Cecil Taylor – Conquistador! (1966/2014) [Official Digital Download 24bit/192kHz]

Cecil Taylor – Conquistador! (1966/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 37:36 minutes | 1,40 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

Originally released as Blue Note BLP 4260 (mono) and BST 84260 (stereo)

“In preparing these hi def remasters, we were very conscientious about maintaining the feel of the original releases while adding a previously unattainable transparency and depth. It now sounds like you’ve set up your chaise lounge right in the middle of Rudy Van Gelder’s studio!” – Blue Note President, Don Was.

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Cecil Parker – Uhoh (2020) [Official Digital Download 24bit/96kHz]

Cecil Parker – Uhoh (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:19 minutes | 1,49 GB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Sony – The Orchard

The honeyed vocals of Cecil Parker serve up music that’s both hot and smooth. A singer, songwriter, and above all, consummate performer, Cecil Parker has been compared to Maxwell, Marvin Gaye, Al Green, and Lou Rawls if these old school greats were fused with current acts like Usher, Kem, Eric Benet and Ne-Yo.

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Cecil L. Recchia – Play Blue (2021) [Official Digital Download 24bit/48kHz]

Cecil L. Recchia – Play Blue (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 43:29 minutes | 517 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Association Harpo

« Play Blue est le troisième album que je produis et réalise avec mon partner in crime musical, le batteur David Grebil. Nous avons sélectionné des morceaux qui ont fait les grandes années du label Blue Note, pour en proposer une relecture vocale et des arrangements inédits. Continuité de mes deux précédents albums (Songs of the Tree – A Tribute to Ahmad Jamal et The Gumbo), Play Blue poursuit notre recherche autour de la diversité rythmique sur des sentiers peu, voire non explorés vocalement. J’en ai écrit tous les textes (à l’exception du titre Moanin’). Projet profondément respectueux du « son Blue Note » conçu par les fondateurs du label mythique (Alfred Lion et le photographe Francis Wolff, auxquels est consacré le texte du titre Sidewinder) Play Blue puise dans les racines du blues, le groove et s’inscrit dans une esthétique résolument Hard Bop ». C.L. Recchia

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Cecil Gant – The G.I. Sing-sation! (2021) [Official Digital Download 24bit/48kHz]

Cecil Gant – The G.I. Sing-sation! (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 01:12:12 minutes | 443 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Music Manager

Cecil Gant (April 4, 1913 [nb 1] – February 4, 1951) was an American blues singer, songwriter and pianist, whose recordings of both ballads and “fiery piano rockers” were successful in the mid- and late 1940s, and influenced the early development of rock and roll. His biggest hit was the 1944 ballad, “I Wonder”.

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C.C. Colletti – Bring It On Home (2013) [Official Digital Download 24bit/192kHz]

C.C. Colletti – Bring It On Home (2013)
FLAC (tracks) 24 bit/192 kHz | Time – 52:51 minutes | 2,06 GB | Genre: Folk
Studio Masters, Official Digital Download | Front Cover | © Chesky Records

The Chesky Records Binaural+ recording technique, fit for both speakers and headphones, captures the timeless sound of musicians playing in great acoustic settings. And now, starting with the Binaural+ sessions, Chesky Records has taken that approach to the next level.

CC Coletti is back with a new album, Bring It On Home. The album was recorded by Chesky Records using a new Binaural+ style. Her powerful, warm voice combined with the well respected guitarist/producer Anthony Krizan brings a new and modern play on songs like, Led Zeppelin’s “Rock And Roll”, Howlin’ Wolf’s “Killing Floor” and many more.

CC Coletti breathes new life into this new collection of covers. Combined with the unique Binaural+ recording style, Bring It On Home illustrates CC. Coletti at her best!

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C Duncan – Health (2019) [Official Digital Download 24bit/44,1kHz]

C Duncan – Health (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 43:42 minutes | 505 MB | Genre: Indie Rock, Indie Pop, Folk
Studio Masters, Official Digital Download | Front Cover | © Fatcat Records

C Duncan’s highly anticipated third album sees the Scottish multi-instrumentalist ditch his bedroom studio and work with other producers, engineers and musicians for the first time. Packed with fresh ideas and buzzing with invention, ‘Health’ combines syncopated art-pop piano rhythms with breezy, undulating heartbreak ballads executed with acute precision. As always Duncan has contributed all the artwork surrounding the release, and the colourful and natural aesthetic is reflected in the instrumentation and lyrics.

