Avishai Cohen, Abraham Rodriguez Jr. – Iroko (2023) [Official Digital Download 24bit/96kHz]

Avishai Cohen, Abraham Rodriguez Jr. – Iroko (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 45:08 minutes | 774 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © naïve

Iroko launches Avishai Cohen’s longtime dream “to do a Latin project with his favorite Latin musician in New York”. Israel based bassist – singer and master conguero-vocalist Abraham Rodriguez Jr., brim with tunefulness, grooves, warmth, indelible melodies and the bonds of brotherhood to summon Yoruba gods. In Yoruba lore, Iroko is a complicated symbol-a troll inhabiting the top branches of a tree called “the throne of god,” guarded against lest he come to earth, be seen and drive men mad. But Iroko, the French naïve label’s unique release by singer-bassist Avishai Cohen and conguero-vocalist Abraham Rodriguez Jr., brims with tunefulness, grooves and warmth. It has deep roots in esoteric religion and popular song, and comes naturally from these 30-year cross-cultural collaborators who ward off trouble, united in musical spirit. The album is the 20th for prodigious Israel-based composer-performer Cohen, but just the third project out-front for Rodriguez, a self-described Nuyorican, Santeria-adept and doowop-batarumba king, though he’s added his secret sauce for decades to the best Latin New York recordings. It’s as soulful as a streetcorner serenade in Spanish Harlem. Appeals to the Yoruba orishas flow among reappraising versions of James Brown’s “It’s a Man’s World,” the 1960 Academy Award-winner “Theme to Exodus,” and Sinatra-associated “Fly Me To the Moon.” Everything’s grounded in the propulsive clavé rhythm that underlies virtually all Afro-Caribbean-derived music (jazz included), as Rodriguez’s hand-drumming locks in syncopation with Cohen’s irresistible bass patterns, and their voices blend like those of true friends. Iroko launches Cohen’s longtime dream “to do a Latin project with my favorite Latin musicians in New York. It starts with this concept record, just me and Abi,” he says, “followed by the premiere in March in Paris of our band [with drummer Hernacio “El Negro” Hernandez, trumpeter Diego Urcola, saxophonist Yosvany Terry, and Spanish singer Virginia Garcia Alves], then a week at the Blue Note in New York, and dates at the summer’s festivals.” While Cohen, who earned his initial acclaim in the piano trios of Chick Corea and Danilo Perez, has previously convened world-spanning ensembles such as the International Vamp Band, and Abi (as he’s called, not by Avishai alone) has led the bands Cachimba Inolvidable and Okonkolo, Iroko is unprecedented as a synthesis of influences the duo reveres. They first met in 1993, working with pianist Ray Santiago’s band out of Manhattan’s Lower East Side. “It was a collaboration of Cuban and Puerto Rican music, with a little jazz,” Abi says. “A Nuyorican thing.” Avishai recalls, “As I got to where they were rehearsing, I heard the piano and conga doing some montuno [a repeating ostinato figure], slipped the cover off my bass and just joined in. We didn’t know each other yet, but the rest is a history of many gigs together.” Avishai had studied jazz at the New School and Mannes School of Music, choosing as a teacher Andy Gonzalez, the busiest bass player on the Latin scene. Abi, a Santeria priest validated in his mixture of the sacred and secular by his godfather, the bata great Orlando “Puntilla” Rios, knew bassist Gonzalez and his trumpet/conguero brother Jerry Gonzalez, from the drum circles he sat in with while growing up. They were principals of Grupo Folklórico y Experimental Nuevayorquino, in which Abi played, and the Fort Apache Band, best known for Latin-izing the compositions of Thelonious Monk. Iroko is dedicated to the Gonzalez brothers, now both deceased, as a gesture to the salsa-meets-jazz movement that counts Machito and Dizzy Gillespie, Mongo Santamaria, Ray Barretto and Eddie Palmieri among it’s stars. “What attracted me at first to Abi and Ray Santiago’s music was it’s New York edge, Latin music swinging a little differently, which Abi embodies as a melting-pot musician. He’s created a language for himself out of r&b, blues, doowop, jazz, Motown-a world of his own that I wanted to play bass in. From beginning to end, just conga, bass and vocals, and profoundly beautiful songs we could take apart and make our own. Now when I listen to the groove of it, I want to dance. The essence is there.” “As Mongo Santamaria said, ‘Drum and chant,'” Abi adds. “That’s what we have here. It’s universal, and for everyone, young and old. Even those who are bitter, when they hear these songs, will be touched and smile. Those who are angry? We’ll kill them with kindness.” On Iroko, Avishai Cohen and Abraham Rodriguez Jr. Summon Yoruba gods, indelible melodies and the bonds of brotherhood as a stand against the insanity that threatens us if we forget that our ultimate strength comes from creating beauty together.

