Charles Dutoit – Saint-Saens: Organ Symphony & Bizet: Symphony in C (1983 & 1996) SACD ISO + DSF DSD64 + Hi-Res FLAC

Charles Dutoit – Saint-Saens: Organ Symphony & Bizet: Symphony in C (1983 & 1996)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 67:16 minutes | Basic Scans included | 1,86 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Basic Scans included | 1,7 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | Basic Scans included | 1,47 GB

Charles Dutoit conducts the Orchestre Symphonique de Montreal for this recording of Saint-Saëns’ Third Symphony with organist Peter Hurford as well as Bizet’s Symphony in C featuring Ted Baskin on oboe. Recorded in 1982 & 1995 at Église de Saint-Eustache in Montréal, Quebec, Canada.

This SACD was remastered with the 96kHz/24bit master, that was up-converted from the original 44.1kHz/16bit master with the high technology. The criterion of re-mastering is to faithfully capture the quality of the original master. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model Grandioso G1 and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master.

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Arabella Steinbacher, Orchestre de la Suisse Romande, Charles Dutoit – Mendelssohn Violin Concerto, Op. 64 – Tchaikovsky Violin Concerto, Op. 35 (2015) [Official Digital Download 24bit/96kHz]

Arabella Steinbacher, Orchestre de la Suisse Romande, Charles Dutoit – Mendelssohn Violin Concerto, Op. 64 – Tchaikovsky Violin Concerto, Op. 35 (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:14 minutes | 1,14 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone

This release arguably features the two greatest concertos ever written for the violin: performed by one of the most brilliant violinists of her generation, together with one of the finest orchestras, and under the baton of one of the world’s foremost conductors. This recording of Tchaikovsky/Mendelssohn violin concertos bears witness to the eminence of the collaboration between violinist Arabella Steinbacher, conductor Charles Dutoit and PENTATONE’s Orchestra of the Season January June 2015, Orchestre de la Suisse Romande, and the result thereof.

After waiting for a long time to record these concertos with the perfect collaboration, Arabella Steinbacher didn’t waste any chance to shine with heart-felt enthusiasm and bravura in this recording.
Her performance produced such a pure, yet fierce sound that it allowed the music to speak in an immediate, translucent way. Recorded in September 2014 in the magnificent Victoria Hall, Geneva, the Orchestre de la Suisse Romande were totally at home with the repertoires and performed with great confidence; they were led by Dutoit, who was vivid, rhythmic and clear in his direction. The vigorous playing results in a vibrant sound that is captured perfectly in this multi channel SACD recording.

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Akiko Suwanai, Philharmonia Orchestra, Charles Dutoit – Poeme (2004) MCH SACD ISO + Hi-Res FLAC

Akiko Suwanai, Philharmonia Orchestra, Charles Dutoit – Poeme (2004)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 67:06 minutes | Scans included (PDF) | 3,74 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included (PDF) | 1,38 GB
Features Stereo and Multichannel Surround Sound | Decca/Philips # 475618-9

Award-winning violinist Akiko Suwanai is backed by the City of Philharmonia Orchestra conducted by Charles Dutoit for this recording of compositional works by Saint-Saëns, Lalo, Chausson, Kreisler, Berlioz, and Ravel. This music here is a collection of pieces that fall just short of “major” concertos (more like encore pieces) though Akiko Suwanai does them full justice!!!! Particularly, the Saint-Saens “Introduction et Rondo Capriccioso” and Ravel’s “Tzigane” are top notch. Ms. Suwanai plays with a great deal of warmth, personality, and maturity that allows her Strad to really sing! The recording is top notch, with the violin a bit forward and the orchestra back a ways.

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