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Counting Crows – August & Everything After: Live from the Town Hall (2007) Blu-ray 1080i DTS-HD MA 5.1

Title: Counting Crows – August & Everything After: Live from the Town Hall
Release Date: 2007
Genre: Alternative Rock, Indie Rock

Production/Label:Eagle Rock Entertainment
Duration: 01:17:33+00:40:48
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC Video / 20974 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: LPCM Audio / English / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio#2: Dolby Digital Audio / English / 5.1 / 48 kHz / 640 kbps
Audio#3: DTS-HD Master Audio / English / 5.1 / 48 kHz / 5009 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Size: 23.24 GB

On 18 September 2007, the band performed the complete album live for the first time at Town Hall in New York City. The gig was filmed in high definition and is now presented here as the first ever Counting Crows live concert Blu-ray release. The band have maintained a hugely successful career with global album sales now in excess of 20 million but they have always saved their finest moments for the live arena. Now for the first time a Counting Crows live concert film is available to own. Bonus Features – Interview In Depth With Adam Gurvitz & Charlie Gillingham.

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Cowboy Junkies – Whites Off Earth Now (1986) [MFSL 2006] MCH SACD ISO + Hi-Res FLAC

Cowboy Junkies – Whites Off Earth Now (1986) [MFSL 2006]
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 42:48 minutes | Scans included | 3,78 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 871 MB
Mobile Fidelity Sound Lab # UDSACD 4010 – Surround Series

Although it didn’t originally have anything to do with their sound, the Cowboy Junkies’ name wound up seeming pretty accurate: their music was grounded in traditional country, blues, and folk, yet drifted along in a sleepy, narcotic haze that clearly bore the stamp of the Velvet Underground.

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Cowboy Junkies – The Trinity Session (1988) [Analogue Productions 2016] SACD ISO + Hi-Res FLAC

Cowboy Junkies – The Trinity Session (1988) [Analogue Productions 2016]
PS3 Rip | SACD ISO | DST64 2.0 >1-bit/2.8224 MHz | Full Scans 300dpi | 2.14 GB 
FLAC tracks 2.0 24bit/88.2 kHz | Full Scans 300dpi | 980 MB 

Who says you can’t make a great record in one day — or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it’s the album that broke the Cowboy Junkies in the United States for their version of “Sweet Jane,” which included the lost verse. It’s far from the best cut here, though. There are other covers, such as Margo Timmins’ a cappella read of the traditional “Mining for Gold,” a heroin-slow version of Hank Williams’ classic “I’m So Lonesome I Could Cry,” “Dreaming My Dreams With You” (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic “Walkin’ After Midnight” that closes the disc. Those few who had heard the band’s previous album, Whites Off Earth Now!!, were aware that, along with Low, the Cowboy Junkies were the only band at the time capable of playing slower than Neil Young and Crazy Horse — and without the ear-threatening volume. The Timmins family — Margo, guitarist and songwriter Michael, drummer Peter, and backing vocalist and guitarist John — along with bassist Alan Anton and a few pals playing pedal steel, accordion, and harmonica, paced everything to crawl.

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Cowboy Junkies – Open (2001) [Reissue 2002] SACD ISO + Hi-Res FLAC

Cowboy Junkies – Open (2001) [Reissue 2002]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 49:33 minutes | Scans included | 1,99 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 995 MB

Cowboy Junkies have a sound, a vibe. There’s no denying it. You can tell it’s them within a few notes and each successive record seems to pick up right where the last one left off. Some, like The Trinity Sessions, are dark, moody, and mellow, like being coated in honey and draped in velvet. Others, take Pale Sun, Crescent Moon for example, seem downright energetic in comparison. Open is more in line with the first batch, though it has moments of near-enthusiastic revelry. With Alan Anton’s plump (rather than phat) basslines, Peter Timmins’ laid-back drumming, and Michael Timmins’ dirty guitars to ride on, Margo Timmins contributes her trademark sensual, yet understated vocal performances. The whole gang sounds as good as ever. And, although he may be called a songwriter, Michael Timmins is more a true poet with musical inclinations. Full of wonder and romance, fear and passion, Open is simply the next chapter in his sublime book of heartfelt verse. The compassionate tenderness of “Thousand Year Prayer” contrasts nicely with the harmonica and feedback duel of “Dragging Hooks.” And darn if “I’m So Open” doesn’t bounce right along on a little groove. They’ve got it all here. If nothing else, this band is one of the most consistent around. Though album sales may not always reflect it, they continually deliver strong records that refuse to be faulted for anything other than being non-mainstream.

