Esbjorn Svensson Trio – Tuesday Wonderland (2006) MCH SACD ISO + Hi-Res FLAC

Esbjorn Svensson Trio – Tuesday Wonderland (2006)
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 67:46 minutes | Scans included | 3,41 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 67:52 mins | Scans included | 1,36 GB
Features 2.0 Stereo and 5.0 multichannel surround sound | ACT Music # ACTSACD 9806-2

Currently one of Europe’s leading forces in the jazz world, e.s.t. (Esbj”rn Svensson Trio) brings their unique and unmistakable sound stateside with the release of their new album, Tuesday Wonderland. This album is an eclectic mix of classical, melodic jazz and electronics with the feel of an energetic pop/rock show, making it a must-have for all music lovers. The album been released in Europe on September 2006, and was nominated in in the Best Jazz Album category.

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Esbjörn Svensson Trio – Live in Gothenburg (2019) [Official Digital Download 24bit/96kHz]

Esbjörn Svensson Trio – Live in Gothenburg (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:46:49 minutes | 1,87 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music

“…and finally evening comes. We usually meet in the dressing room. Magnus’ drumsticks are pattering against his legs. Åke is talking—saying something about different sound systems or complaining about the US and Bush. Dan and I are jumping up and down to get our energy going. Then we go on stage, meet the audience, the music. Timeless, without a program, without a set list. We want to be open to what fits just then. Sometimes nothing comes to mind and it’s frustrating, but things always work out and it is definitely worth it […] because when it does we can just go with the flow. Then it’s the music that carries us and we just make ourselves available. It’s fantastic, near religious I suppose. All of a sudden we can hear ourselves playing things we’ve never played before. And suddenly colour returns to life. When that happens I think the audience feels it too. They and we get to be in on something that will never happen again, that’s impossible to recreate. Sometimes you fall into that trap anyway, wanting to recreate, to repeat what was good. It’s almost always doomed to fail. The present cannot be recreated. We have to be content to be in it while it’s happening. And every evening there’s a present that’s waiting for us. We know that it’s going to be different from what made it good yesterday, but what is fantastic is if we can forget the past and just be. Now.”
– Esbjörn Svensson (excerpts from the Swedish Radio programme “Sommar”)

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Esbjörn Svensson Trio – E.S.T. Symphony (2016) [Official Digital Download 24bit/96kHz]

Esbjörn Svensson Trio – E.S.T. Symphony (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:17:44 minutes | 1,49 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music

With their all-embracing vision of jazz, Esbjörn Svensson Trio (pianist Esbjörn Svensson, bassist Dan Berglund and drummer Magnus Oström) was without doubt one of the most widely admired and influential European instrumental ensembles in the first decade of the new millennium. e.s.t., as they came to be known, rode the crest of a wave with their combination of highly singable themes, mesmerizingly chilled grooves and visually stimulating, high energy live performances. They filled large rock stadium venues and reached out to non-jazz audiences in a way that has not been equaled previously in the history of homegrown European jazz. e.s.t. regularly topped pop as well as jazz album sales charts and became the first band from Europe to make the front cover of the illustrious US jazz journal Downbeat. Esbjörn Svensson had considered a symphonic setting for his music in the years before his tragic death in 2008. Eight years on and this striking new release E.S.T. SYMPHONY fulfils that wish. The esteemed Swedish arranger-conductor Hans Ek has arranged an outstanding selection of Esbjörn s compositions from the band’s rich 13 album catalogue for a widescreen orchestral canvas. Performed exquisitely by the 90-piece Royal Stockholm Philharmonic Orchestra, Ek s orchestrations integrate organically with solo contributions from a handful of Scandi-jazz superstars of today and tomorrow. Featured are the saxophonist Marius Neset, trumpeter Verneri Pohjola, pianist Iiro Rantala and the unique pedal steel guitarist Johan Lindström, a member of Tonbruket, a band led by the innovative ex-e.s.t. bassist Dan Berglund who s clearly the lynchpin of this project alongside his ex-bandmate/drummer Magnus Öström. By both imaginatively expanding upon and saluting the broad-based contemporary sonic universe created by e.s.t. in the first decade of the new millennium, Hans Ek has created on E.S.T. SYMPHONY an enduring and entirely fitting monument to a muchmissed and highly inspirational contemporary jazz trio.

