Gianandrea Noseda, National Symphony Orchestra, Kennedy Center, Camilla Tilling, Kelley O’Connor, Issachah Savage, Ryan McKinny, The Washington Chorus – Beethoven: The Complete Symphonies (2024) [Official Digital Download 24bit/192kHz]

Gianandrea Noseda, National Symphony Orchestra, Kennedy Center, Camilla Tilling, Kelley O’Connor, Issachah Savage, Ryan McKinny, The Washington Chorus – Beethoven: The Complete Symphonies (2024)
FLAC (tracks) 24 bit/192 kHz | Time – 05:38:09 minutes | 10,88 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © National Symphony Orchestra

The culmination of five digital releases, the National Symphony Orchestra and Music Director Gianandrea Noseda conclude their journey through Beethoven’s complete symphonies, releasing the complete set.

“Beethoven’s voice is as fresh and powerful today as it was when he created those masterpieces,” said Noseda. “To approach Beethoven is a journey. You know you are starting the journey, but you never know where the journey will take you. With Beethoven, any moment is a discovery.”

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Camilla Tilling & Paul Rivinius – Jugendstil (2019) [Official Digital Download 24bit/96kHz]

Camilla Tilling & Paul Rivinius – Jugendstil (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:13 minutes | 1,07 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BIS

Vienna around 1900 was a melting-pot in several ways: a city attracting artists from the entire Austro-Hungarian Empire where bohemian writers and musicians rubbed shoulders with aristocrats and establishment figures, and where late-Romanticism co-existed uneasily with the Wiener Moderne aesthetic of the fin-de-siècle. In the visual arts, Jugendstil (or Wiener Secession) was all the rage: its curlicues, floral patterns and fluid lines were seen everywhere – in architecture, interior design and graphic arts. In music, the term is usually associated with composers such as Mahler, Zemlinsky and Korngold, but also early works by Alban Berg and Arnold Schoenberg. Following on three previous acclaimed recital albums on BIS, Camilla Tilling and Paul Rivinius have devised a programme with songs by these very composers, written between 1898 and 1916. The songs range from the Einfache Lieder by a teenaged Korngold to Zemlinsky’s set of Walzer-Gesänge based on Tuscan folk poems and the much-loved Rückert-Lieder by Mahler. Schoenberg is represented by his Op. 2 collection 4 Lieder and his student Berg by the set of Sieben frühe Lieder, from 1905–08.

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