Herbert Schuch – Eternity (2024) [24Bit-48kHz] FLAC [PMEDIA] ⭐️

Herbert Schuch - Eternity (2024) [24Bit-48kHz] FLAC [PMEDIA] ⭐️ Download

Herbert Schuch – Eternity (2024) [24Bit-48kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/48 kHz | Time – 01:18:36 minutes | 695 MB | Genre: Classique
Studio Masters, Official Digital Download | Front Cover

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Herbert Schuch, Gülru Ensari – Eternity (2024) [Official Digital Download 24bit/48kHz]

Herbert Schuch, Gülru Ensari – Eternity (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 01:18:36 minutes | 686 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Naive

Humans’ hope lies in art – the music of Schubert or Beethoven in particular, which gives us some idea of what worlds can still exist. What words can we use to make these works of art tangible? Not explainable, but tangible.

With this album, Turkish-born pianist Gülru Ensari and Romanian-born Herbert Schuch want to provide a space for experience, a place where they can carefully and tentatively approach the subject of eternity.

The connection between Messiaen and Schubert, Beethoven and Brahms? Nothing more or less than a perceived truth. An involuntary connection of lines that are already there, but are drawn into infinity and meet somewhere, like the parallel rails of a dead-straight track that stretches into infinity.

Ten years after his captivating recital, ‘Invocation’, the excellent German pianist, Herbert Schuch, born in 1979 in Romania, comes back to naïve. It is here, with his duo partner and wife, Gülru Ensari, that he presents his new album, ‘Eternity’.

As they did in their past collaborations with the SWR (‘Go East!’ in 2017, ‘Dialogues’ in 2018 and ‘in Search’ in 2022), they mix, within one programme, works for four hands and two pianos.

One of the Schubert’s late masterworks, the Fantasia in F minor, pairs here with the Variations on a theme by Schumann that Brahms composed on a theme that Schumann wrote in 1854. Three extracts from Messiaen’s monumental cycle Visions de l’Amen, composed in 1943 for two pianos, act as grandiose and contemplative interludes, and also as an introduction to the Große Fugue by Beethoven.

For Gülru Ensari and Herbert Schuch, each of these three works from the Romantic era connects with the divine part of Messiaen’s pieces.

In pushing back the limit of artistic creation, these four uncontested geniuses – Beethoven, Brahms, Schubert and Messiaen – expressed themselves outside of their times, creating bridges with worlds they would not have known, always expanding, in a never-ending quest for eternity.

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Herbert Schuch – BERLIN 1923 – Beethoven & Schulhoff: Piano Concertos (2023) [Official Digital Download 24bit/48kHz]

Herbert Schuch – BERLIN 1923 – Beethoven & Schulhoff: Piano Concertos (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:12:51 minutes | 615 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music

Schuch: “Indeed, it’s quite exciting to look at what was going on exactly 100 years ago – perhaps because 1923 doesn’t seem all that distant to us. Certain events and circumstances seem to mirror one another a century apart. From a musical point of view, Erwin Schulhoff’s piano concerto is a truly interesting work that has not attained the recognition it deserves…

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Gülru Ensari, Herbert Schuch – Go East! Stravinsky, Brahms, Hindemith & Manav (2017/2023) [Official Digital Download 24bit/48kHz]

Gülru Ensari, Herbert Schuch – Go East! Stravinsky, Brahms, Hindemith & Manav (2017/2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:06:03 minutes | 559 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon GmbH, Berlin

The pianists Herbert Schuch and Gülru Ensari have been playing as duo only since 2014/2015 but no matter if four-handed or on two pianos, the German-Turkish duo has already convinced on numerous international concert stages, such as the BOZAR in Brussels or at the Antalya Piano Festival. After first recordings by major broadcasting institutions as the Austrian ORF, the duo is invited for the season 2016/17 to play at the MiTo Festival in Milano and Torino, with the Folkwang Kammerorchester in Essen, at the Kölner Philharmonie and in Salzburg.

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Herbert Schuch – Beethoven – Ligeti: Bagatellen (2019) [Official Digital Download 24bit/96kHz]

Herbert Schuch – Beethoven – Ligeti: Bagatellen (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:26 minutes | 933 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music

We’re absolutely delighted to present a solo performance by one of Germany’s most fascinating pianists, Herbert Schuch, who after producing two albums with his wife Gülru Ensari for CAvi-Music, returns to the Cologne label to work on his own ambitious projects. Recorded in Studio 2 of the Bayerischer Rundfunk in December 2017, here’s at last his newest solo project, following his 2014 Naive album (Invocation − the relationship with the French firm was terminated when Naive’s art director joined Belgian label Outhere, and the group Believe took over Naive) and his seven albums produced for Oehms Classics before 2013.

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Herbert Schuch – SOULMATES (2022) [Official Digital Download 24bit/96kHz]

Herbert Schuch – SOULMATES (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:01 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music

Herbert Schuch is known for building bridges between two composers. After his first project “Bagatelles” and the follow-up project “Reflecting Beethoven”, he presents piano music for discussion that bears a certain spiritual similarity between Franz Schubert and Leoš Janáček. Herbert Schuch is now regarded as one of Germany’s leading pianists who repeatedly presents his own concepts and projects in concert and in the studio. “Actually, the idea for this album, namely to relate music by Franz Schubert and Leoš Janáček to each other, arose in a kind of dream world between waking and sleeping. I had lain down – and thought of these two composers.”

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Daniel Müller-Schott & Herbert Schuch – Edvard Grieg: Cello Works (2022) [Official Digital Download 24bit/96kHz]

Daniel Müller-Schott & Herbert Schuch – Edvard Grieg: Cello Works (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:51 minutes | 1,07 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Orfeo

Edvard Grieg, arguably the most popular composer ever to emerge from the Scandinavian peninsula, made substantial contributions to the chamber music canon with his violin sonatas rather than with his works for cello: only one sonata for cello and piano (Op. 36) was written for this line-up. Daniel Müller-Schott, always driven to expand the musical repertoire for his instrument and with a keen sense of transcriptions, for this all-Grieg album – which is his 20th album on the label Orfeo – hence transcribed and recorded for the first time the violin sonata in C minor, Op. 45, No. 3, for the cello. Accompanied by his long-standing duo-partner Herbert Schuch on piano, the short Intermezzo in A minor (EG 115) guides us to the second part of the album, where the duo presents selected songs of various characters transcribed for cello and piano.

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Sebastian Manz & Herbert Schuch – Brahms Schumann Gade (2022) [Official Digital Download 24bit/48kHz]

Sebastian Manz & Herbert Schuch – Brahms Schumann Gade (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:06:37 minutes | 581 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Berlin Classics

On his latest album “Brahms, Schumann, Gade”, the clarinet virtuoso and three-time ECHO Klassik winner Sebastian Manz dedicates himself to three absolute opera magna of the clarinet repertoire. The focus on the chamber music core repertoire makes this album project stand out clearly from the artist’s previous discography. Without distractions or programmatic embellishments, Sebastian Manz completely serves the artistic content of these timeless masterpieces in this album. Sebastian Manz is accompanied on the piano by Herbert Schuch. Together they inspire with recordings in which one can hear that time and space have been left for spontaneous musical qualities. The thoughts and emotions of the performers thus come to the fore unfiltered. In addition, large-scale takes preserve the musical flow and their naturalness.

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