Cappella Pratensis & Stratton Bull – Missa Maria Zart (2023) [Official Digital Download 24bit/44,1kHz]

Cappella Pratensis & Stratton Bull – Missa Maria Zart (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:04:52 minutes | 619 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Challenge Classics

Jacob Obrecht’s Missa Maria zart is an extraordinary work, both literally, as probably the longest extant Mass of the Renaissance, taking an hour to perform, and in the more general meaning of the word. It is recognised as one of the most ambitious artistic creations of its time; some have claimed that it defies description. The director of Cappella Pratensis, Stratton Bull mentioned his interest in the complexities of Renaissance mensural notation and the difficulties that modern-day ensembles sometimes experience in interpreting it. Although several recordings of this Mass already existed, few if any had succeeded in doing justice to its subtle system of mensuration signs and use of notation generally. A symposium was held in 2018 and the resulting performance duly took place, but plans for a recording were postponed due to the Covid-19 pandemic. This had the welcome if unintended consequence of permitting several other live performances before the recording sessions in September 2022: the interpretation that Cappella Pratensis commits to disc is well ‘lived in’.

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Cappella Pratensis, Joshua Rifkin – Vivat Leo! Music for a Medici Pope (2010) DSF DSD128

Cappella Pratensis, Joshua Rifkin – Vivat Leo! Music for a Medici Pope (2010)
DSF Stereo DSD128/5.64 MHz | Time – 01:04:52 minutes | 5,12 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover |  © Challenge Records

‘Let us enjoy the papacy, since God has given it to us’ — thus, according to a contemporary report, Giovanni de’ Medici, the second son of Lorenzo the Magnificent, on becoming pope in March 1513. Enjoy it he did. In the eight years of his reign, Leo X, as Giovanni now became known, lived extravagantly, holding banquet after banquet, hunt after hunt, and sometimes parading a white elephant through Rome. His costly enthusiasms extracted their price, of course; within two years of taking the throne, he had turned a handsome surplus left him by his predecessor into a deficit, and before long he had to raise funds by such dubious tricks as selling indulgences on a grand scale — provoking what would eventually become the Reformation. Yet Leo did not exhaust the papal treasury on frivolous things alone. A man of extensive humanistic learning, he supported notable scholars and poets, including Pietro Bembo; commissioned major works from Raphael; and initiated significant building projects. Above all, Leo loved music. He knew it from the inside, possessing sufficient technical knowledge to compose in five voices. He staffed the papal choir — the body responsible for music at liturgical services — with some of the most eminent singers and composers of his day, and he maintained a private body of musicians that similarly included several highly prized singers, composers, and instrumentalists. His awareness of musical developments extended well beyond Rome, moreover; he particularly admired the French royal chapelmaster Jean Mouton, the most influential composer of the day, whom Leo had occasion to meet in 1515 and named to a highly honorific church position.

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Cappella Pratensis – Apostola apostolorum (2022) [Official Digital Download 24bit/44,1kHz]

Cappella Pratensis - Apostola apostolorum (2022) [Official Digital Download 24bit/44,1kHz] Download

Cappella Pratensis – Apostola apostolorum (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:16:50 minutes | 744 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Cappella Pratensis

The relatively rare Masses that celebrate saints other than the Virgin Mary were usually composed in response to an individual’s or an institution’s particular devotional interest. There is good reason to believe that Nicolas Champion composed his Missa de Sancta Maria Magdalena expressly for Margaret of Austria, whose devotion to Mary Magdalene is well known. Champion (c. 1475-1533) worked for the Habsburg-Burgundian chapel from 1501 to 1524; this Mass was probably written between 1507 and 1515.
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