For their 20th Europakonzert in 2010, the Berliner Philharmoniker were guests of the magnificent Sheldonian Theatre in Oxford, where they had last performed under Herbert von Karajan in 1978. This time the conductor was Daniel Barenboim with a programme including the Prelude to Act 3 of Wagner’s Die Meistersinger von Nürnberg, Brahms’s First Symphony and Elgar’s soulful Cello Concertowith the young American cellist Alisa Weilerstein as the soloist.
Berliner Philharmoniker
Daniel Barenboim
Alisa Weilerstein
WORKS 89 min.
Richard Wagner 8 min.
Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Prelude to Act 3
Prelude 07:24
Applause 00:24
Edward Elgar 31 min.
Concerto for Cello and Orchestra in E minor, op. 85
Alisa Weilerstein Cello
Adagio – Moderato 08:06
Lento – Allegro molto 04:37
Adagio 05:22
Allegro – Moderato – Allegro ma non troppo 11:36
Applause 00:50
Johannes Brahms 49 min.
Symphony No. 1 in C minor, op. 68
Un poco sostenuto 14:21
Andante sostenuto 09:59
Un poco Allegretto e grazioso 05:04
Adagio – Più Andante – Allegro non troppo, ma con brio 17:27
Applause 02:11
Gili Schwarzman, Guy Braunstein, Amihai Grosz, Alisa Weilerstein – Old Souls (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 52:17 minutes | 1,01 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
Old Souls presents masterworks of Beethoven, Dvořák, Wolf and Kreisler in new arrangements for flute and strings, played by a group of outstanding young musicians.
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Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim – Elgar & Carter Cello Concertos (2012)
FLAC (tracks) 24 bit/48 kHz | Time – 01:02:23 minutes | 631 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Records
Alisa Weilerstein makes one of Decca’s most exciting debuts in recent years. The renowned cellist is joined by Decca fan-favorite Daniel Barenboim. Alisa Weilerstein is the first cellist in many years to play the Elgar Concerto with Daniel Barenboim, and his decision to record it with her is a major statement. Her technique has earned her international recognition.
“Their interpretation is one of poise, heft and ardor, the soloist’s superb control keenly matched by the conductor’s insightful support.” – New York Times
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Czech Philharmonic & Jiri Belohlavek, Garrick Ohlsson, Alisa Weilerstein, Frank Peter Zimmermann – Dvorák: Complete Symphonies & Concertos (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 08:04:19 minutes | 8,62 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
A new Dvorák symphony and concerto cycle from the multi-Gramophone-Award-winning conductor and the great Prague-based orchestra. It marks a triumphant return to the orchestra where he trained, the world leading and multi-Gramophone Award-winning maestro Jirí Bìlohlávek records Decca’s first Dvorák cycle since the 1960s. This complete symphonies and concertos set is a pinnacle of brilliant music-making, and the first major cycle to be recorded in high-definition 24bit 96kHz and Mastered for iTunes sound.
Dvorák himself conducted the Czech Philharmonic Orchestra’s first concert in 1896, and the shared Bohemian heritage of composer, conductor and orchestra lends a very special authenticity to these recordings.
Dvorák’s three concertos (violin, cello and piano) feature alongside his nine great Symphonies, with Decca’s leading cellist Alisa Weilerstein, Frank Peter Zimmermann (violin) and Garrick Ohlsson (piano). The Czech PO and Belohlávek will be undertaking major European tours in 2014, including a full Dvorák symphonic cycle in Prague in September. Rhombus Films have also made a fascinating documentary focusing on Belohlávek’s return to Prague as the Czech Philharmonic’s chief conductor.
Read more![Alisa Weilerstein, Jiri Belohlavek - Dvořák: Cello Concerto, Rondo, Silent Woods (2014) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/10/0002894785756_600.jpg?resize=500%2C500&ssl=1)
Alisa Weilerstein, Jiri Belohlavek – Dvořák: Cello Concerto, Rondo, Silent Woods (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:06 minutes | 1,33 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Decca Music Group Ltd.
