![Alla Francesca, Brigitte Lesne, Vivabiancaluna Biffi, Christel Boiron - Tre donne belle (2023) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2023/03/08/la29h4n1uopqb_600.jpg?resize=500%2C500&ssl=1)
Alla Francesca, Brigitte Lesne, Vivabiancaluna Biffi, Christel Boiron – Tre donne belle (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 49:54 minutes | 844 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Paraty
Internationalement reconnu pour la qualité et l’originalité de ses projets, Alla francesca reste fidèle à ses objectifs et choix esthétiques initiaux.
L’interprétation – à la fois vivante, poétique, et conséquence de la lecture directe sur les manuscrits – propose une rencontre fructueuse entre l’exigence musicologique et l’expérience joyeuse du contact direct avec le public et la découverte de musiques très peu connues, qui nous semblent souvent étrangement familières.
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![Alla Francesca, Brigitte Lesne - Variations amoureuses (2020) [Official Digital Download 24bit/88,2kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/11/k7fnn3dncd5ec_600.jpg?resize=500%2C500&ssl=1)
Alla Francesca, Brigitte Lesne – Variations amoureuses (2020)
FLAC (tracks) 24 bit/88,2 kHz | Time – 57:41 minutes | 880 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Paraty
Love variations: The variant, and its corollary the variation, inseparable from the Middle Ages, have established themselves, particularly since Eloge de la variante (In praise of the variant) by Bernard Cerquiglini and the term of “mouvance” (mobility) inaugurated by Paul Zumthor, as genuine writing processes. Extending them to the musical field sounds quite obvious, and allows us furthermore to apprehend the modes of transmission and circulation of the medieval melodic repertoires. These Love variations thus bring into play the sometimes substantial differences which exist between compositions that tread across the borders of genres and styles. As evidence of this lively interpenetration of genres, certain secular monodies sometimes crop up as fragments of conducti, polyphonic songs whose etymology testifies to their original destination: to accompany processions.
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