Ensemble Alternance – D’une étincelle (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 55:57 minutes | 898 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Stradivarius
Arriving as a composition (in particular, thanks to Gerard Pesson) along a winding route for development (in Alto) – I am trying to create a network and contrast between the world of art and bringing it to life – French artist Mael Bailly, not inclined to artistic design. plus, the pronunciation of the voice, to emphasize that a pendant with a train is what a man needs, I got acquainted with the musical volunteers serving the stage and the image. Music with tangible irony, with a new face, in the style of “Countercleron” (concert for the ensemble “Alternative” in 2021), for flute, viola and trompet, as part of a festival dedicated to the traditional role of the instrument, colors, elegance and originality, as well as to ensure that the main movement meets the best musicians of the world. ranges differ, unity in the forest and in microenvironments. We do not seek to specify in terms of participation in the “Armchair”, “journal of the Conservatory in youth”, “Quatreme of love”, “quatreme of the heart”, “quatreme of the heart”, “an accomplished event in the history of Charles Fourier”, “return to the Marchand system”, “fraternal society and passion”. What did you think of me at the very beginning, under the title “Introduction to the slide”, and how do you get back to your CD? (Bernard Vincken)
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Ensemble Alternance – Ensemble Alternance: On the Move (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 48:44 minutes | 826 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Stradivarius
Born in Athens in 1967, Dimitri Vassilakis began his musical studies at the age of seven, continuing as a pupil of Gérard Frémy at the Paris Conservatoire National Supérieur de Musique, with tuition also from György Sebok and Monique Deschaussées. He unanimously won first prize for piano, as well as prizes in chamber music and accompaniment. He has appeared as a soloist in Europe, North Africa, the Far East, and America, and since 1992 he has been a soloist with The Ensemble Intercontemporain. He has collaborated with a number of composers, including Iannis Xenakis, Karlheinz Stockhausen, György Kurtág, Luciano Berio and Pierre Boulez, of whose Incises he gave the first performance in 1995. He has taken part in a number of recordings, notably Répons by Pierre Boulez. His festival appearances include the Florence Maggio Musicale, the Warsaw Autumn, Edinburgh, Salzburg and Ottawa, and he has performed in concert halls such as the Buenos Aires Teatro Colón, New York Carnegie Hall and the London Festival Hall.
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