ARP 2600 synthesizer providing a rhythm section for Hancock’s electric keyboards, followed by “Cantaloupe Island” with a pre-recorded synth bassline. Side two is a fascinating look back at the charms and stringent limitations of mid-’70s analog keyboards, as well as a challenge to Hancock’s on-the-wing inventiveness — and despite some inevitable stiffness in the rhythm, he comes through with some colorful work. This would be the first of several Japan-only Hancock albums from the ’70s, an indication that Japanese jazz fans were (and perhaps still are) far more open-minded and free-spending than their American counterparts. ~ Richard S. Ginell

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Herbie Hancock – Speak Like A Child (1968/2013) [Official Digital Download 24bit/192kHz]

Herbie Hancock – Speak Like A Child (1968/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 37:01 minutes | 1,3 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | Digital booklet | © Blue Note Records

Recorded March 6 (tracks 1-3) and March 9 (tracks 4-6), 1968 in Rudy Van Gelder Studio, Englewood Cliffs, NJ

Produced by Alfred Lion

Originally released as Blue Note BLP 4279 (mono) and BST 84279 (stereo)

“In preparing these hi def remasters, we were very conscientious about maintaining the feel of the original releases while adding a previously unattainable transparency and depth. It now sounds like you’ve set up your chaise lounge right in the middle of Rudy Van Gelder’s studio!” – Blue Note President, Don Was.

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Herbie Hancock – River: The Joni Letters (2007) [Official Digital Download 24bit/96kHz]

Herbie Hancock – River: The Joni Letters (2007)
FLAC (tracks) 24 bit/96 kHz | Time – 67:53 minutes | 1,38 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | Digital Booklet | © Verve Records

2007 Album of the Year
The legendary pianist and innovator explores the words and music of another musical pioneer Joni Mitchell on his first new studio recording for Verve since 1998’s GRAMMY® Award winner Gershwin’s World.

Inspired in equal parts by Mitchell’s poetic lyrics and unique melodies/harmonies, the musicians play with a restraint and elegance (on both the instrumental and vocal tracks) that achieves a perfect balance between the adventurous aesthetics of jazz improvisation and the emotional directness of the finest Adult Pop music.

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Herbie Hancock – Head Hunters (1973/2012) [Official Digital Download 24bit/96kHz]

Herbie Hancock – Head Hunters (1973/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 41:46 minutes | 889 MB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Columbia/Legacy

Headhunters is a monumental release in Herbie Hancock’s career and a defining moment in jazz-funk. It reached #1 on Billboard’s Top Jazz Albums and #2 on Billboard’s Top R&B Albums. This is one of the most endearing works in the jazz/funk legacy. In 2007, Headhunters was inducted into the National Recording Registry and is included on Rolling Stone’s “500 Greatest Albums of All Time”.

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Herbie Hancock – The Prisoner (1969/2014) [Official Digital Download 24bit/192kHz]

Herbie Hancock – The Prisoner (1969/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 41:16 minutes | 1,52 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Blue Note Records

Originally released as Blue Note BST 84321

“In preparing these hi def remasters, we were very conscientious about maintaining the feel of the original releases while adding a previously unattainable transparency and depth. It now sounds like you’ve set up your chaise lounge right in the middle of Rudy Van Gelder’s studio!” – Blue Note President, Don Was.

Herbie Hancock’s The Prisoner was one of his first records after leaving the Miles Davis quintet in 1968. The album was done in honor of Dr. Martin Luther King, a musical social statement focused around civil rights while exploring the vastness of the new jazz form known as post-bop. The recording features Garnett Brown on trombone, Joe Henderson on tenor saxophone and alto flute, Johnny Coles on flugelhorn, Buster Williams on bass, and Albert Heath on drums. Although post-bop wasn’t as conventional as jazz or bop, Hancock’s challenging compositions invite listeners into his world of simple melodies and emotionally austere music.

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Herbie Hancock – My Point Of View (1963/2014) [Official Digital Download 24bit/192kHz]

Herbie Hancock – My Point Of View (1963/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 34:30 minutes | 1,31 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Blue Note Records

My Point of View is Herbie Hancock’s sophomore album, originally released in 1963 on Blue Note Records. The album followed his successful debut album Takin’ Off and helped solidify his position in the jazz world. Hancock wrote the piece “Blind Man, Blind Man” after an experience where he encountered a blind man playing his guitar on the corner of his Chicago neighborhood.

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Herbie Hancock – Mr. Hands (1980/2008/2014) [Official Digital Download 24bit/96kHz]

Herbie Hancock – Mr. Hands (1980/2008/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 39:58 minutes | 887 MB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | © Contemporary Jazz Masters

Recorded in 1980 at The Automatt (#1-2, 4, 6), (San Francisco); Filmways/Heider Recording (#5), (San Francisco); The Village Recorder (#3), (Los Angeles).

Mr. Hands was originally released in 1980 and is Herbie Hancock’s thirtieth album. It was one of the last albums on which Hancock played more “straight” electric jazz before moving on to focus more on R&B influences. The track “4 A.M.” features the late great bassist Jaco Pastorius.

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Herbie Hancock – Flood (1975/2013) [Official Digital Download 24bit/96kHz]

Herbie Hancock – Flood (1975/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 74:10 minutes | 1,59 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | © Columbia/Legacy

Originally released only in Japan, Flood is a classic jazz/funk album. Herbie Hancock’s eighteenth album features songs from previous albums Thrust, Head Hunters, and Man-Child.

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Herbie Hancock – The Piano (1979/2013) [Official Digital Download 24bit/96kHz]

Herbie Hancock – The Piano (1979/2013)
FLAC (tracks) 24-bit/96 kHz | Time – 52:06 minutes | 757 MB | Genre: Jazz
Studio Master, Official Digital Download – Source: Qobuz | Front Cover | © Columbia – Legacy

“The Piano” is the twenty-sixth album by Herbie Hancock. As with “Directstep” (recorded one week previously), this album was recorded, and originally only released, in Japan. It was one of Hancock’s most successful albums in Japan, perhaps because it was entirely solo piano. Hancock tackles Jazz standards such as “My Funny Valentine”, “On Green Dolphin Street” and “Some Day My Prince Will Come” while also composing/performing four original songs. This album was initially released exclusively in Japan and first issued there on CD in 1983. In 2004, over 25 years after its recording, the album was released with four additional alternate takes of the same session. It was the first and only (until 2014) of Hancock’s Japanese releases available internationally.

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