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Avishai Cohen – Naked Truth (2022) [Official Digital Download 24bit/88,2kHz]

Avishai Cohen - Naked Truth (2022) [Official Digital Download 24bit/88,2kHz] Download

Avishai Cohen – Naked Truth (2022)
FLAC (tracks) 24 bit/88,2 kHz | Time – 35:05 minutes | 627 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ECM

To those who are still wondering about the meaning of improvisation, Naked Truth give solid clues. Now well settled at ECM, trumpeter Avishai Cohen signs here an album driven by his senses, his inspiration and his free exchanges with his old compatriot accomplices the pianist Yonathan Avishai, the bassist Barak Mori and the drummer Ziv Ravitz. A short suite (35 minutes) in nine movements, recorded at La Buissonne studios in Pernes-les-Fontaines, in September 2021, and produced by Mr. ECM, Manfred Eicher. A work advancing in hushed steps, quite close to poetry in its narrative form. The disc also closes with the trumpeter reciting the poem Departure written by his compatriot Zelda Schneurson Mishkovsky … Rarely had the four musicians wandered like this. Their complicity is such that even in moments when the contours of the themes seem blurred, the music remains total. Often soothed, as if in weightlessness. And always bewitching.
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Avishai Cohen – Dark Nights (2014/2017) [Official Digital Download 24bit/88,2kHz]

Avishai Cohen - Dark Nights (2014/2017) [Official Digital Download 24bit/88,2kHz] Download

Avishai Cohen – Dark Nights (2014/2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 53:22 minutes | 967 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Anzic Records, LLC

From the brooding opening title track to the closing Chet Baker homage, “I Fall in Love Too Easily,” Dark Nights unapologetically embraces the heart of jazz. Every aspect of the album from the cover photo, to Cohen’s precise trumpet inflections, to the trio’s dedication to immediacy and collective improvisation (and even the album’s forays into electronic affects) is saturated with the emblematic textures, rhythms, and imagery of jazz. This is achieved with professionalism, creativity, and skill, without a wit of irony or cliché, while avoiding both navel-gazing insularity and crowd-pleasing revivalism.
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Avishai Cohen Trio, Avishai Cohen – From Darkness (2015) [Official Digital Download 24bit/96kHz]

Avishai Cohen Trio, Avishai Cohen - From Darkness (2015) [Official Digital Download 24bit/96kHz] Download

Avishai Cohen Trio, Avishai Cohen – From Darkness (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 44:31 minutes | 859 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © naïve

With his new album From Darkness, Avishai Cohen comes back to the essence of its language, starting from his musician experience to conquer new horizons and new lands, towards a new creative and expressive dimension created in trio. “I felt it was the right moment to record in trio”, Avishai Cohen says, “because it is the first time since the album Gently Disturbed that I had the feeling I was reaching a truly new, fresh and incredibly substantial form.”
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Avishai Cohen – Cross My Palm With Silver (2017) [Official Digital Download 24bit/88,2kHz]

Avishai Cohen - Cross My Palm With Silver (2017) [Official Digital Download 24bit/88,2kHz] Download

Avishai Cohen – Cross My Palm With Silver (2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 38:47 minutes | 698 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © ECM

