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Cannonball Adderley – In The Land Of Hi-Fi (1956/2024)
FLAC (tracks) 24 bit/192 kHz | Time – 34:07 minutes | 830 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Mercury Records
In the Land of Hi-Fi with Julian Cannonball Adderley is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a nonet (six horns, three rhythm) with Nat Adderley, Jerome Richardson, Ernie Royal, Bobby Byrne, Jimmy Cleveland, Danny Bank, Junior Mance, Keter Betts, and Charles “Specs” Wright.
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Cannonball Adderley & Bill Evans – Know What I Mean? (Original Jazz Classics Series / Remastered) (1960/2024)
FLAC (tracks) 24 bit/192 kHz | Time – 40:32 minutes | 1,18 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Craft Recordings
“Know What I Mean?” was originally released in 1960 as a collaboration between jazz saxophonist Cannonball Adderley and legendary pianist Bill Evans, along with the rhythm section of the Modern Jazz Quartet, Percy Heath (bass) and Connie Kay (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.
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Nancy Wilson, Cannonball Adderley – Nancy Wilson, Cannonball Adderley (1962/2018)
DSD128 (.dsf) 1 bit/5,6 MHz | Time – 44:25 minutes | 3,5 GB
FLAC (tracks) 24-bit/96 kHz | Time – 44:25 minutes | 987 MB
Studio Master, Official Digital Download | Artwork: Digital booklet | Source: HDTT | Genre: Jazz
Nancy Wilson/Cannonball Adderley is a studio album by Nancy Wilson and Cannonball Adderley originally issued in February 1962 by Capitol Records. The Penguin Guide to Jazz states “The odd session out is the date with Nancy Wilson for Capitol, primarily designed as a showcase for the young singer but with five band-only tracks as well. Wilson had a self-conscious phrasing and melodramatic lighting-up of key lines – but there is a version of “A Sleeping Bee” here which is one of the most charming of all her recordings, and Cannon and the others play personably throughout”. Wilson considered her vocals on the album “as a sort of easy-going third horn”.
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Cannonball Adderley with Milt Jackson – Things Are Getting Better (1958/2004)
DSF Stereo DSD64/2.82MHz | Time – 00:52:33 minutes | 2.07 GB | Genre: Jazz
Source: ISO SACD| © Riverside Records | Fantasy
Recorded: October 28, 1958, Reeves Sound Studio, New York City
This title provides ample evidence why alto Cannonball Adderley is considered one of the masters of his craft. Here he joins forces with Modern Jazz Quartet co-founder Milt Jackson on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of Wynton Kelly on piano, Percy Heath on bass, and the one and only Art Blakey on drums. The moody “Blues Oriental” opens the set with Jackson immediately diving in with his trademark fluid runs and shimmering intonation. Adderley counters with a light and lively line that weaves between the rhythm section. The optimistic “Things Are Getting Better” is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry “Serves Me Right,” which allows the combo members to demonstrate their collective musical malleability. The interaction between Adderley and Jackson sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of Dizzy Gillespie’s “Groovin’ High” contains another spirited performance with some thoroughly engaging improvisation, especially during Adderley’s voracious solos. “Sidewalks of New York” bops freely as Jackson unleashes some sublime licks against a hearty and equally boisterous sax. Adderley’s “Sounds for Sid” demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from Adderley’s earliest canon. The album concludes with a jumping reading of Cole Porter’s “Just One of Those Things.” While Wynton Kelly has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. –Lindsay Planer
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Cannonball Adderley – Supreme Jazz (2006)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 38:12 mins | Scans included | 2,25 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 719 MB
Features 2.0 Stereo and 5.1 multichannel surround sound | Label: Membran Music Ltd.
Alto saxophonist Julian “Cannonball” Adderley was one of the true greats of his day and the height of his career, journalists were even comparing him to the legendary Charlie Parker…
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Cannonball Adderley – Somethin’ Else (1958) [Analogue Productions 2009]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 43:49 minutes | Scans included | 1,38 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 972 MB
It isn’t too difficult to understand why MFSL considered this album to be a worthy candidate for an Ultradisc reissue — aside from Cannonball Adderley, you have a lineup that includes Miles Davis, Hank Jones, Sam Jones, and Art Blakey. This is a group that could take on a Barry Manilow number and turn it into a jazz masterpiece. MFSL have done the purchaser a favor, too, by including an additional track that was left off the original album. This sixth track, “”Alison’s Uncle,”” closes out Somethin’ Else on a high note, changing the flow of energy in an interesting way (purists can still finish up on a quieter note, as with the original, by programming “”Dancing in the Dark”” as the final track). In many ways it’s a surprise that this track was left off originally — it’s an excellent piece, with Adderley and Davis trading licks and solos while Jones and Blakey keep pace. Blakey also takes some terrific solos. Due to the original recording (made in 1958), Davis’ trumpet sometimes seems a little shrill and metallic, but it’s not an overwhelming problem — certainly not when you consider Davis’ style. Altogether, an excellent addition to any jazz collection.
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Cannonball Adderley – Somethin’ Else (1958/2012)
FLAC (tracks) 24 bit/192 kHz | Time – 38:43 minutes | 1,46 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records
Somethin’ Else is a monumental recording by jazz virtuoso Cannonball Adderley. Fans and critics have deemed the work as one of jazz’s most influential records. The album is an exhilarating display of hard bop and features stunning contributions by Miles Davis, Hank Jones, Sam Jones and Art Blakey. It is included on The Penguin Guide to Jazz’s “Core Collection.” Somethin’ Else features thrilling solos and the stunning tunes “Somethin’ Else” and “Dancing in the Dark”.
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Cannonball Adderley & Bill Evans – Know What I Mean? (1962/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 40:16 minutes | 874 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Concord Records
Know What I Mean? is a 1962 album by jazz musician Julian “Cannonball” Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on Riverside label as RLP-433.
Barely noticeable on the album cover is a small picture of Bill Evans, directly underneath the sculpture (from Bertha Schaefer Gallery) to Adderley’s right.
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Cannonball Adderley – Waltz For Debby (Know What I Mean?) (1961/2020)
FLAC (tracks) 24 bit/96 kHz | Time – 42:43 minutes | 791 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Although they worked together intensively as members of the 1958-59 Miles Davis Sextet (also featuring John Coltrane in the frontline), Cannonball Adderley and Bill Evans only collaborated on three projects together without Miles. This release presents in their entireties the two small group albums: Know What I Mean?
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Cannonball Adderley – Swingin’ in Seattle – Live at the Penthouse 1966-1967 (Remastered) (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:03 minutes | 1,44 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Real To Reel Recordings
Reel to Real Recordings is proud to announce the label’s co- inaugural release, Swingin’ in Seattle: Live at the Penthouse (1966-1967), a scintillating set of previously unissued live recordings of the Cannonball Adderley Quintet featuring Cannonball’s brother and cornetist Nat Adderley, pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy recorded over the course of 4 nights between 1966 and 1967 at the legendary Penthouse jazz club in Seattle, Washington. This is the very same band that recorded the classic Mercy, Mercy, Mercy! Live at “The Club” album on Capitol Records on October 20, 1966, and it captures the quintet in rare form at the height of their most powerful swingin’.
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Cannonball Adderley – Cannonball’s Bossa Nova! (1962/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:15 minutes | 1,43 GB | Genre: Bossa Nova, Latin Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Cannonball’s Bossa Nova is a 1962 album by jazz musician Julian “Cannonball” Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
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