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Esbjörn Svensson Trio – e.s.t. Live in London (2018) [Official Digital Download 24bit/96kHz]

Esbjörn Svensson Trio – e.s.t. Live in London (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:45:54 minutes | 1,92 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music

The release of this album marks a poignant moment: the tenth anniversary of the tragic and premature death of Esbjorn Svensson on 14 June 2008. It was recorded at a completely sold-out Barbican Centre in 2005, during a hugely successful and highly popular UK tour. It is e.s.t. at the peak of their creativity touring after the release of their to-date best selling album “Viaticum”.

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Esbjörn Svensson Trio – 301 (2012/2014) [Official Digital Download 24bit/48kHz]

Esbjörn Svensson Trio – 301 (2012/2014)
FLAC (tracks) 24 bit/48 kHz | Time – 01:01:04 minutes | 315 MB | Genre: Contemporary Jazz, Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music

“301” is the last album recorded by Esbjörn Svensson Trio, released on 30 March 2012. The album is their second released posthumously, after “Leucocyte”, as the pianist Esbjörn Svensson died in June 2008. It was recorded during the same sessions of the recording of “Leucocyte”, whilst the Swedish trio were touring around Asia and Australia. The disc is named after Studios 301 in Sydney where the album was recorded.

Before his death, Svensson was actually involved in the editing down of the sessions into what might have been a double album. In the end, surviving members Magnus Öström and Dan Berglund elected to delay the release of 301. Regular sound engineer Åke Linton was also a key presence in the recording, editing and mixing process.

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Esbjorn Svensson Trio – Tuesday Wonderland (2006) MCH SACD ISO + Hi-Res FLAC

Esbjorn Svensson Trio – Tuesday Wonderland (2006)
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 67:46 minutes | Scans included | 3,41 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 67:52 mins | Scans included | 1,36 GB
Features 2.0 Stereo and 5.0 multichannel surround sound | ACT Music # ACTSACD 9806-2

Currently one of Europe’s leading forces in the jazz world, e.s.t. (Esbj”rn Svensson Trio) brings their unique and unmistakable sound stateside with the release of their new album, Tuesday Wonderland. This album is an eclectic mix of classical, melodic jazz and electronics with the feel of an energetic pop/rock show, making it a must-have for all music lovers. The album been released in Europe on September 2006, and was nominated in in the Best Jazz Album category.

(more…)

Read more

(e.s.t.) Esbjorn Svensson Trio – Viaticum (2005) MCH SACD ISO + Hi-Res FLAC

(e.s.t.) Esbjorn Svensson Trio – Viaticum (2005)
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 60:39 minutes | Scans included | 2,97 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,14 GB
Features 2.0 Stereo and 5.0 multichannel surround sound | ACT Music # ACTSACD 9801-2

As Esbjörn Svensson’s trio has developed into a first-rate contemporary jazz entity, the combined acoustic-electric sound he employs is more alluring and arresting with each recording. The subtle nuances of amplified keyboard shades that embellish his piano playing is a unique quality of E.S.T.’s music that sets them apart from the vast majority of combos who place a larger value on louder complements. Another aspect of this group is that they are truly a working ensemble with stable personnel, as bassist Dan Berglund and drummer Magnus Öström have joined Svensson in this trio for years. The meditative and surrealistic quality of this music is hard to deny or dismiss, as it is so refined and defined within a spiritual parameter — unique unto itself, and beyond most modern categories. While the titles are elusively cryptic, they can shed some light on the musical content. “Tide of Trepidation” aligns itself to the ECM/Bobo Stenson school of piano thought, a mysterious type of composition with underlying, echoed electronic washes lapping up the melody. “In the Tail of Her Eye” is undoubtedly a slow, 4/4 song of brokenhearted regret, “What Though the Way May Be Long” is a poetic discourse on unseen destiny lying ahead, and “The Unstable Table & the Infamous Fable” intimates a film noir spy scene in its cinematic anticipation of held tension. Less inanimate, “Eighty Eight Days in My Veins” is cast via a shuffle mode in 6/8 time, more driven and chiming with a two-note contrapuntal buzzing insert. The slightly bouncing or bumpy modified tango line of “The Well Wisher” is very light on its feet, in a style that could be a cousin of Keith Jarrett. The most compelling track is “A Picture of Doris Travelling with Boris,” as the trio conjures up an aural visage of sleepwalking movement or late-night paranormal mean streets with a sheen of electric light guiding the way. E.S.T.’s music is for specific tastes, but seems to have found common ground with fantasy imagineers, the baby boomer ECM crowd, and youth searching for parallels to the Bad Plus or Brad Mehldau. Viaticum is a successful effort, a progression from their previous efforts, and in many ways a new pathway to the future without relying on black holes.

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