Charlene Farrugia – Khachaturian: 7 Recitatives & Fugues & Children’s Albums Nos. 1 & 2 (2021) [Official Digital Download 24bit/96kHz]

Charlene Farrugia – Khachaturian: 7 Recitatives & Fugues & Children’s Albums Nos. 1 & 2 (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:39 minutes | 2,19 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Grand Piano

Aram Khachaturian was considered the “mouthpiece of the entire Soviet Orient” and remains the most renowned of 20th-century Armenian composers. His unmistakable style came with an urge to invent new forms that reconciled Western practice with Eastern idiom. His ‘apprentice’ Fugues were revised and enriched with Recitatives that conjure the colourful voices of Khachaturian’s childhood in Tbilisi. Refreshingly original, amusing and provocative, the Children’s Albums belong to a tradition that reaches back to Bach, Schumann and Tchaikovsky.

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Charlene Farrugia, Dimitri Ashkenazy, Rebecca Raimondi, Stefan Jess-Kropfitsch – Fiorini: In the Midst of Things – Piano & Chamber Music (2021) [Official Digital Download 24bit/96kHz]

Charlene Farrugia, Dimitri Ashkenazy, Rebecca Raimondi, Stefan Jess-Kropfitsch – Fiorini: In the Midst of Things – Piano & Chamber Music (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 59:50 minutes | 912 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Grand Piano

Maltese composer Karl Fiorini is a European without frontiers – the compositions in this album reflect his early detachment from a Mediterranean identity towards a more varied and intense sound world. Trio Lamina features elements of Bartók’s “night music” in its complex sub-sections, whereas Fiorini’s two piano studies, which predate his move to Paris, already exude a Gallic ambience. Influenced by North African folk music, the Piano Trio expands his global reach, and the Piano Sonata, a gritty virtuoso concert piece, shifts geographical influence towards Eastern Europe to powerful effect. All of these world première recordings were recorded in the presence of the composer.

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