A year after his impressionistic, critically-lauded ECM debut Into The Silence, trumpeter Avishai Cohen’s Cross My Palm With Silver introduces a programme of new pieces which put the focus on the ensemble, on teamwork, with a quartet of the highest calibre. The adroit, almost telepathic interplay among the musicians allows Avishai Cohen to soar, making it clear why he is one of the most talked-about jazz musicians on the contemporary scene. “All of these people together are my dream team”, says the charismatic trumpeter of fellow players Yonathan Avishai, Barak Mori and Nasheet Waits, who share his sense for daring improvisation and his feeling for structure. “I feel we’re in a perfect place with the balance. It’s open and there’s so much room for the improvisation to take the music any place we can. At the same time the composition is very specific and the vibe is very direct and thought about.” As with Into The Silence, Cross My Palm With Silver was produced by Manfred Eicher at Studios La Buissonne in the south of France. It is issued on the eve of a major European tour, with concerts in France, Italy, Spain, Luxembourg, United Kingdom, Switzerland, Germany and the Netherlands.
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Avishai Cohen, Yonathan Avishai – Playing The Room (2019) [Official Digital Download 24bit/96kHz]

Avishai Cohen, Yonathan Avishai - Playing The Room (2019) [Official Digital Download 24bit/96kHz] Download

Avishai Cohen, Yonathan Avishai – Playing The Room (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 45:56 minutes | 772 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © ECM

Playing The Room bears testimony to the long musical friendship of Avishai Cohen and Yonathan Avishai. They began to explore jazz as teenagers in Tel Aviv, and have continued to play together over many years, with Yonathan making important contributions to Avishai’s group albums Into The Silence and Cross My Palm With Silver on ECM.

Their first duo album begins with music composed by the trumpeter and by the pianist and concludes with a touching interpretation of Israeli composer Alexander Argov’s cradle song “Shir Eres”. Along the way, Avishai and Yonathan improvise – freely, playfully, soulfully – on themes from jazz tradition. And, as the album titles implies, they also invite the recording space, the Auditorio Stelio Molo RSI in Lugano, to be part of the sound, making full use of its resonant acoustic properties in a performance with the intimacy and focus of chamber music.

Recorded in September 2018, and produced by Manfred Eicher, Playing The Room is available as both audiophile vinyl album and compact disc.
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Avishai Cohen, Gothenburg Symphony Orchestra – Two Roses (2021) [Official Digital Download 24bit/96kHz]

Avishai Cohen, Gothenburg Symphony Orchestra - Two Roses (2021) [Official Digital Download 24bit/96kHz] Download

Avishai Cohen, Gothenburg Symphony Orchestra – Two Roses (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:28 minutes | 1,18 GB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © naïve

Many musicians dream of making a record with a symphony orchestra, but few can afford to make it a reality. Thanks to an extraordinary ability to compose melodies that take root in his listeners’ minds and because he has, for years, patiently performed these compositions on stage to the point where they are practically a part of him, Avishai Cohen was well-positioned to execute such an ambition. As Cohen himself notes, his songs seem predisposed to adaptation at an orchestral scale, and the fact that they retain the same intensity that has provoked such widespread admiration demonstrates the vigor of his music.
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Avishai Cohen – Seven Seas (2011) [Official Digital Download 24bit/44,1kHz]

Avishai Cohen - Seven Seas (2011) [Official Digital Download 24bit/44,1kHz] Download

Avishai Cohen – Seven Seas (2011)
FLAC (tracks) 24 bit/44,1 kHz | Time – 47:00 minutes | 505 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Parlophone (France)

Now one of the most popular jazz players of the past decade, Avishai Cohen takes his artistic approach to its zenith, with Seven Seas. Featuring nursery rhymes, lullabies and suites in which heroic inspiration and symphonics abound. Seven Seas plunges us into a fabulous sound voyage, in which understatement and magnitude play a never-ending game of ping-pong, a trip that easily transposes to the silver screen. Once you get past the opening credits dripping in joyful nostalgia, you steer past isles of rhythm and continents of sound, winding up with a traditional piano ladino with Cohen’s intense vocals.

Cohen has reached a new pinnacle as an artist. It’s more of a fusion album, perhaps bringing us closer to reality of an odyssey, with its title that transports us into nautical legend: seven seas’ many twists and turns make it the most exciting of albums in Cohen’s discography.
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Avishai Cohen – Into The Silence (2016) [Official Digital Download 24bit/88,2kHz]

Avishai Cohen - Into The Silence (2016) [Official Digital Download 24bit/88,2kHz] Download

Avishai Cohen – Into The Silence (2016)
FLAC (tracks) 24 bit/88,2 kHz | Time – 53:07 minutes | 966 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © ECM

