Hélène Tysman – Prisme- Bach (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:00 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Klarthe Records
Helène Tysman is a pianist soloist who has traveled the world from North America to Japan through Brazil, China, the Middle East, Russia and all over Europe.
Hailed by the international press for her “warm touch to dreamy sensibility” (The New York Times), her “extraordinary interpretation” (Le Figaro), “of rare finesse and intensity” (Télérama) or for her “poetic” playing (Daily Telegraph) and the “pianistic cosmos” described by the Süddeutsche Zeitung, Hélène Tysman likes to explore the worlds. Beyond music, beyond her piano career, she is a researcher of the sound of the soul (title of one of the texts she writes regularly on her blog).
Passionate about humans and the healing process, she is particularly interested in hypnosis and trained in the Ericksonian tradition of this therapeutic approach. After creating “the musician’s hypnosis”, she accompanies and leads workshops for artists as well as the general public thanks to hypnosis and her knowledge from her multiple career. Connecting the audience to its own power of love is at the heart of its transmission.
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Hélène Tysman – Des antiques aux démons (2016)
FLAC (tracks) 24 bit/48 kHz | Time – 01:07:55 minutes | 524 MB | Genre: Classical, Piano, Impressionist, Modern Era
Studio Masters, Official Digital Download | Front Cover | © Klarthe Records
It was between 1900 and 1930 that Ravel composed these works; from the Menuet Antique right up to La Valse, Europe, and indeed the world, are full of frenzy, acceleration, fury and finally explosion. Did this monstrous machine ever stop? It was at the end of 2015, that Hélène Tysman recorded this disc, and two phrases in particular which inspired her for this programme still resonate: the quotation of Henri de Régnier, highlighting the Valses Nobles et sentimentales, who talks of “the delicious and ongoing pleasure of a useless occupation”, and the exchanges between two aristocrats, present at a soirée preceding the 1830 revolution, who observe; “we are dancing on a volcano”, a phrase which would inspire Jean Renoir for La règle du jeu in 1939.
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