Mihaela Martin & Elena Bashkirova – Schubert: Violin & Piano (2021) [Official Digital Download 24bit/96kHz]

Mihaela Martin & Elena Bashkirova – Schubert: Violin & Piano (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:00 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music

“Schubert’s music is always associated in my imagination with a journey in a horse-drawn carriage. Outside, the scenery is flowing by. Cities, mountains, rivers, lakes, villages. At times the carriage slows down, then it speeds up again, but I always have that feeling of being on a journey. Not on foot and not on horse, but in a carriage on wheels.” (Elena Bashkirova)

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Elena Bashkirova – Mozart: Sonatas & Fantasies (2022) [Official Digital Download 24bit/96kHz]

Elena Bashkirova – Mozart: Sonatas & Fantasies (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:27 minutes | 1,18 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music

The Russian-born Israeli pianist Elena Bashkirova once said, “Chamber music is music’s soul,” and this belief is evident in her work as a soloist, accompanist, ensemble musician, and program planner. Her approach to all aspects of music is one of empathetic collaboration and communication.

Her delightful interpretations are featured on this programme of Mozart’s Sonatas & Fantasies, presented by Deutsche Grammophon!

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Elena Bashkirova – Dvořák: Poetic Tone Pictures (2020) [Official Digital Download 24bit/48kHz]

Elena Bashkirova – Dvořák: Poetic Tone Pictures (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 01:00:50 minutes | 485 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music

“This time, I am not only an absolute musician, but also a poet”, wrote Dvorak regarding the Poetic Tone Pictures, Op. 85, his most extended cycle of lyric character pieces for piano. Concluded in April/May 1889 at his summer residence in Vysoka, the Poetic Tone Pictures introduced a new tendency in Dvorak’s output: from then on, he started to “poeticize” his musical style. As he wrote to his publisher Fritz Simrock: “Each piece will have its own title and is meant to express something: thus, as it were, this is program music!” This new tendency culminated in 1896-1898 with the five symphonic poems The Water Goblin Op. 107, The Noon Witch Op. 108, The Golden Spinning Wheel Op. 109, The Wild Dove Op. 110, and A Hero’s Song Op. 111.

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