Avishai Cohen impressed a lot of listeners with his soulful contributions to Mark Turner’s Lathe of Heaven album in 2014. Now the charismatic Tel Aviv-born trumpeter has his ECM leader debut in a programme of expansive and impressionistic compositions for jazz quartet (trumpet, piano, bass, drums), augmented by tenor saxophone on a few pieces. Into The Silence is dedicated to the memory of Avishai’s father David, reflecting upon the last days of his life with grace and restraint. Avishai’s tender muted trumpet sets the emotional tone of the music in the album’s opening moments and his gifted cast of musicians explore its implications. Israeli pianist Yonathan Avishai has played with Cohen in many settings and solos creatively inside the trumpeter’s haunting compositions, sometimes illuminating them with the phraseology of the blues. Cohen and drummer Nasheet Waits have a hypersensitive understanding and their interaction can, from moment to moment, recall the heyday of Miles Davis and Tony Williams or Don Cherry and Billy Higgins. Yet this music, while acknowledging inspirational sources, is very much of our time. Bassist Eric Revis, a cornerstone of the Branford Marsalis quartet for two decades, provides elegant support throughout. And saxophonist Bill McHenry, a subtle modernist who has worked with Paul Motian and Andrew Cyrille, shadows Cohen’s lines with feeling. Into The Silence was recorded at Studios La Buissonne in the South of France in July 2015 and produced by Manfred Eicher.
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Avishai Cohen, Nitai Hershkovits – Duende (2012) [Official Digital Download 24bit/96kHz]

Avishai Cohen, Nitai Hershkovits - Duende (2012) [Official Digital Download 24bit/96kHz] Download

Avishai Cohen, Nitai Hershkovits – Duende (2012)
FLAC (tracks) 24 bit/96 kHz | Time – 33:45 minutes | 617 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Parlophone (France)

Blending his unique fusion of classical, acoustic jazz, and Middle Eastern music with the talents of virtuoso Tel Aviv pianist Nitai Hershkovits, Duende is a rare collaborative effort from Israeli bassist Avishai Cohen. Recorded in Sweden over just three days, the follow-up to 2011’s Seven Seas features cover versions of John Coltrane’s “Central Park West,” Thelonious Monk’s “Criss Cross,” and Cole Porter’s “All of You” alongside several new compositions including “Signature,” “Soof,” and “Ann’s Tune.” ~ Jon O’Brien
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Avishai Cohen – Big Vicious (2020) [Official Digital Download 24bit/88,2kHz]

Avishai Cohen - Big Vicious (2020) [Official Digital Download 24bit/88,2kHz] Download

Avishai Cohen – Big Vicious (2020)
FLAC (tracks) 24 bit/88,2 kHz | Time – 50:30 minutes | 984 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © ECM

Charismatic trumpeter Avishai Cohen launched his exuberant, home-grown band Big Vicious six years ago, after relocating from the US to his native Israel, rounding up players to shape the music from the ground up, and co-authoring much of its newest material together with them. The group is an association of old friends. “We’re all coming from jazz, but some of us left it earlier”, Avishai says, summing up the stylistic reach of his cohorts. “Everyone’s bringing in their backgrounds, and that becomes part of the sound of the band.” Textures from electronica, ambient music and psychedelia are part of the blend, so too grooves and beats from rock, pop, trip-hop and more. A wide-open approach to cover versions – from Massive Attack to Beethoven – is also integral to the Vicious vision. Recorded in Studios La Buissonne in the South of France in August 2019 and produced by Manfred Eicher, Big Vicious’s debut album is issued as the band gears up for extensive international touring.
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Avishai Cohen – Arvoles (2019) [Official Digital Download 24bit/96kHz]

Avishai Cohen - Arvoles (2019) [Official Digital Download 24bit/96kHz] Download

Avishai Cohen – Arvoles (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 41:26 minutes | 812 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © naïve

