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Staatskapelle Berlin, Daniel Barenboim – Anton Bruckner: The Mature Symphonies Nos. 4,5,6,7,8,9 (2010) {6-Disc Edition} Blu-ray 1080i AVC DTS-HD 5.1

Сomposer: Anton Bruckner (1824-1896)
Artist: Staatskapelle Berlin, Daniel Barenboim conductor
Title: Bruckner – The Mature Symphonies: Symphonies Nos. 4,5,6,7,8,9
Genre: Classical
Label: © Accentus Music
Release Date: 2013-2015
Recorded live at the Berlin Philharmonie, 20-27 June 2010
Duration: 01:09:37 + 01:16:49 + 00:58:50 + 01:12:21 + 01:24:42 + 01:05:58
Quality: Blu-ray
Container: BDMV
Video/Audio codec: AVC/DTS, PCM
Video: MPEG-4 AVC ~25000 kbps / 1920*1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: German DTS-HD MA 5.1 / 48 kHz / ~3900 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: German LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Size: 116.74 GB

“ Daniel Barenboim is an expert in exploiting the impact of cyclical performances of composers works: This time he focuses his sharp intellect on all six of Anton Bruckners mature symphonies. Der Tagesspiegel described Barenboim’s performance of the works with the Staatskapelle Berlin on six nearly consecutive evenings in June 2010 as a superhuman accomplishment and went on to praise how: His Bruckner is conceived and performed very theatrically, like an opera without words.

Reviews: It could very well be that maestro Daniel Barenboim’s greatest contribution to music has been in filmed performances. Perhaps, none of his Wagner opera recordings, though “generally” excellent, could be considered reference versions. Yet, his filmed Ring and Parsifal (with Harry Kupfer), and three excellent Tristans (Ponnelle, the much missed Muller, and the recently departed enfant terrible Patrice Chereau) have no serious competition in the DVD market (it remains to be seen whether Barenboim’s 2010 Ring with Cassiers, coming to DVD this year, will hold its own). Barenboim’s recordings of the Beethoven piano sonatas, again, while A contender amongst contemporary pianists, will not retire the likes of Schnabel or Serkin. However, his filmed traversal is an epic and indispensable record of sound and vision. Likewise, the recent DVD production of the five Beethoven Piano Concertos with the Staatskapelle Berlin. The 2005 Ramallah Concert with his West-Eastern Divan Orchestra, despite the naysaying of a few hardened cynics, is one of the most joyously filmed musical celebrations extant. Though not generally known as a top conductor of Verdi, Debussy, Mahler, Schoenberg, or Boulez, Barenboim has collaborated in excellent filmed performances of the Requiem, La Mer, the 9th Symphony, Variations for Orchestra, and Notations. Of course, Barenboim has maintained a lifelong commitment to Bruckner with two complete cycles (the Chicago Symphony Orchestra and Berlin Philharmonic). Both have their proponents and critics, possibly because like Barenboim himself, they are an uneven lot (and while all conductors are uneven, Barenboim is almost radically so). Regardless of one’s stance, few would argue that Barenboim’s way with Bruckner can displace acclaimed masters Furtwangler, Karajan, Kna, Jochum, Wand, Klemperer, Cleibidache, or Giulini (although I would subjectively argue a few of these). Accentus with Unitel Classics has produced Barenboim’s performances of the mature symphonies with Staatskapelle Berlin. So far, the 4th and 5th have been released and although Barenboim has considerably more extensive Brucknerian competition in the DVD/Blu-ray medium (Karajan, Wand, Celibidache) his first two entries have already met with critical accolades. Bruckner once said that his music, like his faith, was boundlessly expansive. With that in mind, the inherent spiritual quality and devout Catholicity of Bruckner cannot be blanketed, but there is little worry in this since such is rarely the case (although some have argued that Boulez’s Bruckner does just that). The trend has long and often been the reverse: promoting the transcendental qualities at the expense of the music’s corporal muscularity and direct earthiness (which, just about Catholic would say are far more pronounced tenets, despite the trappings, of that epically complex faith). While Barenboim acknowledges the composition’s religiosity through the music’s hushed qualities, he commendably keeps it latent and opts for a red-blooded, dramatic reading that emphasizes the theatrical German tradition that he belongs to (and that is the key to Barenboim, as opposed to the tiresome, often repeated claims that he is a mere Furtwangler clone. Barenboim has about as much in common with the likes of Klemperer and Walter as he does Furtwangler). The camerawork and sound are lucid and non-intrusive. This a welcome release to the DVD/Blu-ray market and can be acquired without reservations. Hopefully, symphonies 6-9 will be forthcoming in a timely manner.

Title: Anton Bruckner: Symphony No. 4
Released: 2010
Genre: Classical
Conductor: Daniel Barenboim
Cast: Staatskapelle Berlin
Issued: United States | Accentus
Duration: 1:09:37

Daniel Barenboim is an expert in exploiting the impact of cyclical performances of composers’ works: This time he focuses his sharp intellect on all six of Anton Bruckner’s mature symphonies. Der Tagesspiegel described Barenboim’s performance of the works with the Staatskapelle Berlin on six nearly consecutive evenings in June 2010 as a “superhuman” accomplishment and went on to praise how: “His Bruckner is conceived and performed very theatrically, like an opera without words.” Bruckner’s famous “Romantic” Symphony No. 4 forms the prelude to a spectacular Blu-ray series from Accentus Music and Unitel Classica, exploring Bruckner’s symphonic cosmos.

