Free – Tons Of Sobs (1968) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 52:23 minutes | Scans included | 2,13 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,00 GB
Although Free was never destined to scrape the same skies as Led Zeppelin, when they first burst out of the traps in 1968, close to a year ahead of Jimmy Page and company, they set the world of British blues-rock firmly on its head, a blistering combination of youth, ambition, and, despite those tender years, experience that, across the course of their debut album, did indeed lay the groundwork for all that Zeppelin would embrace. That Free and Zeppelin were cut from the same cloth is immediately apparent, even before you start comparing the versions of “The Hunter” that highlight both bands’ debut albums. Where Free streaks ahead, however, is in their refusal to compromise their own vision of the blues — even at its most commercial (“I’m a Mover” and “Worry”), Tons of Sobs has a density that makes Zeppelin and the rest of the era’s rocky contemporaries sound like flyweights by comparison. The 2002 remaster of the album only amplifies the fledgling Free’s achievements. With remastered sound that drives the record straight back to the studio master tapes, the sheer versatility of the players, and the unbridled imagination of producer Guy Stevens, rings crystal clear. Even without their visionary seer, however, Free impresses — three bonus tracks drawn from period BBC sessions are as loose as they are dynamic, and certainly make a case for a full Free-at-the-Beeb type collection. Of the other bonuses, two offer alternate versions of familiar album tracks, while “Guy Stevens Jam” is reprised from the Songs of Yesterday box set to further illustrate the band’s improvisational abilities. As if they needed it.
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Free – Free Live! (1971) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:42 minutes | Scans included | 1,64 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 806 MB
Although Free made excellent studio records, Free “Live” is perhaps the best way to experience the band in all its glory. Led by singer-guitarist Paul Rodgers and lead guitarist Paul Kosoff, the band swings through nine songs with power, clarity, and a dose of funk. Of course, the hit single “All Right Now” is gleefully extended, much to the audience’s and listener’s delight. Superbly recorded by Andy Johns, this is one of the greatest live albums of the 1970s.
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Free – Free (1969) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 47:30 minutes | Scans included | 1,96 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 958 MB
Free’s second album was recorded with the band itself in considerable turmoil as principle songwriters Paul Rodgers and Andy Fraser demanded strict discipline from their bandmates, and guitarist Paul Kossoff, in particular, equally demanded the spontaneity and freedom that had characterized the group’s debut. It was an awkward period that saw both Kossoff and drummer Simon Kirke come close to quitting, and only the intervention of label chief Chris Blackwell seems to have prevented it. Few of these tensions are evident on the finished album — tribute, again, to Blackwell’s powers of diplomacy. He replaced original producer Guy Stevens early into the sessions and, having reminded both warring parties where the band’s strengths lie, proceeded to coax out an album that stands alongside its predecessor as a benchmark of British blues at the turn of the 1960s.
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Free – Fire And Water (1970) [Japanese Limited SHM-SACD 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:37 minutes | Scans included | 1,44 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,41 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 702 MB
Features the 2010 DSD mastering based on Japanese original analog tape. Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD transferred by Manabu Matsumura.
If Fleetwood Mac, Humble Pie, and Foghat were never formed, Free would be considered one of the greatest post-Beatles blues-rock bands to date, and Fire and Water shows why. Conceptually fresh, with a great, roots-oriented, Band-like feel, Free distinguished itself with the public like Black Sabbath and Deep Purple did (in terms of impact, only) in 1970. Free presented itself to the world as a complete band, in every sense of the word. From Paul Kossoff’s exquisite and tasteful guitar work, to Paul Rodgers’ soulful vocals, this was a group that was easily worthy of the mantle worn by Cream, Blind Faith, or Derek & the Dominos.
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