Roland Kirk – Left And Right (1968/2011)
FLAC (tracks) 24bit/192kHz | Time – 42:55 minutes | 1,49 GB | Genre: Jazz
FLAC (tracks) 24bit/96kHz | Time – 42:55 minutes | 942 MB
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Rhino Atlantic
“Left & Right” is an album by jazz multi-instrumentalist ‘Rahsaan’ Roland Kirk. It was originally released on the Atlantic label in 1968 and features performances by Kirk with Jim Buffington, Julius Watkins, Frank Wess, Ron Burton, Vernon Martin and Roy Haynes with Warren Smith, Richard Williams, Dick Griffith, Benny Powell, Daniel Jones, Pepper Adams, Alice Coltrane, Jimmy Hopps and Gerald “Sonny” Brown featuring on an extended track and arrangements by Gil Fuller.
The title of this album, Left and Right, no doubt refers to the sides of Rahsaan Roland Kirk’s brain, which were both heavily taxed in the composing, arranging, conducting, and playing of this recording. For starters, the band is huge – 17 players plus a 16-piece string section, all of it arranged and conducted by Kirk, a blind man. None of this would matter a damn if this weren’t such a badass platter. Along with Kirk’s usual crew of Ron Burton, Julius Watkins, Dick Griffin, Jimmy Hopps, and Gerald Brown, there are luminaries in the crowd including Alice Coltrane on harp, Pepper Adams on baritone saxophone, and no less than Roy Haynes helping out on the skins. What it all means is this: The man who surprised and outraged everybody on the scene – as well as blew most away – was at it again here in “Expansions,” his wildly ambitious and swinging post-Coltrane suite, which has “Black Mystery Has Been Revealed” as its prelude. While there are other tracks on this record, this suite is its centerpiece and masterpiece – despite killer readings of Billy Strayhorn’s “A Flower Is a Lovesome Thing” and “Quintessence.” “Expansions” has Kirk putting his entire harmonic range on display, and all of the timbral extensions he used in his own playing are charted for a string section to articulate. There are subtleties, of course, which come off as merely tonal variations in extant harmony with the other instruments, but when they are juxtaposed against a portrayal of the entire history of jazz – from Jelly Roll Morton to the present day – then they become something else: the storytellers, the timbres, and the chromatic extensions that point in the right direction and get listeners to stop in the right places. This is an extreme for Rahsaan – extremely brilliant and thoroughly accessible.
01 – Black Mystery Has Been Revealed
02 – Expansions
03 – Lady’s Blues
04 – I X Love
05 – Hot Cha
06 – Quintessence
07 – I Waited For You
08 – A Flower Is A Lovesome Thing