Feist – Multitudes (2023) [Official Digital Download 24bit/88,2kHz]

Feist – Multitudes (2023)
FLAC (tracks) 24 bit/88,2 kHz | Time – 46:32 minutes | 838 MB | Genre: Indie Pop, Baroque Pop, Female Vocal
Studio Masters, Official Digital Download | Front Cover | © Fiction Records

Multi-Award winning, hugely influential musician Feist returns with Multitudes, her sixth solo album and first since 2017’s Pleasure. Multitudes was produced by Feist with longtime collaborators Robbie Lackritz (The Weather Station, Bahamas, Robbie Robertson) and Mocky (Jamie Lidell, Vulfpeck, Kelela). Blake Mills (Bob Dylan, Fiona Apple, Perfume Genius) and Joseph Lorge came in to mix, with Mills as a co-producer in the final stages.

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Feist – Pleasure (2017) [Official Digital Download 24bit/48kHz]

Feist – Pleasure (2017)
FLAC (tracks) 24 bit/48 kHz | Time – 53:33 minutes | 598 MB | Genre: Indie Rock
Studio Masters, Official Digital Download | Front Cover | © Universal Music Division Polydor

Pleasure is the fifth studio album by Canadian singer-songwriter Feist, released on April 28, 2017, through Universal Music Canada. Thematically, the album is said to explore “emotional limits … loneliness, private ritual, secrets, shame, mounting pressures, disconnect, tenderness, rejection, care and the lack thereof.”[13] All of the songs on the album are actually raw takes, as Feist explained on her Twitter: “Our desire was to record that state without guile or go-to’s and to pin the songs down with conviction and our straight up human bodies.”

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Feist – Metals (2011/2013) [Official Digital Download 24bit/96kHz]

Feist – Metals (2011/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 50:05 minutes | 1,03 GB | Genre: Alternative Rock, Indie Rock
Studio Masters, Official Digital Download | Front Cover | © Universal Music Division Polydor

With Metals, Feist responds to the surprise success of 2007’s The Reminder with a whisper, not a bang. She treads lightly through a series of disjointed torch songs and smoky pop/rock numbers, singing most of the songs in a soft, gauzy alto, as though she’s afraid of waking some sort of slumbering beast. Whenever the tempo picks up, so does Feist’s desire to keep things weird, with songs like “A Commotion” pitting pizzicato strings against a half-chanted, half-shouted refrain performed by an army of male singers. But Metals does its best work at a slower speed, where Feist can stretch her vocals across fingerplucked guitar arpeggios and piano chords like cotton. “Cicadas and Gulls,” with its simple melodies and pastoral ambience, rides the same summer breeze as Iron & Wine, and “Anti-Pioneer” breaks down the blues into its sparsest parts, retaining little more than a sparse drumbeat and guitar until the second half, where strings briefly swoon into the picture like an Ennio Morricone movie soundtrack. They’re gone after 30 seconds, though, leaving things as quiet as they began. Like the rest of the subdued track list, “Anti-Pioneer” is unlikely to find itself featured in an iPod commercial, meaning Feist’s days as a provider of hip, trendy TV jingles may be over. Still, there’s a soft-spoken power to Metals, even if its songs are more liquid and atmospheric than the title suggests.

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