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Counting Crows – August And Everything After (1993) [Analogue Productions Remaster 2013] SACD ISO + Hi-Res FLAC

Counting Crows – August And Everything After (1993) [Analogue Productions Remaster 2013]
PS3 Rip | ISO | SACD DSD64 Stereo > 1-bit/2.8224 MHz | 51:47 minutes | Scans included | 2,09 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,01 GB

When the prevailing guitar jingle of “Mr. Jones” cascaded over radio in the early ’90s, it was a sure sign that the Counting Crows were a musical force to be reckoned with. Their debut album, August and Everything After, burst at the seams with both dominant pop harmonies and rich, hearty ballads, all thanks to lead singer Adam Duritz. The lone guitar work of “Mr. Jones” coupled with the sweet, in-front pull of Duritz’s voice kicked off the album in full force. The starkly beautiful and lonely sounding “Round Here” captured the band’s honest yet subtle talent for singing ballads, while “Omaha” is lyrically reminiscent of a Springsteen tune. The fusion of hauntingly smooth vocals with such instruments as the Hammond B-3 organ and the accordion pumped new life into the music scene, and their brisk sound catapulted them into stardom. On “Rain King,” the piano takes over as its aloof flair dances behind Duritz with elegant crispness. The slower-paced “Raining in Baltimore” paints a perfectly gray picture and illustrates the band’s ease at conveying mood by eliminating the tempo. Most of the songs here engage in overly contagious hooks that won’t go away, making for a solid bunch of tunes. Containing the perfect portions of instrumental and vocal conglomeration, the Counting Crows showed off their appealing sound to its full extent with their very first album.

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Count Basie – Supreme Jazz (2006) MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Count Basie – Supreme Jazz (2006)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 60:41 minutes | Front/Rear Covers | 3,53 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 2,39 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,10 GB
Features Stereo and Multichannel Surround Sound | Membran Music # 223258

William James “Count” Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two “split” tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry “Sweets” Edison and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Count Basie introduced several generations of listeners to the Big Band sound and left an influential catalog.

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CBW – Traffic (2006) MCH SACD ISO + Hi-Res FLAC

CBW – Traffic (2006)
SACD ISO (2.0/MCH): 2,81 GB | 24B/88,2kHz Stereo FLAC: 1,14 GB | Artwork
Label/Cat#: Chesky Records # SACD 322 | Country/Year: US 2006 | 5% Recovery Info
Genre: Jazz | Style: Fusion, Contemporary Jazz

The latest Chesky Jazz recordings, The New York Sessions, are, to me, the best recordings ever because they are the most natural sounding ever. They always record live, not in studios, with minimal but highest quality technical equipment. There is no multi-tracking, overdubbing or compressing what makes the music sound so natural with its original dynamics. The lack of technical equipment may be the reason for the natural, pleasing sound of so many Jazz records of the 50`s, even the monaural ones, combined with the highest quality technical equipment of today Chesky makes the perfect sound. Listening to Cheskys for the first time you will recognize they are out of the ordinary, but I think you`ll have to get familiar with them to hear that they are best. In some of the booklets there are diagrams showing the positions of the musicians during the recording session. That was not necessary, you can see them when playing the record.

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Colin Linden – Big Mouth (2001) [Reissue 2003] MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Colin Linden – Big Mouth (2001) [Reissue 2003]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 56:44 minutes | Full Scans included | 3,33 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | 56:51 min | Scans included | 2,26 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/44,1 kHz | 56:51 min | Scans included | 634 MB
Features Stereo and Multichannel Surround Sound | Genre: Blues, Folk, World, & Country

Canadian singer/songwriter Colin Linden has been delivering his own blues-oriented rock since the early ’70s. One fine thing about his “Big Mouth”: It is not a collection of 15 tracks, with the best two or three at the beginning. The quality is consistent throughout – there are no real clunkers and some of the best tunes are at the middle and end. If you are a listener who lets a disc fade into the background after a track or two, you’ll want to start this one in the middle now and then.

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Sir Colin Davis, Symphonie-Orchester des Bayerischen Rundfunks – Tchaikovsky & Dvorak: Serenades for Strings (1988) [Japan 2017] SACD ISO + Hi-Res FLAC

Sir Colin Davis, Symphonie-Orchester des Bayerischen Rundfunks – Tchaikovsky & Dvorak: Serenades for Strings (1988) [Japan 2017]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 64:08 min | Basic Scans incl. | 2,62 GB
or FLAC (converted with foobar2000 to tracks) 24bit/48 kHz | Basic Scans included | 707 MB
Japanese SACD Reissue 2017 | Deutsche Grammmophon / Esoteric Company, Japan # ESSD-90179

Sir Colin Davis conducts the Bavarian Radio Symphony Orchestra for performances of Tchaikovsky’s Serenade For Strings in C major and Dvorak’s Serenade For Strings in E major. This reissue series of classical music masterpieces by Esoteric has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound. This series marks the first hybrid SACD release of historical recording selections that have been mainstays of the catalog since their initial release.

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