Marc Coppey, Matan Porat, Barnabás Kelemen – Zoltán Kodály: Chamber Music for Cello (2022) [Official Digital Download 24bit/96kHz]

Marc Coppey, Matan Porat, Barnabás Kelemen - Zoltán Kodály: Chamber Music for Cello (2022) [Official Digital Download 24bit/96kHz] Download

Marc Coppey, Matan Porat, Barnabás Kelemen – Zoltán Kodály: Chamber Music for Cello (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:21:03 minutes | 1,51 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © audite Musikproduktion

The common question as to who was the most important Hungarian composer of the twentieth century – Béla Bartók or Zoltán Kodály – would have been vehemently rejected by the two like-minded friends. On the one hand, they shared many ideas and goals, such as researching Hungarian folk music, which they recorded in the countryside before and after the First World War using a wax cylinder phonograph. Bartók and Kodály made the original music of the peasant societies, which has nothing to do with the idea of Csárdás fire and Puszta romanticism, the basis of their own idioms, which they further developed in very personal ways. On the other hand, the careers of the two composers progressed in entirely different ways. While Bartók embraced international modernism and went into American exile at the height of fascist rule in Hungary, Kodály remained in his home country even under politically difficult circumstances, devoting himself unswervingly to his great task: integrating music into the school curriculum in order to make it the basis of national consciousness and social behaviour.
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Krzysztof Penderecki, London Philharmonic Orchestra, Radovan Vlatkovic, Barnabás Kelemen & Michał Dworzynski – Penderecki: Horn and Violin Concertos (2020) [Official Digital Download 24bit/96kHz]

Krzysztof Penderecki, London Philharmonic Orchestra, Radovan Vlatkovic, Barnabás Kelemen & Michał Dworzynski – Penderecki: Horn and Violin Concertos (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:29 minutes | 1,27 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © London Philharmonic Orchestra

Many of us may have set goals for the new year, but harmonia mundi set theirs particularly high. The independent record label intends on killing two birds with one stone by launching an extensive Beethoven edition that spans from 2020 (one hundred and fifty years since his birth) to 2027 (the bicentenary of his death), in a series of new recordings by new musicians under the label. For years to come, this non-exhaustive edition will be a reflection of the interpretative trends from the 21st century. This first volume of the Complete Piano Concertos on period instruments (there will be another on modern instruments) brings together the two extremes of Beethoven’s repertoire, namely Concertos No. 2 and No. 5, the former of which was composed first.

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Barnabás Kelemen – Kodály: Duo for Violin and Violoncello, Op. 7 – Dvořák: Piano Trio, Op. 90 (2021) [Official Digital Download 24bit/96kHz]

Barnabás Kelemen - Kodály: Duo for Violin and Violoncello, Op. 7 - Dvořák: Piano Trio, Op. 90 (2021) [Official Digital Download 24bit/96kHz] Download

Barnabás Kelemen – Kodály: Duo for Violin and Violoncello, Op. 7 – Dvořák: Piano Trio, Op. 90 (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 58:37 minutes | 1,02 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Alpha Classics

After the success of the recent recording of works by Veress and Bartók, which won both a Gramophone Award and a BBC Music Magazine Award in 2020, the Lockenhaus Festival series, curated by its artistic director Nicolas Altstaedt, continues its journey through central Europe with Antonín Dvořák and his famous ‘Dumky’ Trio, named after a genre of Slavonic folksong generally performed by blind wandering minstrels who accompanied themselves on the kobza or bandura (twelve-string lute). Dvořák, whose father played the zither, immersed himself in this music and creatively translated its substance into his own music. The trio was premiered in 1891 and, in response to its ecstatic reception, Dvořák decided to perform it during his grand farewell tour before leaving for the United States. Zoltán Kodály’s Duo for violin and cello (1914), which completes the programme, also bears witness to the influence of folk music.
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