Recorded live at Philharmonie Berlin, 20 June 2010.

Tracklist:

Symphony No. 4 in E flat major, WAB 104, “Romantic” (1881 version, ed. R. Haas).

Title: Anton Bruckner: Symphony No. 5
Released: 2010
Genre: Classical
Conductor: Daniel Barenboim
Cast: Staatskapelle Berlin
Issued: United States | Accentus
Duration: 1:16:49

The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner’s monumental Fifth Symphony by saying: “Both Bruckner’s belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboim’s interpretation”. The operatic experience of the conductor was almost tangible, revealing the “sheer dramatic instrumental battle between Bruckner’s God and the Devil – between heaven and hell – without betraying Bruckner’s unerring sense of striking proportions.” The release of this “contrapuntal masterpiece” (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboim’s Bruckner cycle with the renowned Staatskapelle Berlin.

Recorded live at the Philharmonie Berlin, 21 June 2010.

Title: Anton Bruckner: Symphony No. 6
Released: 2010
Genre: Classical
Conductor: Daniel Barenboim
Cast: Staatskapelle Berlin
Issued: United States | Accentus
Duration: 00:58:50

Anton Bruckner’s 6th Symphony was written between 1879 and 1881: a very happy time in his life. Unlike most of Bruckner’s symphonies, the 6th was not revised. Of all his works, this one seems to come from a single source of inspiration. Bruckner himself called it his “boldest” symphony – probably due to its extreme degree of motivic, rhythmic and harmonic originality. This live recording of the seldom-performed 6th Symphony is the next instalment of the acclaimed Bruckner cycle by the Staatskapelle Berlin and Daniel Barenboim.

Recorded live at the Philharmonie Berlin, 22 June 2010.


Title: Anton Bruckner: Symphony No. 7
Released: 2010
Genre: Classical
Conductor: Daniel Barenboim
Cast: Staatskapelle Berlin
Issued: United States | Accentus
Duration: 1:12:21

In Anton Bruckner’s 7th Symphony, the listener encounters a music characterized by great spaciousness and profound solemnity, a music which speaks of grief and lamentation, but also of their transcendence. With its monumental architecture and intensity of sound, the symphony has moved listeners ever since its triumphal premiere in 1884. The Guardian calls Daniel Barenboim’s London interpretation “Tremendous … Barenboim and the Staatskapelle seem to have this work in their systems, and the overall impression was of music unfolding organically at its own pace rather than of a work being self-consciously interpreted or led.”

Recorded live at the Philharmonie Berlin, 25 June 2010.

Tracklist:

Anton Bruckner: Symphony No. 7 in E Major, WAB 107 (1885 version, ed. L. Nowak).

Title: Anton Bruckner: Symphony No. 8
Released: 2010
Genre: Classical
Conductor: Daniel Barenboim
Cast: Staatskapelle Berlin
Issued: United States | Accentus
Duration: 1:24:42

“Clarity was one thing that made this performance a marvel. Another was the flexibility of Barenboim’s speeds…. The flexibility of Barenboim’s tempi meant that Bruckner’s charm – an often overlooked aspect of his genius – shone through, especially in the genial Trio.” (The Telegraph) Bruckner’s 8th is the last symphony completed by the Austrian composer. Many of his contemporaries regarded the symphony as “the pinnacle of 19th century music”. Even today, this monumental work fascinates listeners with its virtuoso orchestral technique, its immensity of sound, and its inexhaustible richness of detail.

Recorded live at the Berlin Philharmonie, 26 June 2010.

Tracklist:

Anton Bruckner: Symphony No. 8 in C Minor, WAB 108 (ed. R. Haas from 1887 and 1890 versions)

Name: Anton Bruckner: Symphony No. 9
Released: 2010
Genre: Classical
Conductor: Daniel Barenboim
Cast: Staatskapelle Berlin
Issued: United States | Accentus
Duration: 1:05:58

“This music is more serious and more significant than one had thought”, the Berliner Zeitung summarized in its review of Daniel Barenboim’s celebrated Bruckner cycle with the Staatskapelle Berlin. Bruckner’s unfinished Symphony No. 9 brought to an end, in a poignant manner, the work of one of the greatest symphonic composers of the Classic-Romantic era. Once more the essential elements of Bruckner’s symphonic style are present; the technical standard, the intensity of sound, and the enormous richness of expression are in this singular work brought to an unsurpassed niveau.

Recorded live at the Berlin Philharmonie, 27 June 2010.

Tracklist:

Anton Bruckner: Symphony No. 9 in D Minor, WAB 109.

Technical Specs
Blu-ray
BD-25 Single-Layer Disc
6-Disc Set
Video Resolution/Codec
1080i/AVC MPEG-4
Aspect Ratio(s)
1.78:1
Audio Formats
DTS-HD MA 5.1 (48 kHz / 3900 kbps / 24-bit)
LPCM 2.0 (48 kHz / 2304 kbps / 24-bit)
Subtitles/Captions
None
Supplements
None

Symphony No. 4 in E flat major “Romantic” (1878-80 Version)

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http://subyshare.com/yznernll9qaq/Symphony.No.4.part14.rar.html

Symphony No. 5 in B flat major (original version)

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Symphony No. 6 in A major (original version)

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Symphony No. 7 in E major (original version)

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Symphony No. 8 in C minor (second version 1887-90, Robert Haas Edition)

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Symphony No. 9 in D minor (original version)

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