American cellist Alisa Weilerstein, described by BBC Music Magazine as one of the most extraordinary soloists of her generation, follows her critically acclaimed Decca debut recording of Elgar s Cello Concerto with a vital new interpretation of Dvorak s Cello Concerto, coupled with some of his best-known melodies.
This Dvorak recording casts visionary light on the Czech composer s epic concerto, connecting directly with its passionate heart.
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![Alisa Weilerstein, Trondheim Soloists - Transfigured Night - Haydn & Schoenberg (2018) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/10/veiqh4imc4i1b_600.jpg?resize=500%2C500&ssl=1)
Alisa Weilerstein, Trondheim Soloists – Transfigured Night – Haydn & Schoenberg (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:58 minutes | 1,27 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone
In what sense Hayden’s two concertos for cello – at least, the two that we know of as his, although he surely wrote more – are the fruit of a “Transfigured Night” is not clear, and isn’t made more so by reading the booklet, although it is very interesting, historically speaking. But on the other hand, of course, Schönberg’s Transfigured Night, still a classic of his tonal and post-Wagnerian works, clearly justifies the title. Hayden’s concertos are played by the magnificent American cellist Alisa Weilerstein, herself a “privileged partner” of Trondheim Soloists who accompany her here (without a conductor) and give us Schönberg’s version for string orchestra. Given that Trondheim is slap bang in the middle of Norway, we can well imagine how the night and the twilight – which lasts most of the day for several months every year – must be full of images of transfigurations to inspire our musicians! And let’s recall briefly how this ensemble, founded in 1988, recorded the Four Seasons with Anne-Sophie Mutter in 1999, a veritable stepping stone to international fame.
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![Alisa Weilerstein, Inon Barnatan - Rachmaninov & Chopin Cello Sonatas (2015) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/10/0002894788419_600.jpg?resize=500%2C500&ssl=1)
Alisa Weilerstein, Inon Barnatan – Rachmaninov & Chopin Cello Sonatas (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:24:05 minutes | 1,36 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Decca Music Group Ltd.
Together with long-term duo partner Inon Barnatan, best-selling Decca cellist Alisa Weilerstein records two of the giants of cello chamber music: the Rachmaninov and Chopin sonatas.
Alisa Weilersteins debut on Decca with the Elgar Cello Concerto (conducted by Daniel Barenboim; his first recording of this outstanding work since his earlier recording with the legendary Jacqueline du Pre) was received rapturously by critics worldwide; and her subsequent recording of the Dvorak cello concerto no less well-received.
Alisa Weilerstein and Inon Barnatan are two of the worlds leading instrumentalists, and this album clearly shows the benefits of a long-lasting chamber music partnership with two exceptional musicians, captured in their prime.
The Rachmaninov Sonata in G minor for Cello and Piano premiered with the composer himself playing the fiendishly tricky piano part is Rachmaninovs last chamber music work. One of the first major pieces to be written after Rachmaninov overcame writers block with a course of hypnotherapy, this is a piece to be discovered and treasured.
Chopins Cello Sonata in G minor is one of the few works Chopin wrote for instruments other than the piano; and the last of his works to be published in his lifetime. Remarkable for its concentration of material, no work of Chopins gave him more trouble; I write a little and cross out a lot, wrote Chopin. Alisa and Inon bring out a wealth of feeling in this emotional rollercoaster of a piece.
By contrast, Chopins Introduction and Polonaise Brillante is one of his first published compositions. Full of bravura and verve, it has an undeniable feel for the spirit of the dance and a distinctive theme. Then Chopins Etude essentially a nocturne brings a dramatic change of character and mood somber, mysterious dreams (Heller); a song of happiness irredeemably lost (Koczalski).
Two instantly recognizable melodies are included here too: Rachmaninovs gorgeous and reflective Vocalise, one of the most transcribed (covered in pop-parlance) pieces ever written; and a light, airy Andante by Chopin, sure to bring a smile as a refreshing musical sorbet.
When Alisa Weilerstein and Inon Barnatan perform together, audiences are enthralled, critics enraptured. This disc sets a new benchmark for recordings of these great works, and this exceptional quality of music-making is certain to set the bar for a long time.