‘Arvoles’ (‘Trees’ in the ancient Ladino-language).
Full of original instrumental compositions, and one traditional song written over the last couple of years. The music’s been clearly identified with his own unique and defining DNA. “It’s impossible to escape from myself, even if I would want to.” And so his dynamic influences remain. There are traces of classical music and Afro-Caribbean rhythms. There’s bebop and hard bop, swing and hiphop. But with every new album his own personality shines through more emphatically. ‘Recorded with his core trio, drummer Noam David (Israel) and pianist Elchin Shirinov (Azerbaijan) both magnificent musicians and composers in their own right. ‘’Most of these compositions seem to deal with looking back. There’s even horns in there, Björn Samuelsson (trombone) and Anders Hagberg (flute) which I hadn’t included in my writing for some time. You could say I’m going back to basics, but with the maturity and vision that the last couple of decades have brought me. Nostalgia at its best is the strongest, most romantic, sincere, bitter-sweet feeling. And I agree it’s all over the record, with compositions like ‘Childhood’, ‘New York ‘90’s’ and ‘Nostalgia’.
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Avishai Cohen – Almah (2013) [Official Digital Download 24bit/96kHz]

Avishai Cohen - Almah (2013) [Official Digital Download 24bit/96kHz] Download

Avishai Cohen – Almah (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 43:36 minutes | 914 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Parlophone (France)

This lyrical jazz/classical crossover set from the Israeli composer, bassist and singer glows with seductive songs, from its luxuriously harmonised classical overture, via Israeli and Sephardic folk materials to his quietly ecstatic folk-vocal finale. Almah also features pianist Nitai Hershkovits, drummer Ofri Nehemya, and the unique oboe and cor anglais improviser Yoram Lachish, alongside violin, violas and cello. Cohen’s Song for My Brother unfolds in a rolling trance, pivoting on an emphatic bass break, On a Black Horse veers between wistful baroque symmetry and implacable string-group funk, and Thad Jones’ A Child Is Born gains new resonances from the contrast between Lachish’s plaintive reeds and Cohen’s bass. There are gliding oboe lullabies, pounding Arab dances, and the hip-hoppish Shlosre is a fiendish rhythmic workout for the jazz trio at the core of this band. It’s genre-blending music from a conventional melodist’s angle, but made with a real sensitivity to its ingredients.
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Avishai Cohen – 1970 (2017) [Official Digital Download 24bit/44,1kHz]

Avishai Cohen - 1970 (2017) [Official Digital Download 24bit/44,1kHz] Download

Avishai Cohen – 1970 (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 45:36 minutes | 501 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Masterworks

His escapades towards soul, pop and folk music are not completely new. Except that with1970, Avishai Cohen jumps feet first with a whole album into… soul, pop and folk music! The Israeli bass player admittedly never forgets the jazz soul in his music; he simply pays homage here to sounds, textures and universes that he grew up with. A mostly sung journey (both in English and in Hebrew) that he undertakes with numerous guests such as Itamar Doari on percussion, Yael Shapira on cello, Elyasaf Bishari on oud, Tal Kohavi on drums, Yonatan Daskal on keyboards and Karen Malka at the microphone. As Avishai Cohen says it himself: “it’s not a jazz record. I don’t know what it is, but I’ve always had a connection to pop. I like pop as much as I like Bach and Charlie Parker. Singing has become very serious in my life over time. I’ve been asked by many people, when is the vocal album gonna come? Well, this is it, right here.
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Avishai Cohen, Gothenburg Symphony Orchestra – Two Roses (2022) [Official Digital Download 24bit/96kHz]

Avishai Cohen, Gothenburg Symphony Orchestra - Two Roses (2022) [Official Digital Download 24bit/96kHz] Download

Avishai Cohen, Gothenburg Symphony Orchestra – Two Roses (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:28 minutes | 1,18 GB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © naïve

Born in Israel in 1970 the bassist Avishai Cohen moved to New York in 1992, first making his name on the international jazz scene as a member of the late Chick Corea’s ‘New Trio’ and later of the pianist’s larger Origin group.

After leaving Corea’s employment he made his leadership début in 1997 and established his own Razdaz record label in 2003.

Cohen has always been more than a ‘just’ a bassist. An ambitious and prolific composer he doubles on piano and vocals and has always embraced a wide range of musical and cultural influences, including the folk music of the Jewish diaspora.
He also draws on jazz and on various aspects of Afro-Caribbean and Latin music, the latter encouraged by a spell with pianist Danilo Perez’s trio.

Cohen also has an interest in pop and rock and his output as a solo artist has been prolific and varied, ranging from conventional jazz ‘piano trio’ recordings to more song orientated material, such as “1970”, his ‘vocal’ album released in 2018 and named for the year of his birth.
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