Berlin Radio Symphony Orchestra – Summer Places (2023) [Official Digital Download 24bit/48kHz]

Berlin Radio Symphony Orchestra – Summer Places (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:14:21 minutes | 783 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Jube Classic

The Rundfunk-Sinfonieorchester Berlin (RSB) is a Berlin orchestra rich in tradition. It goes back to the first musical radio hour Berlin broadcast on October 29, 1923 at 8 p.m. from the Vox-Haus and initially consisted only of the all-round musician Otto Urack, who sometimes played together with individual musicians. The orchestra did not acquire a symphonic lineup until the spring of 1925, and Mitteldeutsche Rundfunk AG (MIRAG) did not participate in the MDR Symphony Orchestra, which was nine months older, until October 17, 1924.

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Berlin Radio Symphony Orchestra, Berlin Philharmonic, Lorin Maazel – Mendelssohn & Stravinsky: Orchestral Works (2023) [Official Digital Download 24bit/48kHz]

Berlin Radio Symphony Orchestra, Berlin Philharmonic, Lorin Maazel - Mendelssohn & Stravinsky: Orchestral Works (2023) [Official Digital Download 24bit/48kHz] Download

Berlin Radio Symphony Orchestra, Berlin Philharmonic, Lorin Maazel – Mendelssohn & Stravinsky: Orchestral Works (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:08:49 minutes | 571 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Jube Classic

In concerts by large symphony orchestras, it is often serious works that dominate. But striking a lighter tone is also an art in itself, and composers such as Mozart, Mendelssohn, Tchaikovsky and Gershwin were masters of this. Soon after the orchestra was founded, the Berliner Philharmoniker initiated a concert series of popular music, a tradition which can still be seen today, such as in the Waldbühne and New Year’s Eve concerts. This playlist features a selection of particularly popular pieces ranging from the Baroque to the present day.
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Berlin Radio Symphony Orchestra – Fairy Tales and Legends (2022) [Official Digital Download 24bit/48kHz]

Berlin Radio Symphony Orchestra - Fairy Tales and Legends (2022) [Official Digital Download 24bit/48kHz] Download

Berlin Radio Symphony Orchestra – Fairy Tales and Legends (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:11:59 minutes | 742 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Jube Classic

The Berlin Radio Symphony Orchestra (Rundfunk-Sinfonieorchester Berlin) is a German symphony orchestra based in Berlin. In Berlin, the orchestra gives concerts at the Konzerthaus Berlin and at the Berliner Philharmonie. The orchestra has also given concerts in other German cities such as Aschaffenburg, Essen, Halle, Oldenburg, and Wiesbaden.
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Geza Anda, Ferenc Fricsay, Berlin Radio Symphony Orchestra – Bartok – The 3 Piano Concertos (2013) [Official Digital Download 24bit/48kHz]

Geza Anda, Ferenc Fricsay, Berlin Radio Symphony Orchestra - Bartok - The 3 Piano Concertos (2013) [Official Digital Download 24bit/48kHz] Download

Geza Anda, Ferenc Fricsay, Berlin Radio Symphony Orchestra – Bartok – The 3 Piano Concertos (2013)
FLAC (tracks) 24 bit/48 kHz | Time – 01:18:47 minutes | 806 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Pristine Classical

At very long last we have a worthy recording of the Bartok Second Concerto, a work whose previous interpreters (including the admirable Andor Foldes, whose performance received Bartok’s own blessing) have all suffered from recording qualities ranging from indifferent to abysmal. This will be valuable in helping to spread a knowledge of an important work in Bartok’s output which is rarely heard in the concert hall, probably because of the ferocious difficulty of the solo part – Bartok seems to have had in mind huge hands with permanent built-in octave and thirds mechanisms. The music does not deserve this neglect, and though it is “tougher” in idiom than the more mellow Third Concerto it has in fact had a consistently successful reception ever since its first performance (by the composer) in 1933. A bravura, lithe work, it abounds in motor energy and in contrapuntal vigour and resource (much of the material of the first movement – which is played entirely without the strings – reappears in inversion, or even in retrograde inversion, in the finale): the central part of the Adagio is a brilliantly fantastic delicate scherzo which looks forward to the Sonata for two pianos and percussion. Soloist and orchestra co-operate in exemplary fashion in a performance remarkable for its precision of ensemble, clarity and exactness of detail: Gcxa Anda in pardcular is to be congratulated for the way he romps through all the difficulties. The recording is excellent, the stereo even better than the mono.
— L. S. The Gramophone, May 1961 – excerpt, review of DGG UP issue of Concertos 2 & 3
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