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![Alisa Weilerstein - Solo (2014) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/10/0002894786451_600.jpg?resize=500%2C500&ssl=1)
Alisa Weilerstein – Solo (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 01:28:56 minutes | 1,43 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Decca Music Group Ltd.
The long-awaited solo album from Decca’s star cellist sees Weilerstein revealing and revelling in her technique. The American cellist has attracted widespread attention worldwide for her combination of natural virtuosic command and technical precision with impassioned musicianship. The intensity of her playing has regularly been lauded, as has the spontaneity and sensitivity of her interpretations. Committed to expanding the cello repertoire, Alisa is a fervent champion of new music and this release is her first solo album.
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![Alisa Weilerstein, Pablo Heras-Casado, Symphonieorchester des Bayerischen Rundfunks - Shostakovich: Cello Concertos Nos. 1 & 2 (2016) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/10/0002894830838_600.jpg?resize=500%2C500&ssl=1)
Alisa Weilerstein, Pablo Heras-Casado, Symphonieorchester des Bayerischen Rundfunks – Shostakovich: Cello Concertos Nos. 1 & 2 (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:50 minutes | 1,04 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Decca Music Group Ltd.
It was in Shostakovichs First Cello Concerto that cellist Alisa Weilerstein prompted the Los Angeles Times to marvel: Weilersteins cello is her id… She and the cello seem simply to be one and the same. Alisa returns with Shostakovichs cello masterworks Concertos 1 & 2.
Composed for the virtuosic cellist Mstislav Rostropovich, the coupling and contrasting of these two arresting works is irresistible: the anti-heroic, relentless, emotionally suppressed First Concerto set alongside the sarcasm and isolation of the Second.
Weilersteins interpretation is underpinned by her meeting Rostropovich a close friend of the composer when she was 22, playing Shostakovich for him and absorbing his advice and wisdom.
Her outstanding rapport with conductor Pablo Heras-Casado and the Symphonieorchester Bayerischen Rundfunks is evident in this new recording.
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![Alisa Weilerstein - Bach: Cello Suites, BWVV 1007-1012 (2020) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/10/mz72i625eohic_600.jpg?resize=500%2C500&ssl=1)
Alisa Weilerstein – Bach: Cello Suites, BWVV 1007-1012 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 02:40:51 minutes | 2,84 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone
After her acclaimed PENTATONE debut with Transfigured Night, Alisa Weilerstein returns with a complete recording of Bach’s Cello Suites. These pieces present the highest mountain to climb for any cellist, and one of the most transcendent and rewarding experiences for listeners alike. With his suites, Bach crafted — essentially without direct precedent — a body of solo cello music that forever defined the genre and brought the Baroque cello on par with its more popular cousin, the viola da gamba. Since Pablo Casals put them in the limelight again after 150 years of relative oblivion, Bach’s suites have become the alpha and omega for generations of cellists. To Weilerstein, the joy of this music — vibrant, contemporary, unquestionably alive — is the joy of discovery. Having heard and studied these pieces for years, she now entrusts her interpretation to the listener.
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![Alisa Weilerstein, Inon Barnatan - Beethoven: Cello Sonatas Nos. 1-5 (2022) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/09/ookufw1wivdkc_600.jpg?resize=500%2C500&ssl=1)
Alisa Weilerstein, Inon Barnatan – Beethoven: Cello Sonatas Nos. 1-5 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:50:29 minutes | 1,77 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone
Cellist Alisa Weilerstein and pianist Inon Barnatan present a complete recording of Beethoven’s cello sonatas. Composed over a span of nearly twenty years, these works not only contain some of the most appealing and lyrical music Beethoven wrote, but also allow the listener to trace his exceptional artistic development. The third sonata, moreover, is a watershed in sonata writing, arguably presenting the cello and piano as fully equal partners for the first time in music history. The richness of these works fully comes to life in the interpretation of Weilerstein and Barnatan, who have – besides glorious solo careers – also proven to be one of the most congenial chamber music tandems of our times. Their wonderful musical partnership and profound friendship shines through in each of these sonatas.
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