![Marco Albonetti, Daniele Di Bonaventura, Orchestra Filarmonica Italiana - Amarcord d'un Tango (2022) [Official Digital Download 24bit/48kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/04/22/qcn6skfeh4h6b_600.jpg?resize=500%2C500&ssl=1)
Marco Albonetti, Daniele Di Bonaventura, Orchestra Filarmonica Italiana – Amarcord d’un Tango (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 58:48 minutes | 602 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
“Amarcord” signifies memory, the nostalgic re-enactment of the past. Here, it evokes the idea of joining two instruments, the saxophone and the bandoneón, both of which were invented in the middle of the nineteenth century.
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Federico Bracalente & Daniele di Bonaventura – In Spiritum: Music for Cello and Bandoneon (2021)
FLAC (tracks) 24 bit/192 kHz | Time – 50:45 minutes | 1,92 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Brilliant Classics
This recording, from friends and collaborators Federico Bracalente and Daniele di Bonaventura, stems from an idea they had almost 10 years ago: to merge the sounds of their respective instruments, the cello and the bandoneon, into a single sound.
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Daniele di Bonaventura & Giovanni Ceccarelli – Eu te amo (The Music of Tom Jobim) (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:20 minutes | 1,16 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Bonsaï Music
Daniele di Bonaventura and Giovanni Ceccarelli musically meet for the first time, by creating together this original duo project. The bandoneón and the piano weave a dialogue which enhances the two instruments’ rich expressive palettes: chant, percussion, counterpoint, choral textures, and pure sound. As a result, they blend together and they juxtapose by interacting in delicate balance between written parts and improvisation…
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Daniele Di Bonaventura – Canzoni da casa (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:50 minutes | 601 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © DdB music
“Ho registrato questo lavoro tutto di un fiato nel mio studio a casa in un caldo pomeriggio di Maggio durante il lockdown del 2020, non pensavo di farne un disco ma poi riascoltandolo ho sentito una grande energia sprigionarsi da queste canzoni che ho scelto così per caso. Ho voluto mantenere la registrazione del bandoneon così evidentemente separata tra mano destra e mano sinistra perchè vorrei farvi sentire quello che provo quando suono. Quindi consiglio per un miglior effetto l’utilizzo delle cuffie cosìda poter godere a pieno lo stesso mio punto di ascolto durante la mia esecuzione.” Daniele di Bonaventura
Read more![Paolo Fresu, Daniele di Bonaventura - In maggiore (2015) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/04/24/0060254710053_600.jpg?resize=500%2C500&ssl=1)
Paolo Fresu, Daniele di Bonaventura – In maggiore (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 47:27 minutes | 817 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © ECM
Sardinian-born trumpeter Paolo Fresu and bandoneonist Daniele di Bonaventura from Fermo, Italy, indicated the depth of their musical understanding on 2010’s Mistico Mediterraneo, a collaboration with Corsican singers A Filetta. Left to their own resources they explore a very broad range of material which includes original ballads by both men, improvisations, a Puccini theme from La Boheme, liturgical music, pieces by legendary Chilean songwriter Victor Jara and Uruguayan singer-songwriter Jaime Roos, music of Neapolitan composer Ernesto de Curtis, “O que sera” by Brazil’s Chico Buarque and more. Daniele Di Bonaventura has spent much of his creative life bringing aspects of jazz and music of South American traditions together, and Paolo Fresu is one of the outstanding lyrical voices of contemporary improvising. When Fresu plays muted trumpet, he makes a point of bringing Miles Davis to mind; at such moments, Di Bonaventura’s bandoneon becomes a chamber orchestra behind a soloist. The relationship between the instruments is continually changing throughout this attractive programme, recorded in the warm and spacious acoustics of Lugano’s Auditorio Stelio Molo RSI in May 2014, and produced by Manfred Eicher. (The session itself has already achieved a measure of renown: scenes from it appear in the new documentary Wenn aus dem Himmel by Italian filmmaker Fabrizio Ferraro, which is currently making the rounds of the festivals.)
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